3 items from 2017
The Berlin Film Festival’s Panorama section has completed its lineup with the addition of 24 feature films, including “Call Me by Your Name,” an extremely well-reviewed gay love story featuring actor Armie Hammer.
The full Panorama program includes 36 world, six international and nine European premieres. Thirteen European films have been added. Among those is “Call Me by Your Name,” directed by Luca Guadagnino (“A Bigger Splash”) from an adaptation, co-written with James Ivory, of a novel by André Aciman.
There are five films from Brazil, including “Como Nossos Pais” (Just Like Our Parents), directed by Lais Bodanzky, who depicts the everyday lives of three generations in Sao Paulo as “a pyrotechnic display of individual passions and existential delusions staged with a sublime naturalness,” according to the festival.
- Leo Barraclough
Berlin’s Panorama lineup also includes new films from Us, China and Brazil.
Berlin’s Panorama strand is now complete following the addition of 24 additional titles.
A total of 51 works from 43 countries have been chosen for screening in the section, including 21 in Panorama Dokumente and 29 feature films in the main programme and Panorama Special. 36 of these films will be getting their world premieres at the Berlinale.
Among newly confirmed films are UK Sundance title God’s Own Country, Luca Guadagnino’s Call Me By Your Name, Cate Shortland’s Berlin Syndrome, feminist fairy tale The Misandrists by Berlinale regular Bruce Labruce, Erik Poppe’s The King’s Choice and Belgian-French-Lebanese co-production Insyriated which stars Hiam Abbass as a woman trapped in an apartment during war.[p »
- email@example.com (Andreas Wiseman)
“The King’s Choice” is a World War II drama, and as soon as you hear that — well, okay, as soon as I heard it — the reaction it inspires may be something along the lines of: Really? Again? Yet the movie, which is Norway’s short-listed Oscar contender for Best Foreign Language Film (it’s actually a co-production of Norway and Ireland), is nothing if not original. It has a few traumatic and bedazzling scenes of combat, but mostly it’s about the backroom bureaucratic gamesmanship of war. It re-enacts a celebrated moment of national defiance, and the vision it puts forth is at once ennobling and, frankly, a little eccentric. Outside of Norway, where it has already opened, the prospects look limited, though a pinch of Oscar love could always help its chances.
The movie is set over the course of three days in April 1940, and everything that happens during those three days could, »
- Owen Gleiberman
3 items from 2017
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