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Doug Cooper (I)

Doug Cooper is known for his work on The Prince of Egypt (1998), Shrek Forever After (2010) and Shark Tale (2004). See full bio »

"Veep" Cast Enjoys a Three-Peat

Executive producer David Mandel and stars Gary Cole, Reid Scott, and Matt Walsh reflect on a third consecutive Outstanding Comedy Series Emmy win and pay tribute to the show's star, Julia Louis-Dreyfus.

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Photos: Emmy Highlights

Get a closer look at memorable moments from the 2017 Emmy Awards telecast.

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1 nomination. See more awards »

Known For

The Prince of Egypt
The Prince of Egypt Visual Effects
Shrek Forever After
Shrek Forever After Visual Effects
Shark Tale
Shark Tale Visual Effects
Bee Movie
Bee Movie Visual Effects


Hide Hide Show Show Visual effects (10 credits)
 2016 Kung Fu Panda: Secrets of the Scroll (Short) (visual effects supervisor)
 2012 Wolves from Another Kingdom (Short) (digital colorist) / (visual effects artist)
 2010 Shrek Forever After (visual effects supervisor)
 2007 Bee Movie (visual effects supervisor)
 2006 First Flight (Short) (visual effects supervisor)
 2004 Shark Tale (visual effects supervisor)
 2002 Spirit: Stallion of the Cimarron (digital supervisor)
 2001 Major Damage (Short) (visual effects supervisor)
 1998 The Prince of Egypt (effects animator: "Red Sea" sequence)
 1993 We're Back! A Dinosaur's Story (technical coordinator: American Film Technologies - as Douglas Cooper)
Hide Hide Show Show Editorial department (3 credits)
 2010 Shrek Forever After (colorist - uncredited)
 2008 Kung Fu Panda (digital colorist)
 2007 Bee Movie (colorist - uncredited)
Hide Hide Show Show Miscellaneous Crew (2 credits)
 1998 The Prince of Egypt (technical director: SFX)
 1995 Balto (software developer: SFX)
Hide Hide Show Show Self (3 credits)
 2004-2007 HBO First Look (TV Series documentary short)
 2005 A Fishified World (Video documentary short)
 2004 Shark Tale: Gettin' Fishy with It (TV Movie)

Personal Details

Alternate Names:

Douglas Cooper

Did You Know?


One of 105 people invited to join AMPAS in 2008.

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