3 items from 2016
Last of the Mohicans, by James Feinmore Cooper, is a great American classic. My parents had a Book-of-the-Month copy in their bookcase with illustrations by Newell Wyeth, Andrew’s father, and I first read it at about age 8. Today (Sunday), I watched the 1992 Last of the Mohicans, the one starring Daniel Day-Lewis, Madeline Stowe, and Wes Studi. Great, great movie, also a favorite of my buddy and fellow columnist Johnny O’s; in fact, it was John and Kim who turned me on to this particular cinema adaption, oh, those so many years ago at their home in Norfolk, Connecticut. I was familiar with the 1936 version, which starred Randolph Scott, Bruce Cabot, and Binnie Barnes, which was pretty good, but director Michael Mann’s adaptation is a gothic work of art, boasting beautiful cinematography and a romantic and haunting soundtrack.
I’ve also been blissfully gorging on Season 2 of Outlander, »
- Mindy Newell
Our series continues with a special installment that compares not just one but Two remakes to a classic original. This week, Cinelinx goes ape and looks at all three versions of King Kong.
King Kong was created in 1933 by Universal Pictures and was the prototype for the Kaiju genre, years before Godzilla ever stomped on Tokyo. The image of Kong atop the Empire State Building is one of the most iconic images in the history of film and pop culture. The first film led to a sequel (the Son of Kong), an animated series, lots of rip-offs (Mighty Joe Young, Konga, A*P*E, the Mighty Peking Man) and years later inspired a pair of remakes (Not counting the campy Kaiju films King Kong vs. Godzilla and King Kong Escapes.) After all these years, Kong remains one of the greatest giant movie monsters of all time. Let’s take a »
- firstname.lastname@example.org (Rob Young)
By John M. Whalen
Cornell Woolrich is a writer whose work was much loved and cherished by fans of film noir. The Internet Movie Database lists 102 credits for him for both film and TV shows—titles including “Rear Window,” “The Bride Wore Black,” “The Night Has a Thousand Eyes,” “Black Angel,” “Fear in the Night,” and “Phantom Lady,” He didn’t write any screenplays that I know of. The films and TV shows were all adapted from a prolific output of stories written under his Woolrich and William Irish pseudonyms, and under his real name, George Hopley.
While Raymond Chandler, Dashiell Hammett, and James M. Cain make up the Big Three in noir fiction, Woolrich carved out a special niche for himself. Chandler, and Hammett wrote about tough guy heroes who usually overcame the web of evil they encountered. Cain’s heroes weren’t always so lucky, but at least »
- email@example.com (Cinema Retro)
3 items from 2016
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