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Richard Brennan (I)

Richard Brennan was born on June 24, 1943 in Sydney, New South Wales, Australia as Richard John Maxwell Brennan. He is a producer and production manager, known for Long Weekend (1978), The Love Letters from Teralba Road (1977) and Stir (1980). He has been married to Jill Steel since June 22, 2005. See full bio »

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5 wins & 4 nominations. See more awards »

Known For

Long Weekend
Long Weekend Producer
Stir Producer
Homesdale Producer


Hide Hide Show Show Producer (32 credits)
 2013/I The Last Goodbye (producer)
 2005 Peter Weir: Short Film Collection (Video) (producer)
 2003 All Shook Up (Short) (producer)
 1999 Dogwatch (producer)
 1997 The Last of the Ryans (TV Movie) (producer)
 1996 Cosi (producer)
 1992 The Efficiency Expert (producer)
 1990 Prisoners of the Sun (line producer)
 1988 Grievous Bodily Harm (producer)
 1988 Olive (TV Movie) (producer)
 1986 Double Sculls (TV Movie) (producer)
 1985 I Can't Get Started (producer)
 1983 Molly (executive producer)
 1982 Last Breakfast in Paradise (producer)
 1982 Starstruck (producer)
 1980 Stir (producer)
 1978 Long Weekend (executive producer)
 1978 Newsfront (associate producer)
 1976 Deathcheaters (executive producer)
 1976 The Trespassers (executive producer)
 1976 Mad Dog Morgan (associate producer)
 1975 The Removalists (associate producer)
 1975 The Great MacArthy (executive producer)
 1975 Promised Woman (producer)
 1972 The Office Picnic (producer)
 1971 Homesdale (producer)
 1971 Tempo: Australia in the Seventies (Short) (producer)
 1970 Or Forever Hold Your Peace (producer)
 1962 Lend Me Your Stable (producer)
 1962 The Upturned Face (producer)
Show Show Production manager (10 credits)
Show Show Actor (5 credits)
Show Show Director (3 credits)
Show Show Miscellaneous Crew (1 credit)
Show Show Thanks (3 credits)
Show Show Self (4 credits)
Show Show Archive footage (1 credit)

Personal Details


5' 9¼" (1.76 m)

Did You Know?


He was awarded the O.A.M. (Order of Australia Medal) in the 1989 Queen's New Years Honours List for his services to the media, particularly film making. See more »

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