The Evolution of Edith Crawley, the Middle Daughter on 'Downton Abbey'

The Evolution of Edith Crawley, the Middle Daughter on 'Downton Abbey'
Last winter, our hearts wept as Lord Grantham's sweetly rebellious youngest daughter, Lady Sybil Branson, died in childbirth. Her passing left behind a grieving husband, a motherless baby girl and a giant void in Downton Abbey's tiny (read: nonexistent) community of burgeoning feminists. In her two-and-a-half seasons on Downton, Sybil made plenty of waves with her traditionalist family. She was the first female Crawley to – gasp! – don pants at dinner. She trained as a nurse during World War I. But most shockingly, she poured a giant vat of warm
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Something for Everyone at London's Lgbt Fest: From Silence to Sex

The 27th London Lgbt Fest offers tons of screenings in the coming days (Pictured above: Underground transgender superstar Divine in John Waters' 1974 sorta class Female Trouble) This year's London Lesbian and Gay Film Festival officially opened with a gala presentation of Jeffrey Schwarz’s I Am Divine this past Thursday. In the coming week, the festival will be showcasing dozens of features and shorts featuring characters of various forms of sexual orientation and gender identity from all over the world. Among tonight's features is John Waters' 1974 camp classic Female Trouble, starring Waters' muse Divine as a youngster who, after running away from home on Christmas Day, getting raped and pregant, and becoming a single mom, is transmogrified from loving schoolgirl to tough criminal. Waters' stock player Edith Massey plays Aunt Ida, who has obviously spent her life hanging out with the wrong straight crowd, remarking at one point in
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The Forgotten: Dark Designs

  • MUBI
Camille (1921) is directed by some guy called Ray C. Smallwood, whose IMDb profile looks like mash-up of two different guys, but who knows? We come to the film more interested in it as a vehicle for Nazimova and Valentino, but what actually seduces is the production design and costume design, by Valentino's wife and Nazimova's lover, Natacha Rambova.

Some time before art deco conquered Hollywood, this movie exults in deliciously modern, streamlined yet organic design. Some scenes go on for frankly an indecent amount of time, but we don't care if they're unfolding in opulent boudoirs or night clubs shaped by Rambova.

The movie's self-proclaimed approach, to strip Camille of her crinolines and thrust her into modern society, is amusing echoed in Radley Metzger's softcore Camille 2000 (1969), which likewise floats by on silvery clouds of beautiful people in beautiful interiors (in and out of beautiful costumes).

The screenplay is by June Mathis,
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A Look at Steve Daniels' Award-Winning Short Film Dirty Silverware

Steve Daniels dropped us a line today asking that we share his short film Dirty Silverware with our readers, and we have it for you right here along with some stills and a bit more info on the project.

Dirty Silverware stars Dana Childs, Corin Wiggins, and Katie Krueger. Chris Bickel did the original score, and Michael Meyer provided all the practical special effects. It screened at last year's Fantastic Fest, Toronto After Dark, and the Hp Lovecraft Film Fest and tied for Best Short Film at the 2011 Sitges film festival, considered to be the world's foremost fantasy/horror genre festival.

Daniels tells us, "The film is unique in that it features many first-time talents to filmmaking. Dana Childs, who plays the lead character, Jack, is missing part of his right arm in real life and directly inspired me to write the story. We had never met, but I had
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Cinecon 2011 Movie Schedule: East Side, West Side; Practically Yours; Stronger Than Death

Claudette Colbert, Alla Nazimova, Marion Davies, Charles Boyer: Cinecon 2011 Thursday September 1 (photo: Alla Nazimova) 7:00 Hollywood Rhythm (1934) 7:10 Welcoming Remarks 7:15 Hollywood Story (1951) 77 min. Richard Conte, Julie Adams, Richard Egan. Dir: William Castle. 8:35 Q & A with Julie Adams 9:10 Blazing Days (1927) 60 min. Fred Humes. Dir: William Wyler. 10:20 In The Sweet Pie And Pie (1941) 18 min 10:40 She Had To Eat (1937) 75 min. Jack Haley, Rochelle Hudson, Eugene Pallette. Friday September 2 9:00 Signing Off (1936) 9:20 Moon Over Her Shoulder (1941) 68 min. Dan Dailey, Lynn Bari, John Sutton, Alan Mowbray. 10:40 The Active Life Of Dolly Of The Dailies (1914) 15 min. Mary Fuller. 10:55 Stronger Than Death (1920) 80 min. Alla Nazimova, Charles Bryant. Dir: Herbert Blaché, Charles Bryant, Robert Z. Leonard. 12:15 Lunch Break 1:45 Open Track (1916) 2:00 On The Night Stage (1915) 60 min. William S. Hart, Rhea Mitchell. Dir: Reginald Barker. 3:15 50 Miles From Broadway (1929) 23 min 3:45 Cinerama Adventure (2002). Dir: David Strohmaier. 5:18 Discussion
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Claudette Colbert, Alla Nazimova, Marion Davies, Charles Boyer: Cinecon 2011

Director Allan Dwan, actor George O'Brien, cinematographer George Webber, East Side, West Side Are you a movie lover in Los Angeles, unable to travel either to Venice or Telluride? Don't despair. L.A. has its own glamorous film festival this weekend. It's called Cinecon, now in its 47th year. What's more: unlike the vast majority of movies screening at the more highly publicized Venice and Telluride — which will shortly be made available at theaters, DVD stores, or online streaming services — most Cinecon movies are nearly impossible to be seen anywhere else. In other words, it's September 1-5 at the Lloyd E. Rigler Theatre at Grauman's Egyptian on Hollywood Boulevard or (quite possibly) never. [Cinecon 2011 Schedule.] This year's Cinecon rarities includes the following: The first Los Angeles area screening in eight decades of Allan Dwan's East Side, West Side (1927), a risque silent drama starring Sunrise's George O'Brien and Virginia Valli, the
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Greta Garbo, Hedy Lamarr, Claudette Colbert, Alla Nazimova: “Ornament and the Enchantress” Film Series

Alla Nazimova, Salome (top); Greta Garbo, Ramon Novarro, Mata Hari (bottom) Alla Nazimova’s Salome, Claudette Colbert’s Cleopatra, Hedy Lamarr’s Delilah, and Greta Garbo’s Mata Hari are the four temptresses featured in the "Ornament and the Enchantress" film series presented by Los Angeles’ J. Paul Getty Museum. Charles Bryant’s Salome (1923); Cecil B. DeMille’s Cleopatra (1934), co-starring Warren William and Henry Wilcoxon; DeMille’s Samson and Delilah (1949), co-starring Victor Mature; and George Fitzmaurice’s Mata Hari (1931), co-starring Ramon Novarro, will be screened at the Harold M. Williams Auditorium at the Getty Center June 26-27. "Ornament and the Enchantress" will serve as a complement [...]
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