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Diahann Carroll Poster

Biography

Jump to: Overview (2) | Mini Bio (1) | Spouse (4) | Trivia (28) | Personal Quotes (6) | Salary (2)

Overview (2)

Date of Birth 17 July 1935The Bronx, New York City, New York, USA
Birth NameCarol Diann Johnson

Mini Bio (1)

One of television's premiere African-American series stars, elegant actress, singer and recording artist Diahann Carroll was born Carol Diann (or Diahann) Johnson on July 17, 1935, in the Bronx, New York. The first child of John Johnson, a subway conductor, and Mabel Faulk Johnson, music was an important part of her life as a child, singing at age 6 with her Harlem church choir. While taking voice and piano lessons, she contemplated an operatic career after becoming the 10-year-old recipient of a Metropolitan Opera scholarship for studies at New York's High School of Music and Art. As a teenager she sought modeling work but it was her voice, in addition to her beauty, that provided the magic and the allure.

When she was 16, she teamed up with a girlfriend from school and auditioned for Arthur Godfrey's Talent Scouts show using the more exotic sounding name of Diahann Carroll. She alone was invited to appear and won the contest. She subsequently performed on the daily radio show for three weeks. In her late teens, she began focusing on a nightclub career and it was here that she began formulating a chic, glamorous image. Another TV talent show appearance earned her a week's engagement at the Latin Quarter.

Broadway roles for black singers were rare but at age 19, Diahann was cast in the Harold Arlen/Truman Capote musical "House of Flowers". Starring the indomitable Pearl Bailey, Diahann held her own quite nicely in the ingénue role. While the show itself was poorly received, the score was heralded and Diahann managed to introduce two song standards, "A Sleepin' Bee" and "I Never Has Seen Snow", both later recorded by Barbra Streisand.

In 1954 she and Ms. Bailey supported a riveting Dorothy Dandridge as femme fatale Carmen Jones (1954) in an all-black, updated movie version of the Georges Bizet opera "Carmen." Diahann later supported Ms. Dandridge again in Otto Preminger's cinematic retelling of Porgy and Bess (1959). During this time she also grew into a singing personality on TV while visiting such late-nite hosts as Jack Paar and Steve Allen and performing.

Unable to break through into the top ranks in film (she appeared in a secondary role once again in Paris Blues (1961), a Paul Newman/Joanne Woodward vehicle), Diahann returned to Broadway. She was rewarded with a Tony Award for her exceptional performance as a fashion model in the 1962 musical "No Strings," a bold, interracial love story that co-starred Richard Kiley. Richard Rodgers, whose first musical this was after the death of partner Oscar Hammerstein, wrote the part specifically for Diahann, which included her lovely rendition of the song standard "The Sweetest Sounds." By this time she had already begun to record albums ("Diahann Carroll Sings Harold Arlen" (1957), "Diahann Carroll and Andre Previn" (1960), "The Fabulous Diahann Carroll" (1962). Nightclub entertaining filled up a bulk of her time during the early-to-mid 1960s, along with TV guest appearances on Carol Burnett, Judy Garland, Andy Williams, Dean Martin and Danny Kaye's musical variety shows.

Little did Diahann know that in the late 1960s she would break a major ethnic barrier on the small screen. Though it was nearly impossible to suppress the natural glamour and sophistication of Diahann, she touchingly portrayed an ordinary nurse and widow struggling to raise a small son in the series Julia (1968). Despite other Black American actresses starring in a TV series (i.e., Hattie McDaniel in "Beulah"), Diahann became the first full-fledged African-American female "star" -- top billed, in which the show centered around her lead character. The show gradually rose in ratings and Diahann won a Golden Globe award for "Best Newcomer" and an Emmy nomination. The show lasted only two seasons, at her request.

A renewed interest in film led Diahann to the dressed-down title role of Claudine (1974), as a Harlem woman raising six children on her own. She was nominated for an Oscar in 1975, but her acting career would become more and more erratic after this period. She did return, however, to the stage with productions of "Same Time, Next Year" and "Agnes of God". While much ado was made about her return to series work as a fashionplate nemesis to Joan Collins' ultra-vixen character on the glitzy primetime soap Dynasty (1981), it became much about nothing as the juicy pairing failed to ignite. Diahann's character was also a part of the short-lived "Dynasty" spin-off The Colbys (1985).

Throughout the late 1980s and early 90s she toured with her fourth husband, singer Vic Damone, with occasional acting appearances to fill in the gaps. Some of her finest work came with TV-movies, notably her century-old Sadie Delany in Having Our Say: The Delany Sisters' First 100 Years (1999) and as troubled singer Natalie Cole's mother in Livin' for Love: The Natalie Cole Story (2000). She also portrayed silent screen diva Norma Desmond in the musical version of "Sunset Blvd." and toured America performing classic Broadway standards in the concert show "Almost Like Being in Love: The Lerner and Loewe Songbook." Most recently she has had recurring roles on Grey's Anatomy (2005) and White Collar (2009).

- IMDb Mini Biography By: Gary Brumburgh / gr-home@pacbell.net

Spouse (4)

Vic Damone (3 January 1987 - 12 September 1996) (divorced)
Robert DeLeon (25 May 1975 - 31 March 1977) (his death)
Fredrick (Fredde) Jack Glusman (21 February 1973 - 20 July 1973) (divorced)
Monte Kay (26 February 1956 - 14 January 1963) (divorced) (1 child)

Trivia (28)

In the 1960s she was engaged to Sidney Poitier.
Is a breast cancer survivor.
Won first prize on TV's Chance of a Lifetime (1952).
Won a Tony for "No Strings".
She and actor Billy Dee Williams were high school classmates at The New York City High School of Music & Art, the school that in the 70s merged with the HIgh School of Performing Arts, featured in "Fame" (1982), to become Laguardia High School.
In the early 1970s, engaged to TV interviewer David Frost.
Was a model for Ebony Fashion Fair.
Mother of Suzanne Kay Bamford, media journalist (b. 9 September 1960).
Is a honorary member of Alpha Kappa Alpha Sorority Inc.
Won Broadway's 1962 Tony Award as Best Actress (Musical) for "No Strings," in a tie with Anna Maria Alberghetti for "Carnival."
Was supposed to have returned to Dynasty (1981) for Season 10 in 1989, but the show was canceled after Season 9.
Is one of 10 African-American actresses to be nominated for the Best Actress Oscar. The others in chronological order are: Dorothy Dandridge, Diana Ross, Cicely Tyson, Whoopi Goldberg, Angela Bassett, Halle Berry, Gabourey Sidibe, Viola Davis, and Quvenzhané Wallis.
Mother-in-law of Mark Bamford.
Best known by the public for her starring role as the title character in Julia (1968).
Once pursued the idea of a joint talk show hosting assignment with her daughter, Suzanne Kay, from her first marriage.
Her third union to Robert DeLeon, the 24-year-old managing editor of Jet magazine, after only meeting three months earlier, grew contentious early in the game. DeLeon began to drink heavily and run up debts, and the marriage ended abruptly when he was killed in a 1977 car accident.
Her romantic relationships were turbulent. In the early 1970s she became romantically involved with David Frost, a popular British talk show host. In November of 1972, she and Frost became engaged but she called it off and married another man, Freddie Glusman, a week later. That marriage was short-lived.
While Diahann was performing in 1954's "House of Flowers" on Broadway, she became involved with the show's casting director, Monte Kay, who then became her first husband in September of 1956.
Once enrolled at New York University, where she intended to study psychology, in honor of her parents' wishes that she complete her education. She lasted one term; her passion for a career in singing won out.
Once worked in the hat department at New York's Macy's Store.
In 1959, while appearing as Clara in Porgy and Bess (1959), she fell in love with the film's star Sidney Poitier. Both were married, however, and the affair ended. The two reconnected with the filming of the movie Paris Blues (1961) and this time she divorced her first husband. She eventually became engaged to Poitier, only to break off the relationship several months later.
Diahann had to withdraw from the 2004 Kennedy Center production of "On Golden Pond" co-starring James Earl Jones due to medical reasons. She was replaced by Leslie Uggams.
She was awarded a Star on the Hollywood Walk of Fame for Recording at 7005 Hollywood Boulevard in Hollywood, California.
In an interview, her ex-Julia (1968) co-star, Marc Copage said, she was his surrogate mother who filled that void when he didn't have a real-life mother.
Acting mentor and friend of Marc Copage.
Release of her autobiography, "Diahann" by Diahann with Ross Firestone.
Rehearsing to appear in "On Golden Pond" opposite James Earl Jones, in Washington, D.C. [July 2004]
Release of her autobiography, "The Legs Are the Last to Go: Aging, Acting, Marrying, Mothering and Other Things I Learned Along the Way" by Diahann with Bob Morris.

Personal Quotes (6)

[on filming Hurry Sundown (1967) in St. Francisville, LA, home of the Ku Klux Klan, amid death threats to the cast and crew] You can cut the hostility here with a knife. I'm not a fighter. I usually smile and then go into my room and cry my eyes out. But down here, the terror has killed my taste for going anywhere.
I'm always getting involved in the wrong relationship. I do that very well.
I like to think I opened doors for other women, although that wasn't my original intention.
I learned quickly that almost any time a third world face became prominent on TV, we became responsible for the whole minority community.
In the beginning, I found myself dealing with a show business dictated by male white supremacists and chauvinists. As a black female, I had to learn how to tap dance around the situation. I had to ... find a way to present my point of view without being pushy or aggressive. In the old days, the only women I saw in this business were in makeup, hairdressing, and wardrobe departments. Now I'm surrounded by women executives, writers, directors, producers, and even women stagehands.
All I ever wanted to do was sing. What happened was more.

Salary (2)

Carmen Jones (1954) $1,000
Claudine (1974) $600,000

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