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10 items from 2012
Cannes: 'Beyond the Hills' wants to be the art-house 'Exorcist.' Plus, Tom Hardy in 'Lawless'
19 May 2012 9:39 AM, PDT | EW - Inside Movies | See recent EW.com - Inside Movies news »
At Cannes, the fabled Palme d’Or isn’t like any other Best Picture award. Unlike, say, the Grand Jury Prize at Sundance, or even the Oscar, it is conferred with a reverence that says: This film is a work of art — and the person who made it has been ushered into the pantheon. He (or she) is now one of the initiated, recognized in the shimmering galaxy of the international film world to be a major artist, a saint of the cinema, a wearer of the supreme auteur merit badge. There have been 65 Palme d’Or winners (the award »
- Owen Gleiberman
Key Players in the 2012 Cannes Film Market: Film Distribution
17 May 2012 6:15 AM, PDT | ioncinema | See recent ioncinema news »
This year the Paris based sales agent only has a pair of films in Cannes – Gilles Jacob’s own doc about the day of the 60th anniversary festivities called A Special Day, and in the Critics’ Week section they’re repping Sandrine Bonnaire’s Maddened by His Absence (pic above).
Armed Hands (Mains ARMÉES) by Pierre Jolivet
Maddened By His Absence (J’Enrage De Son Absence) by Sandrine Bonnaire
Yossi by Eytan Fox
30 Beats by Alexis Lloyd
38 Witnesses (38 TÉMOINS) by Lucas Belvaux
A Special Day (Une JOURNÉE PARTICULIÈRE) by Gilles Jacob
Duch, Master Of The Forges Of Hell by Rithy Panh
Paris Under Watch
The Cherry On The Cake (La Cerise Sur Le Gateau) by Laura Morante
Time Of My Life (Tot Altijd) by Nic Balthazar
War Witch (Rebelle) by Kim Nguyen »
- Eric Lavallee
Cannes 2012: Directors' Fortnight and Critics' Week announce festival lineup
24 April 2012 7:38 AM, PDT | The Guardian - Film News | See recent The Guardian - Film News news »
Ben Wheatley's Sightseers is selected for Directors' Fortnight special screening, while British theatre director Rufus Norris's debut Broken will open Critics' Week
The Cannes film festival's two major independent sidebars have announced their lineup for the forthcoming festival, providing UK and Us film-makers with a considerable boost to their presence on the Croisette.
Ben Wheatley, who has impressed critics and fans alike with his first two films, Down Terrace and Kill List, has seen his third, Sightseers, selected for a special screening in the Directors' Fortnight event, while British theatre director Rufus Norris's debut feature, Broken, has been given the opening slot for the Critics' Week section. Sightseers is described as a "pitch-black comedy" about a caravan trip around the north of England, while Broken is an adaptation of Daniel Clay's novel, and stars Cillian Murphy and Tim Roth.
Us film-makers have added to their total »
- Andrew Pulver
Cannes 2012. Critics' Week Lineup
24 April 2012 2:00 AM, PDT | MUBI | See recent MUBI news »
Variety's Boyd van Hoeij notes that Critics' Week has lined up first-time directors "almost exclusively" for its 2012 edition. Notes, links and so on will be added over the coming hours and days:
Competition
Features
Vasan Bala's Peddlers. The Critics' Week synopsis: "A ghost town, Mumbai, inhabited by millions. A lady on a mission, a man living a lie, an aimless drifter. They collide. Some collisions are of consequence, some not, either ways the city moves on."
Antonio Méndez Esparza's Aquí y Allá. CW: Pedro returns home to his small village in Guerrero, Mexico after having worked for several years in the Us. Even though the village is expecting a bountiful harvest, they're still preoccupied with opportunities north of the border.
Alejandro Fadel's Los Salvajes. CW: "Five teenagers violently escape a reformatory school in an Argentinean province.... They hunt to feed, rob houses they come across, do drugs, bathe in the river, »
Cannes Critics' Week Announces 2012 Selections
23 April 2012 1:08 PM, PDT | Twitch | See recent Twitch news »
The Critics' Week selection at Cannes 2012 will be one marked by discoveries, with the selction dominated by first time European filmmakers. Very little is known about the selection beyond the titles thus far but for those who want to do some digging, here they are: Special Screenings "Broken," U.K., Rufus Norris -- Opener "Augustine," France, Alice Winocour "J'enrage de son absence," France-Luxembourg-Belgium, Sandrine Bonnaire Competition "Aqui y alla," Spain-u.S.-Mexico, Antonio Mendez Esparza "Au galop," France, Louis-Do de Lencquesaing "Hors les murs," Belgium-Canada-France, David Lambert "Peddlers," India, Vasan Bala "Los salvajes," Argentina, Alejandro Fadel "Sofia's Last Ambulance" Germany-Croatia-Bulgaria, Ilian Metev "Les voisins de dieu," Israel-France, Meni Yaesh »
2012 Cannes Film Festival Critics' Week Line-Up Focuses on First Time Directors
23 April 2012 12:45 PM, PDT | Rope of Silicon | See recent Rope Of Silicon news »
When you take a look at the ten films selected for the 51st Semaine de la Critique at the 2012 Cannes Film Festival don't be surprised if you don't recognize any of the directors' names. Nine the ten are first time feature directors with only Sandrine Bonnaire working on his sophomore effort with the William Hurt-led J'enrage de son absence. Serving as the opening feature will be UK director Rufus Norris's Broken. The film stars Tim Roth (2012 Cannes Un Certain Regard jury president) and Cillian Murphy and was adapted from Daniel Clay's novel of the same title, which centers on a young girl whose life changes after she witnesses a brutal attack. Additional information on the rest of the selection is hard to come by, though Bonnaire and Alice Winocour do give the fest a pair of films from female directors. Of the two, Bonnaire's J'enrage de son »
- Brad Brevet
Cannes 2012: Critics' Week Sidebar to Showcase New Talent With First Film Selection
23 April 2012 9:43 AM, PDT | The Hollywood Reporter | See recent The Hollywood Reporter news »
The Festival de Cannes’ Critics' Week will showcase new talents with an all freshman roster of features in its 51st edition, the sidebar’s new artistic director Charles Tesson announced on Monday. Festgoers will get their big screen fix starting with Broken, the sidebar’s opening night film from U.K. helmer Rufus Norris. Critic’s Week will also feature special screenings of Sandrine Bonnaire’s J’Enrage de son Absence starring a French-speaking William Hurt and Alice Winocour’s costume drama Augustine plus a competition spanning several continents. “It wasn’t a premeditated choice,” Tesson told The Hollywood Reporter of the freshman roster, adding:
read more
»
- Rebecca Leffler
Cannes 2012. Cineuropa's Contenders
5 April 2012 11:23 AM, PDT | MUBI | See recent MUBI news »
Michael Haneke, Emmanuelle Riva and Jean-Louis Trintignant
on the set of Amour
It's been a couple of weeks since the French magazine Premiere posted "Cannes 2012: Le buzzomètre," a list of over 30 films, each of which were assigned a numerical probability of its making the lineup at Cannes this year. Speculation has only grown hotter, of course, with an official announcement slated for April 19; Critics' Week and the Directors' Fortnight will follow on April 23 and 24, respectively. "Paris is rife with rumors about who will make it," reports Fabien Lemercier at Cineuropa. "Several films by 'big fish' have not been seen yet, and many who have already shown their film are eagerly awaiting news."
A few days ago, a French blog pulled an April Fools' Day prank that thoroughly ticked off Cannes artistic director Thierry Frémaux. The blog claimed to have seen the full lineup, "briefly published on the official Cannes Film Festival »
Daily Briefing. San Francisco to honor Pierre Rissient
22 March 2012 3:41 PM, PDT | MUBI | See recent MUBI news »
The April 2012 issue of frieze is out and artist Lis Rhodes has taken on the "Life in Film" column. Also: Jonathan Griffin reviews work by Alex Israel, who "claims to believe in the 'stardust' of Hollywood, in the magic that transforms an object just through its appearance on film, pictured in association with a star whose image is just as fictitious as the movie itself."
"In the mid-1980s, film novelizations were messages in bottles for those without video recorders or access to a cinema," writes George Pendle. "Even if you had seen the film in question, these novelizations acted as memento vidi, forceful reminders of what you had seen." And yet, they're still being written:
In his 2005 essay "Novelization, a Contaminated Genre?," the cultural theorist Jan Baetens declares novelizations as a unique, if non-canonical, genre: "Novelization does not so much aspire to become the movie's other as it wants to be its double, »
Out of the Past 2011: Revival House Discoveries
18 January 2012 8:33 AM, PST | MUBI | See recent MUBI news »
We at Mubi think that celebrating the films of 2011 should be a celebration of film viewing in 2011. Since all film and video is "old" one way or another, we present Out of a Past, a small (re-) collection of some of our favorite retrospective viewings from 2011.
These six movies are not necessarily the best old movies I saw for the first time this year, but the movies that most challenged my existing ideas of film and film history.
***
Tokyo Twilight (Yasujiro Ozu, Japan, 1957)
April 21, Film Forum, New York, NY
Tokyo Twilight may be Ozu’s darkest film. Like a lot of his movies, it develops slowly as an accretion of small moments. It built so slowly, in fact, that I was surprised about 3/4 of the way through the film to realize how horribly ugly it had become. The received notion that Ozu makes quiet miniatures about everyday family life has »
2012 | 2011 | 2010 | 2009 | 2008 | 2006 | 2004 | 2003 | 2000 | 1999 | 1998 | 1996 | 1995 | 1992
10 items from 2012
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