4 items from 2015
CopAt the ripe age of twenty-six—the two were born within days of each other in 1928—James B. Harris and Stanley Kubrick formed Harris-Kubrick Productions. With Kubrick leading the charge behind the camera and Harris acting as the right-hand-man producer, the duo completed three major critical successes: The Killing (1956), Paths of Glory (1957), and Lolita (1962). But where Kubrick’s subsequent work has achieved a supreme, hall-of-fame stature, Harris’s own directorial career—consisting of five excellent movies made across a four-decade span—remains, despite the valiant effort of a few notable English-language critics (Michael Atkinson, Jonathan Rosenbaum), on the relative sidelines. The latest attempt to boost Harris’s reputation: BAMcinématek’s week-long retrospective of Harris’s producing and directing output, selected by “Overdue” co-programmers Nick Pinkerton and Nicolas Rapold.Harris and Kubrick stopped working together amidst a pre-production disagreement during the making of what would become Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb »
- Danny King
Stars: Sterling Hayden, Coleen Gray, Vince Edwards, Jay C. Flippen, Ted de Corsia, Marie Windsor, Elisha Cook Jr., Joe Sawyer, Timothy Carey, Kola Kwariani, Dorothy Adams | Written and Directed by Stanley Kubrick
It goes without saying that film fans know that Stanley Kubrick was a master of his art. All masters though have a starting point where they were learning and in some respects were yet to evolve into the legends that they would become. With the Arrow Academy release of The Killing on Blu-ray, which also includes Killer’s Kiss we get to see a director who had a vision, but was yet to perfect his style.
The Killing is a heist movie that when it was first released didn’t make that much of an impact, but not surprisingly when it comes to Kubrick’s work has grown to be respected and revered as a true classic of the genre. »
- Paul Metcalf
The Killing, 1956.
Directed by Stanley Kubrick.
Seven men are intent on executing the perfect robbery and taking a racetrack for two million dollars. But nothing goes quite as planned…
Kubrick’s third feature was something of a make or break for him. Given what happened following its release that may sound somewhat ridiculous, but in the film world of the mid-1950’s Kubrick, even at the incredibly young age of 28, truly needed a project that would show off his clear-eyed vision and premium levels of creativity and storytelling. His previous two features, Fear and Desire (1953) and Killers Kiss (1955) (also included as an extra on this release) had met with limited success, both financial and critical. The master-waiting-to-happen had to have a project to really put everything at his disposal into. »
- Robert W Monk
The Conversation is a new feature at Sound on Sight bringing together Drew Morton and Landon Palmer in a passionate debate about cinema new and old. For their second piece, they will discuss Stanley Kubrick’s film The Killing (1956).
Stanley Kubrick’s The Killing (1956) is not my favorite work by the visionary director. In fact, the film probably wouldn’t even make it onto a list of my top five Kubrick films. Yet, with a career that included such amazing films as Paths of Glory (1957),Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964),2001: A Space Odyssey (1968), Barry Lyndon (1975), and The Shining (1980), that’s not an indication that The Killing is a film of poor quality but an indication that Kubrick’s body of work comes the closest to cinematic perfection than any director I can think of. Thus, while The Killing »
- Landon Palmer
4 items from 2015
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