9 items from 2015
“Wealthy men are never old!”
How To Marry A Millionaire screens Saturday morning, November 21st, at 10:30am at The Hi-Pointe Theater (1005 McCausland Ave, St. Louis). This is a fundraiser for The Cottey College Scholarship Fund and admission is $10.
How To Marry A Millionaire is a 1953 romantic comedy based on the plays The Greeks Had a Word for It by Zoe Akins and Loco by Dale Eunson and Katherine Albert. The film stars Marilyn Monroe, St. Louis’ own Betty Grable and Lauren Bacall as three gold diggers along with William Powell, David Wayne, Rory Calhoun, Cameron Mitchell, Alex D’Arcy, and Fred Clark.It was directed by Jean Negulesco and produced and written by Nunnally Johnson.
In order to meet wealthy husbands, three beautiful women take an apartment in one of Manhattan’s most affluent areas, on the corner of East 55th St. and Sutton Place. Naive moocher Betty Grable »
- Tom Stockman
Billy Wilder directed Sunset Blvd. with Gloria Swanson and William Holden. Billy Wilder and Charles Brackett movies Below is a list of movies on which Charles Brackett and Billy Wilder worked together as screenwriters, including efforts for which they did not receive screen credit. The Wilder-Brackett screenwriting partnership lasted from 1938 to 1949. During that time, they shared two Academy Awards for their work on The Lost Weekend (1945) and, with D.M. Marshman Jr., Sunset Blvd. (1950). More detailed information further below. Post-split years Billy Wilder would later join forces with screenwriter I.A.L. Diamond in movies such as the classic comedy Some Like It Hot (1959), the Best Picture Oscar winner The Apartment (1960), and One Two Three (1961), notable as James Cagney's last film (until a brief comeback in Milos Forman's Ragtime two decades later). Although some of these movies were quite well received, Wilder's later efforts – which also included The Seven Year Itch »
- Andre Soares
Hammer horror fans are in for a treat, as respective collections of five William Castle films and five Hammer horror movies are coming out on Blu-ray in August, and The Incredible Two-Headed Transplant has been set to come out on Blu-ray.
The William Castle and Hammer horror collections will respectively come out on DVD August 18th from Mill Creek. The Incredible Two-Headed Transplant, meanwhile, is slated for release later this year by Kino Lorber. Stay tuned to Daily Dead for further updates.
From Mill Creek: "Iconic horror director William Castle created a simple, but winning formula for his films: a little comedy, a lot of scares, a preposterous gimmick, and a clear sense that fright films should be fun. This even meant Castle would, like Alfred Hitchcock, appear in his trailers and even the movies themselves. Though his career spanned 35 years and included everything from westerns to crime thrillers, he'll »
- Derek Anderson
'The Devil Strikes at Night,' with Mario Adorf as World War II era serial killer Bruno Lüdke 'The Devil Strikes at Night' movie review: Serial killing vs. mass murder in unsubtle but intriguing World War II political drama After more than a decade in Hollywood, German director Robert Siodmak (Academy Award nominated for the 1946 film noir The Killers) resumed his European career in the mid-1950s. In 1957, he directed The Devil Strikes at Night / Nachts, wenn der Teufel kam, an intriguing, well-crafted crime drama about the pursuit of a serial killer – and its political consequences – during the last months of the mass-murderous Nazi regime. Inspired by real events, The Devil Strikes at Night begins as war-scarred Hamburg is deeply shaken by the horrific murder of a waitress. Through the Homicide Bureau, inspector Axel Kersten (Claus Holm) begins an investigation that leads him to a mentally disabled laborer, »
- Andre Soares
Miracolo!: Monicelli’s Exuberant, Digitally Restored Classic
There hasn’t been a performer that’s come close to equaling the vibrant energy of Italian actress Anna Magnani, that furious powerhouse that graced some of the best works of Rossellini, Visconti, Pasolini, and Renoir and swept her way through English language cinema, winning an Oscar for 1955’s The Rose Tattoo. It’s with great pleasure to discover that Mario Monicelli’s forgotten classic The Passionate Thief was digitally restored last year, playing at the 2014 Telluride Film Festival before being treated to a limited theatrical run this Spring at select theaters. Starring Magnani with her frequent stage collaborator, famed comedian Toto, and a nubile Ben Gazzara, the trio wanders through Rome’s streets one lackluster New Year’s Eve as they stumble through a series of escapades.
- Nicholas Bell
Robert Montgomery’s 1947 sophomore film, Ride the Pink Horse is an exciting film noir gem ripe for rediscovery, available on Blu-ray for the first time courtesy of Criterion’s digital restoration. Best known as a comedic actor and Oscar nominated for roles in Night Must Fall (1937) and Here Comes Mr. Jordan (1941), Montgomery would eventually direct a handful of titles mostly neglected by the passage of time with the exception of his first directorial credit, the experimental noir Lady in the Lake (as the film is presented entirely from the point of view of its protagonist, as if we’re looking directly through his eyes), an adaptation of a Raymond Chandler novel. Lady premiered earlier in the very same year, and though it is often referenced for its structural technique, it’s his follow-up title that’s more impressive, as unique and off kilter as its enigmatic title.
Former GI Lucky »
- Nicholas Bell
Top Five Chris Rock's movie was one of the better comedies last year and it took me a couple times to realize this so definitely give it a chance and after that first viewing, if you aren't entirely convinced, give it a second spin.
Ride the Pink Horse (Criterion Collection) I have a copy of this, but haven't yet watched it, though I'm looking forward to it and will share some thoughts down the road. For now, here's Criterion's description: Hollywood actor turned idiosyncratic auteur Robert Montgomery directs and stars in this striking crime drama based on a novel by Dorothy B. Hughes. He plays a tough-talking former GI who comes to a small New Mexico town to »
- Brad Brevet
“Border Town Noir”
Most film noir pictures take place in urban centers—New York City, Los Angeles—where the big city is as much a character as the unhappy humans in these often bleak and brutal, sometimes brilliant, Hollywood crime films that spanned the early forties to the late fifties. Film noir peaked in the latter half of the forties, with an abundance of the classic titles released between 1946-1948.
One of the more unique things about Ride the Pink Horse is that the urban setting is gone. Instead, the action is set in a border town in New Mexico, where there is indeed danger, to be sure, but there’s also a little less pessimism among the inhabitants—unlike in the urban noirs in which everyone’s a cynic. Interestingly, one might say that the “border town noir” could be a sub-set of the broader category, »
- firstname.lastname@example.org (Cinema Retro)
Directed by Robert Montgomery
Set in the small New Mexican town of San Pablo during a locally popular festival, actor-director Robert Montgomery’s Ride the Pink Horse begins as a lonely stranger, Gagin (Montgomery), arrives in town by bus, takes a moment at the station to rent a locker into which he stashes a cheque, and then commences his search for one Frank Hugo (Fred Clark), wealthy businessman and the one responsible for the death of Gagin’s wartime friend. More than claim vengeance through blood, Gagin concocts a scheme to blackmail Frank, the aforementioned cheque holding particular importance in the ordeal. A stubbornly stern individual, Gagin is not easy to make friends with, but in a town where almost everybody is after his skin, including Frank, the latter’s main squeeze Marjorie (Andrea King) and FBI »
- Edgar Chaput
9 items from 2015
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