2 items from 2016
Anne Marie is tracking Judy Garland's career through musical numbers...
Florenz Ziegfeld Jr. revolutionized entertainment. Though he was best known for the Vaudeville showgirls in the musical review that bore his name, but his reach extended beyond the Follies. He legitimized Vaudeville and funded the show that would spawn the modern American musical. Though Ziegfeld died in 1932, MGM continued glorifying - and profiting from - Ziegfeld's legacy. In 1936, MGM released a biopic, The Great Ziegfeld based on the life of Ziegfeld and his wife, Billy Burke. The success of that film led the studio to announce a spiritual successor in 1938: Ziegfeld Girl, set to star Joan Crawford, Eleanor Powell, and Virginia Bruce. But when the movie was finally made 3 years later, the cast had changed a bit.
The Movie: Ziegfeld Girl (1941)
- Anne Marie
'The Merry Widow' with Maurice Chevalier, Jeanette MacDonald and Minna Gombell under the direction of Ernst Lubitsch. Ernst Lubitsch movies: 'The Merry Widow,' 'Ninotchka' (See previous post: “Ernst Lubitsch Best Films: Passé Subtle 'Touch' in Age of Sledgehammer Filmmaking.”) Initially a project for Ramon Novarro – who for quite some time aspired to become an opera singer and who had a pleasant singing voice – The Merry Widow ultimately starred Maurice Chevalier, the hammiest film performer this side of Bob Hope, Jim Carrey, Adam Sandler – the list goes on and on. Generally speaking, “hammy” isn't my idea of effective film acting. For that reason, I usually find Chevalier a major handicap to his movies, especially during the early talkie era; he upsets their dramatic (or comedic) balance much like Jack Nicholson in Martin Scorsese's The Departed or Jerry Lewis in anything (excepting Scorsese's The King of Comedy »
- Andre Soares
2 items from 2016
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