Now, with the advent of what many are calling TV’s golden age, the segregation between film and TV cinematography is a thing of the past. This year’s Emmy-nominated DPs have many reasons for embracing the small screen. (The four who were contacted for this story spoke before the Dp winners were announced at the Creative Arts Emmys.)
Two-time Oscar-winning cinematographer John Toll, previously known almost exclusively for his cinema work, came onto Netflix’s “Sense8” after making two features (“Cloud Atlas” and “Jupiter Ascending”) with its creators, Lana and Lilly Wachowski.
He says his decision to shoot for television on the project was a natural extension of that working