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Peter Brewis

Peter Brewis is known for his work on The Tall Guy (1989), Morons from Outer Space (1985) and Smith & Jones (1984). See full bio »
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Known For

Filmography

Hide Hide Show Show Composer (27 credits)
 2006 The Smith and Jones Sketchbook (TV Series)
 2004 Love Is Strange (Short)
 2000 Intolerance (Short)
 2000 The Strangerers (TV Series)
 1998 The Sexlife of a Chair (Short)
 1997 The Chain (Short)
 1993-1995 The Smell of Reeves and Mortimer (TV Series) (12 episodes)
- Flight 709 (1995)
- Muscle Chemicals (1995)
- Clothes (1995)
- Toddlers (1995)
- Haircuts (1995)
 1994 Staggered
 1992 Tales from the Poop Deck (TV Series) (6 episodes)
- Mutiny (1992)
- Marooned (1992)
- Episode #1.2 (1992)
 1989 The Tall Guy
 1988 Hale and Pace (TV Series)
 1987 Hardwicke House (TV Series) (2 episodes)
- The Visit (1987)
 1987 Filthy Rich & Catflap (TV Series) (6 episodes)
- Episode #1.6 (1987)
- Episode #1.5 (1987)
- Episode #1.4 (1987)
- Episode #1.3 (1987)
- Episode #1.2 (1987)
 1984 Pushing Up Daisies (TV Series)
 1982-1984 The Young Ones (TV Series) (12 episodes)
- Summer Holiday (1984)
- Sick (1984)
- Time (1984)
- Nasty (1984)
- Cash (1984)
 1984 Spitting Image (TV Series) (2 episodes)
- Episode #1.4 (1984) ... (as Peter Brewiss)
- Episode #1.3 (1984)
 1984 Smith & Jones (TV Series)
 1982 Not the Nine O'Clock News (TV Series) (1 episode)
- Episode #4.6 (1982) ... (as Pete Brewis)
 1980 Smith and Goody (TV Series)
Show Show Music department (3 credits)
Show Show Soundtrack (2 credits)
Show Show Actor (2 credits)
Show Show Miscellaneous Crew (1 credit)
Show Show Self (2 credits)

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Personal Details

Other Works:

Bob Goody, Mel Smith and his play, "The Gambler," was performed at the Hampstead Theatre in Hampstead, London, England with Paul Brown, Philip Davis, Bob Goody, and Mel Smith in the cast.

Official Sites:


Alternate Names:

Peter Leander Brewis | Pete Brewis | Peter Brewiss
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Did You Know?

Personal Quote:

[on the spoof musical in The Tall Guy (1989)] Mel [Mel Smith] really wanted to do that because he didn't like Andrew Lloyd Webber's stuff any more than I did, but he did love Sondheim, as do I, so it's a kind of hybrid actually. It's a send-up of both of them but it's most venomous I think about Andrew Lloyd Webber. There's one song that's terribly like him.

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