3 items from 2012
Mubi and the Venice Film Festival bring you a new collaboration. Venice International Film Critics Week, now in its 27th edition, has long been an exciting and diverse independent section at the Venice Film Festival. Mubi is proud to present a special retrospective celebrating a decade of Critics Week, running now through October 8th.
As well as artfully poignantly depicting the difficult path from adolescence to adulthood, Year of the Nail also skilfully observes the experiences and sensations of being a foreigner...and the arbitrary boundaries that separate people.
Though clearly indebted in concept to Chris Marker’s 1962 film La Jetée, Year of the Nail should by no means be consigned to its shadow. Bolstered by the brilliant sound design of Martín Hernández, this »
Mexico’s film industry broke records last year. Box office attendance reached an all-time high and due in part to increased public funding, local productions rose to more than 70 feature films. Yet, as is true in all of Latin America, Hollywood blockbusters edged out national films. Less than 10% of ticket sales were from Mexican movies. Still, there is much to be optimistic about. The amount of female filmmakers is on the rise along with increased budget allocations for state film financing. The vast majority of Mexican cinema is government funded (about 80%) and with more money comes greater opportunities for emerging artists to breakthrough. As part of this recent revival in Mexican cinematic production a new generation of directors have emerged, pushing boundaries, challenging stereotypes, and raising the international profile of Mexican films.
He didn’t start making films until he was in his thirties and remarkably his three feature films Japón, Batalla en el Cielo, and Luz Silenciosa (Silent Light) (Isa:Bac Films) all premiered at Cannes. His films deal with serious topics like love, spirituality, and death. And in the face of criticism, continues to defend his choice of depicting explicit sex scenes in Batalla en el Cielo and animal cruelty in Japón. His most recent feature is the much blogged about Post Tenebras Lux, an official selection at this year’s Cannes Film Festival.
She makes haunting, poetic, hypnotic and pensive documentaries. Her films have reached top-tier festivals like Sundance, Cannes, New Directors/New Films and have played at MoMA, The Guggenheim Museum and The Whitney Biennial. All Water Has a Perfect Memory, Al Otro Lado, El General, and her most recent film El Velador (The Night Watchman) are infused with her unique perspective. Coming from a bicultural family--she was born in Mexico to a Mexican father and American mother--she is able to highlight contradictions in both worlds using striking imagery and meditative silences.
Since 2007, he has proven to be a prolific artist, having directed five feature-length films: ¿Dónde están sus historias? (Where Are Their Stories?) (Isa:FIGa Films), Juntos (Together) (Isa:FIGa Films), Perpetuum Mobile (Isa:Ondamax Films), Todo en fin el silencio lo ocupaba (All Things Were Now Overtaken by Silence) (FIGa Films), and Verano de Goliat (Summer of Goliath) (Isa: FIGa FIlms). Pereda uses many of the same actors and characters in his films, including Gabino Rodriguez and Teresa Sanchez, who are not professional actors. He mixes fiction with documentary in fractured narratives that depict the absurdity that occurs in everyday life. Though only in his twenties he has had at least ten retrospectives of his films at cinemas and archives around the world. In 2010 his film Verano de Goliat (Summer of Goliath) was awarded the Orizzonti award for best film at the Venice Film Festival.
Son of the Academy Award nominated director Alfonso Cuarón, (Children of Men, Y tu mamá también) Jonás Cuarón stepped out of his father’s shadow and burst onto the scene with Año Uña (Year of the Nail).The film takes a year’s worth of photos Cuarón took of spontaneous everyday events, that he later assembled to create a fictional narrative. Using only still photos and the original subjects’ narration of events, the dialogue switches between English and Spanish, and the film between reality and fiction. The film’s opening explains that though the story is fictional, the people and the moments frozen in time by the photographs are very real.
- Vanessa Erazo
#51. Gravity Director: Alfonso CuarónWriter(s): Alfonso Cuarón, Jonás Cuarón and Rodrigo GarcíaProducers: Alfonso Cuarón and David Heyman Distributor: Warner Bros. The Gist: Co-written by Alfonso and his son, Jonas Cuarón, this centers on a team of astronauts — including the lead medical engineer and a talkative "mile-a-minute" veteran astronaut — who are asked to abandon their fix-it Hubble telescope mission and quickly reboard their ship after a sudden implosion of Russian satellites triggers a debris avalanche in orbit that threatens their immediate safety. It's basically a very high concept sci-fi thriller and a nonstop race for our protagonists to get back to earth...(more) Cast: George Clooney and Sandra Bullock List Worthy Reasons...: Alfonso Cuarón's Children of Men was among the best films of 2006. Emmanuel Lubezki is among the top three working DPs in the business. The last time he wore a spacesuit (Solaris) Clooney wasn't out of his place. »
3 items from 2012
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