In previous film classes (which I should say are merely showcases for films that excel in whatever subject springs to my mind before writing) I’ve covered a range of aspects from the technical to the aesthetic and more. However in this instalment I want to delve deeper into character, and in particular the audio and visual tools a film-maker can use in order to effectively portray a descent into madness.
It’s particularly important that these tools are used creatively when the character in question is generally quiet. When he seems inactive until that inevitable moment when he fully unravels into explosive behaviour. I’ve covered films in previous instalments (and other articles) which I could easily have focused on here.