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Herman Cohen (II) (1925–2002)

Herman Cohen's motion picture career began at his local cinema, the Dexter Theater in Detroit, during his preteen years--he worked there as a "gofer" and later as an usher. He next became assistant manager of Detroit's Fox Theater. After a Marine Corps hitch, Cohen worked as sales manager for the Detroit branch of Columbia Pictures, then relocated... See full bio »

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Known For


Hide Hide Show Show Producer (26 credits)
 1977 Watch Me When I Kill (co-producer)
 1974 Craze (producer)
 1970 Trog (producer)
 1969 Django the Bastard (producer)
 1969 Sophie's Place (producer)
 1967 Berserk (producer)
 1965 A Study in Terror (executive producer)
 1963 Black Zoo (producer)
 1961 Konga (executive producer)
 1959 Horrors of the Black Museum (producer)
 1959 The Headless Ghost (producer)
 1958 How to Make a Monster (producer)
 1957 I Was a Teenage Frankenstein (producer)
 1957 Blood of Dracula (producer)
 1957 I Was a Teenage Werewolf (producer)
 1957 Crime of Passion (producer)
 1956 Dance with Me, Henry (producer)
 1956 The Brass Legend (producer)
 1956 Magnificent Roughnecks (producer)
 1955 Operation Malaya (Documentary) (executive producer)
 1954 Target Earth (producer)
 1954 River Beat (co-producer)
 1952 Battles of Chief Pontiac (associate producer)
 1952 Bela Lugosi Meets a Brooklyn Gorilla (associate producer)
 1952 Kid Monk Baroni (associate producer)
 1951 The Bushwhackers (associate producer)
Show Show Writer (9 credits)
Show Show Actor (9 credits)
Show Show Miscellaneous Crew (5 credits)
Show Show Production manager (1 credit)
Show Show Thanks (1 credit)
Show Show Self (2 credits)
Show Show Archive footage (1 credit)

Personal Details

Publicity Listings:

1 Biographical Movie | 1 Portrayal | 5 Interviews | See more »

Alternate Names:

Kenneth Langtry | Ralph Thornton

Did You Know?

Personal Quote:

[on working with Bela Lugosi on Bela Lugosi Meets a Brooklyn Gorilla (1952)] He was an old man and not well . . . You couldn't have a personal relationship with him, or a personal conversation, because the minute he was through shooting anything on the sound stage, they [his wife and son] would whisk him back to his dressing room. See more »


Interviewed in the Tom Weaver books "Attack of the Monster Movie Makers" (McFarland & Co., 1994), "Eye on Science Fiction" (McFarland & Co., 2003) and "A Sci-Fi Swarm and Horror Horde" (McFarland & Co., 2010). See more »

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