Titan announces The Adventures of Puss in Boots series

Titan Comics has announced the all-new series The Adventures of Puss in Boots, based upon the swashbuckling cat from DreamWorks Animation.

Outlaw, Hero, Purr- amour! Puss in Boots is back!

Short of money and with a long milk tab to pay, Puss answers an advert that takes him out to sea with a cranky old owl on a pea-green boat. But if you think you know how this fairytale ends… think again! Flying fur balls and derring-do abound! See you on the poop deck!

The Adventures of Puss in Boots is written by Max Davidson (Home, Simpsons Comics) and Chris Cooper (Star Trek: Starfleet Academy, Excalibur) with art from Egle Bartolini (Penguins) and Dave Alvarez (Looney Tunes, Animaniacs).The first issue is set for release on April 20th.
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Fiery Red-Head Hayward Is TCM's Star of the Month

Susan Hayward. Susan Hayward movies: TCM Star of the Month Fiery redhead Susan Hayward it Turner Classic Movies' Star of the Month in Sept. 2015. The five-time Best Actress Oscar nominee – like Ida Lupino, a would-be Bette Davis that only sporadically landed roles to match the verve of her thespian prowess – was initially a minor Warner Bros. contract player who went on to become a Paramount second lead in the early '40s, a Universal leading lady in the late '40s, and a 20th Century Fox star in the early '50s. TCM will be presenting only three Susan Hayward premieres, all from her Fox era. Unfortunately, her Paramount and Universal work – e.g., Among the Living, Sis Hopkins, And Now Tomorrow, The Saxon Charm – which remains mostly unavailable (in quality prints), will remain unavailable this month. Highlights of the evening include: Adam Had Four Sons (1941), a sentimental but surprisingly
See full article at Alt Film Guide »

Cads Of The First Water! A ‘Mortdecai’ Feature

Charlie Mortdecai, the human shambles in a sharp suit, is leaping off the printed page into cinemas this week. Debonair, cultured and about as principled as a rat in the Queen’s cutlery drawer, he’s brought to life by none other than Johnny Depp. It isn’t the first time Depp has used those relatively fresh-faced looks to an advantage when portraying the morally-quagmired. The actor’s most famous ne’er do’well, Captain Jack Sparrow, is setting his dirty sails for a return in 2017. But Mortdecai is a different breed of fish to Sparrow – equally slippery, but more in the category of “cad”; a gentleman who should know better. A man not above using all means at his disposal, from the depraved to the downright duplicitous, to attain his murky goals. Like many of the best of this species, he comes armed with a moustache, a surfeit of
See full article at The Hollywood News »

First Best Actress and Best Actor Academy Award Winners Tonight

First Best Actor Oscar winner Emil Jannings and first Best Actress Oscar winner Janet Gaynor on TCM (photo: Emil Jannings in 'The Last Command') First Best Actor Academy Award winner Emil Jannings in The Last Command, first Best Actress Academy Award winner Janet Gaynor in Sunrise, and sisters Norma Talmadge and Constance Talmadge are a few of the silent era performers featured this evening on Turner Classic Movies, as TCM continues with its Silent Monday presentations. Starting at 5 p.m. Pt / 8 p.m. Et on November 17, 2014, get ready to check out several of the biggest movie stars of the 1920s. Following the Jean Negulesco-directed 1943 musical short Hit Parade of the Gay Nineties -- believe me, even the most rabid anti-gay bigot will be able to enjoy this one -- TCM will be showing Josef von Sternberg's The Last Command (1928) one of the two movies that earned
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Slapstick Festival, CarnyVille: this week's new film events

Slapstick Festival | The Loco London Comedy Film Festival | Rybczynski: Exploring Space | CarnyVille

Slapstick Festival, Bristol

With Buster Keaton back in cinemas (The General is on reissue and there's a retrospective at London's BFI), it's a good time to brush up on silent comedy, and this festival, celebrating its 10th anniversary, has done much to spread the word, or maybe the subtitle. This year Charlie Chaplin takes his turn in the spotlight and marks the 100th anniversary of his Little Tramp incarnation, with Omid Djalili introducing an orchestra-backed screening of City Lights at Colston Hall on Friday. The seen-it-all crowd will be more intrigued by celebrations of forgotten stars such as Constance Talmadge, Raymond Griffith and Max Davidson. More up to date, Tim Vine explains why he loves Benny Hill (Watershed, 26 Jan), and Phill Jupitus asks Paul McGann and Ralph Brown about the making of Withnail & I (Bristol Old Vic, 26 Jan).

Various venues,
See full article at The Guardian - Film News »

Sexy Garbo, Wrathful Censors, the End of Stardom, and Brutal Murder: Novarro

Ramon Novarro and Greta Garbo in ‘Mata Hari’: The wrath of the censors (See previous post: "Ramon Novarro in One of the Best Silent Movies.") George Fitzmaurice’s romantic spy melodrama Mata Hari (1931) was well received by critics and enthusiastically embraced by moviegoers. The Greta Garbo / Ramon Novarro combo — the first time Novarro took second billing since becoming a star — turned Mata Hari into a major worldwide blockbuster, with $2.22 million in worldwide rentals. The film became Garbo’s biggest international success to date, and Novarro’s highest-grossing picture after Ben-Hur. (Photo: Ramon Novarro and Greta Garbo in Mata Hari.) Among MGM’s 1932 releases — Mata Hari opened on December 31, 1931 — only W.S. Van Dyke’s Tarzan, the Ape Man, featuring Johnny Weissmuller and Maureen O’Sullivan, and Edmund Goulding’s all-star Best Picture Academy Award winner Grand Hotel (also with Garbo, in addition to Joan Crawford, John Barrymore, Wallace Beery, and
See full article at Alt Film Guide »

Toronto Silent Film Festival 2013: The 1000 Laffs Slapstick Smorgasbord Delivers the Goofs

Sunday’s Toronto Silent Film Festival screening brought together five sight-gag laden comedy shorts handpicked by programmer Chris Seguin. This wild and quazy quintet covered a lot of banana peel-littered ground, showcasing a very nice cross section of silent comedy immortals and candidates for rediscovery. The event benefited immensely from its venue (the nearly 100-year old Fox Theatre, which still has its washrooms inside the cinema) and the accompaniment of jazz notable Fern Lindzon, who worked a number of ironic pop melodies and dark variations on the Wedding March into her nimble piano kibitzing.

The Waiters’ Ball

Directed by Roscoe “Fatty” Arbuckle

Produced by Mack Sennett

USA, 1916

The program began with a zany item from the formative days of comedy two-reelers. Here, star/director Arbuckle runs a grungy diner kitchen with all of the health code conscientiousness of a crack den concierge. The genial cook good-naturedly licks things he shouldn’t,
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The Iron Horse, The Kid, Underworld: Shasta County Silent Film Festival

Josef von Sternberg, Charles Chaplin, John Ford: Shasta County Silent Film Festival Friday, October 21 6:00 p.m. Angora Love (1929, Laurel & Hardy). Stanley and Oliver are adopted by a runaway goat, whose noise and aroma in turn get the goat of their suspicious landlord. Attempts to bathe the smelly animal result in a waterlogged free-for-all. Pass the Gravy (1928, Max Davidson). Max Davidson plays a widower father who enjoys raising prize flowers. His neighbor, another widower father, raises prize poultry. The two families spat because the chickens are eating Max's flower seeds. In a Romeo and Juliet-like twist, the men's children decide to marry each other, and the fathers decide to hold a celebratory dinner to show no hard feelings. However, the roast chicken on the table looks very suspicious. It's a Gift (1923, Snub Pollard) Along with a Felix the Cat. A group of oil magnates are trying to think of new ways to attract business.
See full article at Alt Film Guide »

The Forgotten: Oy!

  • MUBI
Following their invaluable collection Female Comedy Teams, Filmmuseum Munchen rescues another forgotten comedian from the ashes of history with two discs of Max Davidson Comedies, celebrating an ethnic comedian who churned out a slew of domestic two-reelers at Hal Roach studios during the late silent era.

He's a small man with a grizzled beard and a shock of salt-and-pepper hair. Circumstances frequently reduce him to a nightshirt, but he prefers an overcoat with a derby. Circumstances also conspire to throw his household into turmoil, to which Max will react by puckering his lips in a soundless "Oy!" while placing one hand to his cheek as if nursing an impacted molar. This expression, Max's "oy face," will appear with numbing regularity in every film. Occasionally, for variety, he puts both hands to both cheeks, achieving a Kubrickian symmetry.

Somewhat more funny than Max, whose range really is as limited as the above suggests,
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dvd watch: Classic Comedies...Imported!

ZaSu Pitts and Thelma Todd, Hal Roach’s distaff comedy duo. I never thought I would own copies of rare Hal Roach comedies of the 1920s and 30s in a series of meticulously-produced DVDs…and I certainly never expected the source to be a German film archive! Filmmuseum of Munich has crafted two notable collections of silent and sound comedies, one featuring Roach’s female comedy stars (Anita Garvin & Marion Byron, from the silent period, and Thelma Todd with partners ZaSu Pitts and Patsy Kelly, from the sound era) and the other spotlighting long-neglected comedian Max Davidson. The Davidson two-reelers are rare,…
See full article at Leonard Maltin's Movie Crazy »

Book reviews roundup

Burley Cross Postbox Theft by Nicola Barker, Syd Barrett: A Very Irregular Head by Rob Chapman and The Life and Opinions of Maf the Dog and of His Friend Marilyn Monroe

"What emerges is a vastly satisfying and adventurous novel, a state-of-the-nation comedy from a novelist who can do pretty much anything she likes and is having a great time doing it." So wrote Tim Martin in the Daily Telegraph of Burley Cross Postbox Theft, by Nicola Barker, "an even more purely comic work than her sprawling, much-acclaimed and periodically unhinged Darkmans (2007)," which "sets itself the task of revivifying the famously creaky and now largely neglected tradition of the epistolary novel". "Barker's knack for skewering the mores of the chattering classes remains strong, and a number of sparkling comic set-pieces stand out," contended Nick Garrard in the Independent on Sunday. "However, there is the nagging feeling throughout that Barker is coasting.
See full article at The Guardian - Film News »

See also

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