20 items from 2017
It’s beginning to look a lot like fall festival season. On the heels of announcements from Tiff and Venice, the 55th edition of the New York Film Festival has unveiled its Main Slate, including a number of returning faces, emerging talents, and some of the most anticipated films from the festival circuit this year.
This year’s Main Slate showcases a number of films honored at Cannes including Ruben Östlund’s Palme d’Or–winner “The Square,” Robin Campillo’s “Bpm,” and Agnès Varda & Jr’s “Faces Places.” Other Cannes standouts, including “The Rider” and “The Florida Project,” will also screen at Nyff.
- Kate Erbland
Small is rather beautiful, and also deceptively deep, in Eric Caravaca’s family-history documentary “Plot 35.” Across its slender 65-minute running time it packs the emotional resonance of many a longer feature, if only because, as much as it does describe an arc of change (by its close, there is a photograph on a gravestone where previously there was a gaping absence), it also understands that not all questions have satisfactory answers, and no matter how directly we confront our loved ones, they are their own people, and their secrets belong to them. “Plot 35” doesn’t just explore a family tragedy — it explores the tragedy of family, the way that loving our parents is not the same as understanding them, just as for them, loving their children does not always mean telling them the truth.
It’s noteworthy that Caravaca is an established French actor (he also heads up Philippe Garrel »
- Jessica Kiang
Global Svod service Mubi has acquired all rights to the U.S., U.K. and Ireland on veteran French auteur Philippe Garrel’s “Lover for a Day” which world premiered in Cannes’ Directors’ Fortnight last week, sharing the Sacd prize from France’s Writers, Directors and Composers Guild with Clare Denis’ “Let the Sunshine In.”
Having driven into all rights acquisitions and theatrical releases of movies from the 2016 Berlin and Cannes festivals, Mubi will open “Lover For a Day” in theaters in the U.S., U.K. and Ireland before an exclusive streaming premiere on its site.
The third and final installment in Garrel’s trilogy of love which took in 2013’s “Jealousy” and 2015’s “In the Shadow of Women, »
- John Hopewell
Although the strand is a non-competitive, some sponsors hand out prizes.
The Art Cinema Award for a feature film went to Chloé Zhao’s The Rider, which was recently snapped up by Sony Classics for North America, Latin America, Asia, Australia, New Zealand and Eastern Europe.
The film tells the story of a cowboy (played by Brady Jandreau) who embarks on a road trip through America after a near death accident.
The latter, an unusual change of gear for Denis, is an eccentric relationship comedy of ideas, starring [link=nm »
- email@example.com (Andreas Wiseman)
French director Philippe Garrel has always only needed the barest means to make movie magic: a beautiful, tragic face, a sad wall to put behind it, a mournful, pensive walk alone on the street. He is back in Cannes at the Directors’ Fortnight, having first come in 1969 with Le lit de la vierge, and once again proves he is nearly alone is continuing the French New Wave’s revolution of creating celluloid myths from mere bedrooms and cafes. Lover for a Day, his newest, one of his most simple, is a lithe, splendid picture, dazzling in its clarity, direct emotional resonance and condensed storytelling. The set-up, co-written with Garrel’s partner Caroline Deruas-Garrel and his usual writer Arlette Langmann, along with Jean-Claude Carrière, is inspired: A young woman, Jeanne (Garrel’s daughter, Esther) breaks up with her boyfriend and must stay at the flat of his father, Gilles (Éric Caravaca), who, »
Memento has sold the project to Germany (Neue Visionen), Benelux (September Film), Switzerland (Frenetic), Austria (Filmladen), Greece (Seven), Israel (Lev) and Turkey (Fabula).
Adapted from Lynda Rutledge’s “Faith Bass Darling’s Last Garage Sale,” “Claire Darling” turns on a woman (Deneuve) who, convinced that she heard voices telling her that it’s her last day on Earth, decides to have a garage sale to get rid of all the objects she has collected. Each object stirs vivid memories that take her back in time in a series of flashbacks.
“Claire Darling” is being produced by Les Films du Poisson, the Paris-based company that has Eric Caravaca’s “Carré 35,” which is in the Cannes special screenings section. “Claire Darling” just started shooting. »
- Elsa Keslassy
21 May 2017 1:20 AM, PDT | The Hollywood Reporter - Movie News | See recent The Hollywood Reporter - Movie News news »
French actor Eric Caravaca, who headlined Patrice Chereau’s 2002 drama My Brother and is one of the leads of Philippe Garrel’s new Directors’ Fortnight premiere, Lover for a Day, tries to uncover his own complex family history in the documentary Plot 35 (Carre 35). The film focuses especially on his sister, who was born and who died before him, at the age of 3, and whose short existence was almost never talked about by his parents. But with forefathers that escaped from Spain to Morocco and Algeria and then had to leave for France when those countries became independent, »
- Boyd van Hoeij
Defiantly independent French director Philippe Garrel continues to question how to love, be loved and overcome the inevitable disappointment when betrayal occurs in “Lover for a Day,” an alluring and very elegantly crafted — though largely predictable — romantic dramedy that should do well in territories where the French auteur is already known and esteemed.
The film opens with a young brunette sitting on the sidewalk at night, sobbing her heart out, so upset she can’t breathe. Judging by the big luggage she’s carrying, it’s likely that her lover has just thrown her out of the apartment. In the next scene, we hear a young woman’s sighing — only this time, it’s a gasp of pleasure, not of pain, as she enjoys illicit sex with an older lover in a university bathroom.
The sight of women crying is nothing new in Garrel’s films; in fact, most of them do, »
- Pamela Pianezza
Philippe Garrel, the 69-year-old veteran of the French New Wave, has produced a casual, bittersweet, and intoxicating study of relationships in flux starring his daughter Esther. In this swift, touching ode to lovers with heart-breaking, irreconcilable differences, the drama appears conventional on first glance, featuring that older-man-younger-women relationship frustratingly perennial in French art cinema, but this is a work of rare clarity by a director whose experience shows.
Completing a trilogy of sorts alongside fellow black-and-white dramas Jealousy and In The Shadow of Women, each clocking in at under 80 minutes, Lover for a Day (L’Amant d’un Jour) is a tale of dichotomies: loyalty to lovers compared with being faithful to yourself; young, optimistic love versus mature unsentimental love; animalistic craving for sex against the hard graft of being active in loving relationships. Garrel has said the film is in part his reflection on Freud’s Elektra complex, and »
- Ed Frankl
Every couple of years, Philippe Garrel turns out a black-and-white tales of love and (in)fidelity among Parisian intellectuals. His detractors contend that he always makes the same film; his defenders say that’s the point. Like seeing a singer play two shows, the pleasures are found in subtle changes and rearrangements, noticing what they emphasize in this set as opposed to the last. In any case, “Lover for a Day” is unlikely to change anyone’s perspective.
There is one major departure: Instead of casting his son Louis Garrel, who either starred in or narrated his father’s previous five features, the director has gone with his daughter, Esther Garrel (of the Sundance sensation “Call Me By Your Name”). She stars as Jeanne, a young student experiencing her first pangs of heartbreak. Kicked out by her now ex and with nowhere to go, Jeanne ends up moving in with her father, »
- Ben Croll
Yael Fogiel, co-founder of Les Films du Poisson, said “Claire Darling” was a highly personal project for Bertuccelli. The film is shooting in the home of her grandmother in a northern French suburb.
“This film explores a mother-daughter relationship. It’s emotional, subtle and elegant, and it portrays strong women characters,” said Matthieu Delaunay, sales executive at Memento Films Intl.
Delaunay said “Claire Darling” was part of Memento’s slate of films powered by female protagonists, »
- Elsa Keslassy
Two of this year’s group have films playing at the festival.
The UK’s Chris Martin, Switzerland’s Ivan Madeo [pictured, left] and Poland’s Maria Blicharska [pictured, right] are among the 20 up-and-coming European producers to be selected for the 2017 edition of European Film Promotion’s (Efp) networking platform Producers On The Move, which takes place at Cannes Film Festival.
As in previous years, the five-day event (May 19-23) will include pitching sessions, one-to-one meetings, case studies and other meetings with the international industry gathered in Cannes.
Two of the producers from this year’s line-up have films in the festival’s programme: Poland’s Maria Blicharska will be presenting Frost in the Directors’ Fortnight sidebar, while France’s Didar Domehri was a co-producer on Argentinian director Santiago Mitre’s La Cordillera which will have its world premiere in the Un Certain Regard section.
Producers on the Move (PoM) from previous editions of the initiative also regularly return to Cannes »
- firstname.lastname@example.org (Martin Blaney)
Exclusive: Stylish, steamy and very French, Garrel’s new feature explores his trademark theme of relationships.
Screen can reveal a first English-language version of the teaser for Lover For A Day, through French producer Saïd Ben Saïd’s Paris-based production and distribution house Sbs, which is also handling international sales.
Watch below, or on mobile Here.
Philippe Garrel may be one of the only representatives of the French New Wave, alongside Agnès Varda, in Cannes this year as the festival marks its 70th anniversary, unless Jean-Luc Godard puts in a real-life appearance which is unlikely.
Garrel will not be premiering his latest work Lover For A Day in Official Selection, however, but rather Directors’ Fortnight.
The director, 69, has been a regular guest at the parallel section ever since attending its first edition in 1969 when it launched as a rebellious counterpoint to the main festival following the student and workers revolt of 1968.
Set in contemporary Paris and shot »
Roman Polanski’s Based On A True Story is one of several additions to the Cannes line-up announced on Thursday.
Meanwhile Ruben Östlund’s The Square lands a competition slot. Elisabeth Moss and Dominic West star in the drama about a city square where there are no rules. Östlund’s last film, Force Majeure, won the Un Certain Regard jury prize in 2014.
There are two additions to Un Certain Regard. Political drama La Cordillera stars Ricardo Darin and is Argentinian director Santiago Mitre’s follow-up to his Cannes Critics’ Week 2015 Nespresso Grand Prize-winner Paulina. The other new selection is Walking Past The Future from Li Ruijun.
Joiing the Special Screenings roster are Barbet Schroeder’s [link »
The Festival de Cannes has announced the lineup for the official selection, including the Competition and Un Certain Regard sections, as well as special screenings, for the 70th edition of the festival:
COMPETITIONHappy End (Michael Haneke)Wonderstruck (Todd Haynes)Le Redoutable (Michel Hazanavicius)The Beguiled (Sofia Coppola)Rodin (Jaques Doillon)120 Beats Per Minute (Robin Campillo)Okja (Bong Joon-Ho)In The Fade (Fatih Akin)The Day After (Hong Sang-soo)Radiance (Naomi Kawase)The Killing Of A Sacred Deer (Yorgos Lanthimos)A Gentle Creature (Sergei Loznitsa)Jupiter's Moon (Kornél Mandruczó)Good Time (Benny Safdie & Josh Safdie)Loveless (Andrey Zvyagintsev) L'Amant Double (François Ozon)You Were Never Really Here (Lynne Ramsay)The Meyerowitz Stories (Noah Baumbach)The Square (Ruben Östlund)Un Certain REGARDOpening Night: Barbara (Mathieu Amalric)The Desert Bride (Cecilia Atan & Valeria Pivato)Lucky (Sergio Castellitto)Closeness (Kantemir Balagov)Before We Vanish (Kiyoshi Kurosawa)Beauty and the Dogs (Kaouther Ben Hania)L »
The Cannes Film Festival has announced the addition of seven new films to the 2017 lineup, including Roman Polanski’s “D’après une histoire vraie” (“Based on a True Story”). Written by Polanski and French filmmaker Olivier Assayas and based on the novel by Delphine de Vigan, the film will screen in the Out of Competition section. Other filmmakers whose work has been added include Swedish filmmaker Ruben Ostlund, Argentinian writer-director Santiago Mitre and Iranian-born Swiss filmmaker Barbet Schroeder.
Read More: Cannes: How to Get a Sales Agent or Distributor for Your Unfinished Film
The full list of the new additions are below.
Out of Competition
“D’après une histoire vraie,” directed by Roman Polanski
Un Certain Regard
“Walking Past the Future,” directed by Li Ruijun
“Carré 35,” directed by »
- Graham Winfrey
Eva Green, Emmanuelle Seigner, and Vincent Perez star in Polanski’s French-language psychological thriller about a writer and her obsessive admirer. Olivier Assayas co-wrote the screenplay with Polanski, based on a novel by Delphine de Vigan. Sony Pictures Classics is the U.S. distributor, while Lionsgate is selling worldwide rights.
Polanski was forced to resign as president of the Cesar Awards in January after protests from feminist organizations over his longstanding rape case, so another round of protests could be in store.
- Pat Saperstein
The new additions:
Main Competition: “The Square” by Ruben Ostlund
Out of Competition: “D’après une histoire vraie” by Roman Polanski
The bulk of »
- Steve Pond
His acolytes, of which there is a rabid group, will contend that his entire career is success after success, but it still feels safe to say Philippe Garrel‘s been on a roll of sorts in recent years. He’ll follow one of last year’s best pictures, In the Shadow of Women — which more of you can and should see right now — with the Cannes-bound L’amant d’un jour, or One Day Lover, in which his own daughter, Esther Garrel, plays a woman who returns home at the tail end of a failed relationship and finds that her father (Eric Caravaca) is dating a woman (Louise Chevillotte) her own age.
There goes a joke, said either affectionately or scornfully depending on the speaker, that Garrel often produces precisely what most assume is “French arthouse cinema” — black-and-white, gloomy, sex- and cigarette-filled, with musings on matters of the heart taking »
- Nick Newman
Baker, Nyoni, Jasper and Carpignano join Cannes veterans Denis, Ferrara, Dumont, Garrel and Gitai.Scroll Down For Full List
Tangerine director Sean Baker, the UK’s Rungano Nyoni and Italo-American film-maker Jonas Carpignano will be among the buzzed-about names premiering new works at the 49th edition of Cannes Directors’ Fortnight this year (18-28 May).
Artistic director Edouard Waintrop unveiled the eclectic selection, comprising 19 feature-length films and another 11 shorts, at a press conference at the Cinéma Le Grand Action in Paris on Thursday (20 April).
Read more: Cannes 2017: Official Selection in full
Opening And Closing Films
Us director Geremy Jasper’s debut feature Patti Cake$ - which world premiered at Sundance this year has been selected as the closing film.
It is one of two Sundance titles in this year’s selection »
20 items from 2017
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