6 items from 2014
Buenos Aires – In one of the strongest production-distribution combinations this year on any Spanish-language film, Buenos Aires’ K & S Films, Telefonica Studios and France’s La Ferme Productions will co-produce Daniel Calparsoro’s “No Crook, No Crime.”
Twentieth Century Fox, in association with Fox International Productions (Fip), will distribute “No Crook, No Crime” in the U.S., Latin America and Spain.
Film Factory will sell the rest of the world, introducing “No Crook, No Crime” to buyers at Buenos Aires’ Ventana Sur.
Written by Jorge Guerricaechevarria (“El Nino,” “Witching & Bitching”), “No Crook, No Crime” is set one rainy morning when six armed men pull a job at the headquarters of a bank in Valencia, Spain. But what appears a quick in-and-out heist goes awry. Tension, then confrontations, break out between the gang’s two leaders, »
- John Hopewell
Screening at Ventana Sur’s European Day, Alex de la Iglesia’s docu “Messi,” about the Argentine soccer superstar, Maria Ripoll’s Spanish-Indian drama “Traces of Sandalwood” and Luis Marias’ Basque Country-set thriller “Fire” are among major highlights from promotion board Catalan Films & TV’s line-up at the 6th edition of the South American market.
One of Spain’s most vital filmmaking regions, Catalonia will bring to Ventana Sur a 12 producers delegation that will take to the market both pics in development plus completed titles.
Also in attendance, and handling pics by Catalan production companies: top Spanish/Catalan sales agents Filmax International and Film Factory Entertainment plus Madrid-based Imagina International sales and Latido Films.
Completing the Catalan film industry’s presence at the Buenos Aires mart-meet, two English-language projects by Barcelona-based outfits will be pitched at Blood Window, Ventana Sur’s genre film market: Magno Entertainment’s black comedy “Fuck the World, »
- Emiliano De Pablos
San Sebastian – Basque Government is advancing on plans to open up its advantageous tax regime to international productions, its culture authorities confirmed Saturday at the San Sebastian Festival.
Coming as, for the first time ever, a Basque-language movie, “Loreak” (Flowers) plays in the main competition at the San Sebastian Festival, the highest-profile event in the Spanish-speaking world, the confirmation forms part of a larger push to encourage private sector finance to enter the Basque film industry and to internationalize its structures, without abandoning direct subsidies, Joxean Muñoz Otaegi, the Basque deputy councillor for Culture, Youth and Sports, told Variety.
Currently, the Basque Government offers 30% tax breaks to its local industry. Spanish mainland tax breaks for the film industry run at 18%.
Channelled through a Agrupacion de Interés Económico (Aie) tax scheme, these have just been used for the first time ever via an Aie on Luis Marias’ “Fuego,” said Basque Treasury »
- John Hopewell
The poll for the Fipresci Grand Prix 2014 - Best Film of the Year gathered votes from 553 members throughout the world.
In the first phase, participants nominated feature-length films that received their world premiere no earlier than July 1, 2013. This led to a final round between the four finalists: Boyhood by Richard Linklater, Ida by Pawel Pawlikowski, The Grand Budapest Hotel by Wes Anderson, and Winter Sleep by Nuri Bilge Ceylan.
This is the first Linklater has won the prize, which has previously gone to Michael Haneke, Paul Thomas Anderson, Jafar Panahi, Pedro Almodóvar, Jean-Luc Godard and Nuri Bilge Ceylan, among others, since its establishment in 1999.
Boyhood will have a special screening at the San Sebastián Film Festival on Sept »
- email@example.com (Michael Rosser)
Los ultimos dias, 2013.
A mysterious epidemic spreads across the globe, causing an irrational fear of wide open spaces that has lethal symptoms. In Barcelona, one man searches the chas to find his missing girlfriend.
Spanish cinema aficionados among you will no doubt already be aware of how popular both the sci-fi and horror genres are in the Hispanic film industry. Individually they have produced some huge successes that have even become familiar to foreign cinema novices; international hits such as Rec (2007) and The Skin I Live In (2011). However, hybrids of the two genres have often struggled to get off the ground, with Spanish filmmakers lacking the wealth of resources of their English-speaking counterparts. That being said, Los ultimos dias (The Last Days) is certainly a step in the right direction.
The films »
- Gary Collinson
The directing duo behind the underrated Carriers, Alex and David Pastor, return for yet another slice of post-apocalyptic horror with The Last Days, which sees a mysterious epidemic known as The Panic spread across the planet – essentially extreme agoraphobia, this new-found irrational fear of open spaces leads to instant death and soon the world’s population remains trapped inside buildings afraid to move. As Barcelona descends into chaos Marc embarks on a citywide quest to search for his pregnant girlfriend Julia without setting foot outside. Teaming up with his hated boss Enrique who was just about to fire him, this means travelling via sewer, subway line, cellars and basements, avoiding opportunistic feral gangs, armed only with a failing Gps device and lots of ingenuity.
Despite differing wildly in subject matter, The Last Days »
- Phil Wheat
6 items from 2014
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