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I wondered whether I'd succeed, not just in telling the novel's story, but also in filling it with the same moral density. Could I film the thin line that divides good from evil, justice from iniquity? Could I film the overpowering of a woman without adding outrage? Could I film a man's criminal selfishness without condemning him? - On being filled with doubts preparing to film 'Don't Move.'.
Member of the jury at the Cannes Film Festival in 2008.