The work of Marcel Camus is characterized by a lyricism which, although central to his fine films of the 1950s and 60s - Fugitive in Saigon
(1957)(aka: FUGITIVE IN SAIGON), Black Orpheus
(1959)(aka:BLACK ORPHEUS) and Love in the Night
(1968) - later deteriorated into superficial sentimentality. Camus was a professor of painting and sculpture ...
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