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The Killer is Loose

Psycho killers long ago lost their novelty, but in 1956 Budd Boetticher and Wendell Corey gave us Leon ‘Foggy’ Poole, a screen original with limitless appeal. Imagine a time when ‘normalcy’ was so taken for granted that any weird behavior was enough to give us the chills? Foggy carries this crime potboiler with a refreshing new idea: his dangerous maniac looks more normal than normal people.

The Killer Is Loose



1956 / B&W / 1:85 widescreen / 76 min. / Street Date June 13, 2017 / 29.98

Starring: Joseph Cotten, Rhonda Fleming, Wendell Corey, Alan Hale Jr., Michael Pate, John Larch, Dee J. Thompson, Virginia Christine.

Cinematography: Lucien Ballard

Original Music: Lionel Newman

Written by Harold Medford, story by John & Ward Hawkins

Produced by Robert L. Jacks

Directed by Budd Boetticher

A smartly directed mid-fifties noir with a sensational central performance from the overlooked Wendell Corey, The Killer is Loose shows director Budd Boetticher at ease with a modest budget,
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Review: The Complete Steve Canyon on TV Volume 3

  • Comicmix
Milton Caniff’s Steve Canyon (1947-1988) was one of the most celebrated adventure comic strips of the 1950s. The blond, square-jawed hero was on the cutting edge of action as he took to the skies and had adventures around the world. Caniff populated the strip with memorable supporting characters and adversaries so it was a rich reading experience.

The strip was so popular that when Captain Action was introduced in 1966, Canyon was one of the first heroes he could turn into. Somewhat earlier, Canyon also served as inspiration for an NBC prime time series that, sadly, bore little resemblance to the strip (a common problem back then).

In 2008, John R. Ellis brought us this forgotten gem with The Complete Steve Canyon on TV Volume 1 and followed up a year later with Volume 2. The silence until late last year when the anticipated Volume 3 finally arrived, completing the run. Thankfully it came
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Criterion Collection: The Killers | Blu-ray Review

  • ioncinema
Criterion digitally restores this earlier release, a combination offering of Robert Siodmak’s 1946 film noir masterpiece The Killers paired with Don Siegel’s retro 1964 remake. Famed adaptations of Ernest Hemingway’s short story, both filmmakers take liberties with the original material to create aggressively different products. Siodmak’s version is not only the German ex-pat’s enduring masterpiece, it’s a definite cornerstone of classic American film noir. Though Siegel’s 60s rehash is considered tacky pastiche of the era, it’s brutal, hard boiled B-grade pulp, notable for its own significant instances.

Siodmak’s version arrived during a golden era of noir, premiering a year after WWII officially ended, with cinematic masculine representation on the eve of an overhaul as method acting would soon reign supreme. Hemingway’s spare story gets a face life from Anthony Veiller (The Stranger; Night of the Iguana), using the murder as a jumping
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Wright Was Earliest Surviving Best Supporting Actress Oscar Winner

Teresa Wright: Later years (See preceding post: "Teresa Wright: From Marlon Brando to Matt Damon.") Teresa Wright and Robert Anderson were divorced in 1978. They would remain friends in the ensuing years.[1] Wright spent most of the last decade of her life in Connecticut, making only sporadic public appearances. In 1998, she could be seen with her grandson, film producer Jonah Smith, at New York's Yankee Stadium, where she threw the ceremonial first pitch.[2] Wright also became involved in the Greater New York chapter of the Als Association. (The Pride of the Yankees subject, Lou Gehrig, died of Amyotrophic Lateral Sclerosis in 1941.) The week she turned 82 in October 2000, Wright attended the 20th anniversary celebration of Somewhere in Time, where she posed for pictures with Christopher Reeve and Jane Seymour. In March 2003, she was a guest at the 75th Academy Awards, in the segment showcasing Oscar-winning actors of the past. Two years later,
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Blu-ray Review: 'The Killers'

  • CineVue
★★★★☆Burt Lancaster and Ava Gardner star in this re-issued classic of film noir. Adapted from a short story by Ernest Hemingway, The Killers (1946) borrows the investigative flashback structure of Citizen Kane (1941) to uncover why 'the Swede', a seemingly ordinary gas station worker (Lancaster), came to be murdered by a pair of professional hitmen (Charles McGraw and William Conrad). Investigator Jim Reardon (Edmond O'Brien) pursues the life insurance policy that the deceased had taken out, leading him to a hotel maid (Queenie Smith), a police officer (Same Levene) and his wife (Virginia Christine), a former crook (Vince Barnett), and the Swede's glamorous ex-girlfriend, Kitty Collins (Gardner).
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‘The Mummy’s Curse,’ not Universal’s best monster movie effort, but worth a watch

  • SoundOnSight
The Mummy’s Curse

Written by Bernard Schubert, Leon Abrams, and Dwight V. Babcock

Directed by Leslie Goodwins

USA, 1944

“The devil’s alive and he’s dancing with the mummy.”

Universal’s mummy series plateaus with 1944’s The Mummy’s Curse. Set in the 1990s, men on an irrigation project working in the swamps of the Louisiana bayou help unearth mummy Kharis (Lon Chaney Jr) and his Princess Ananka (Virigina Christine). Knowing this, the film’s High Priest, Dr. Izor Zandaab (Peter Coe) follows his supposed boss Dr. Halsey (Dennis Moore) to retrieve the mummies. What ensues is mostly a chase film and blatant repetition of The Mummy, The Mummy’s Hand, and even The Mummy’s Ghost.

Part of the repetition comes when Zandaab tells Kharis and Ananka’s story. Stock footage from the previous films is used to explain how Kharis’s attempt to bring Ananka back to
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‘The Killers’ is a magnificent blend of style and story

The Killers

Written by Anthony Veiller, Richard Brooks and John Huston

Directed by Robert Siodmak

U.S.A., 1946

Without question, Robert Siodmak was one of the great stylistic directors working in Hollywood during the 1930s, 40s, 50s and even into the 60s. Arriving from Europe as so many of his continental colleagues did during the period when the indescribable of evil of Nazism, had begun to spread its tentacles across their homelands, Siodmak brought with him to the film industry a stunning ability to construct rich films which balanced sharp storytelling and brilliant German Impressionistic visual allure, the latter which helped pronounce the often dire, sad, paranoid tone the stories themselves championed. The excellent thriller The Spiral Staircase (1945) and the underseen noir Phantom Lady (1944) are but two examples of Siodmak working in remarkable harmony with strong scripts and his cinematographers to produce not merely gripping tales, but gripping cinematic experiences of the classic period.
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Carson Interviews, Wilder Movies Tonight

Billy Wilder movies, Johnny Carson interviews tonight on TCM Billy Wilder is Turner Classic Movies’ Director of the Evening tonight, July 8, 2013. But before Wilder Evening begins, TCM will be presenting a series of brief interviews from The Tonight Show, back in the old Johnny Carson days — or rather, nights. The Carson interviewees this evening are Doris Day, Charlton Heston, Tony Curtis, Chevy Chase, and Steve Martin. (See also: Doris Day today.) (Photo: Billy Wilder.) As for Billy Wilder, TCM will be showing the following: Some Like It Hot (1959), The Fortune Cookie (1966), The Spirit of St. Louis (1958), and The Seven Year Itch (1955). Of course, all of those have been shown before and are widely available. Some Like It Hot vs. The Major and the Minor: Subversive and subversiver Some Like It Hot is perhaps Billy Wilder’s best-known film. This broad comedy featuring Marilyn Monroe, Jack Lemmon and Tony Curtis
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Burt Lancaster, Ava Gardner: Robert Siodmark’s The Killers Academy Screening

Robert Siodmak’s The Killers (1946), the film noir that catapulted Burt Lancaster and Ava Gardner (above) to stardom, will be screened as the next feature in the Academy of Motion Picture Arts and Sciences’ series “Oscar Noir: 1940s Writing Nominees from Hollywood’s Dark Side.” The Killers will be shown on Monday, June 21, at 7:30 p.m. at the Academy’s Samuel Goldwyn Theater in Beverly Hills. Screenwriter Billy Ray (Shattered Glass, State of Play) will introduce the screening. (The Killers is sold out. More info below.) Screenwriter Anthony Veiller turned Ernest Hemingway’s classic short story into a classic film noir. The Killers, about a former boxer and the men out to get him, isn’t one of my favorites noirs, but it’s great to look at thanks to Ava Gardner and cinematographer Elwood Bredell. Also in the cast: Edmond O’Brien, Albert Dekker, Sam Levene, Virginia Christine,
See full article at Alt Film Guide »

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