Sanjay Leela Bhansali Poster


Jump to: Overview (1) | Mini Bio (1) | Trade Mark (3) | Trivia (8) | Personal Quotes (11)

Overview (1)

Born in Mumbai, India

Mini Bio (1)

Sanjay Leela Bhansali is among the most celebrated Film Makers of the Bollywood. Having worked with the biggest stars of Indian Film Industry, Bhansali is the most sought-for director of the Bollywood. He started his career as an assistant director to Vidhu Vinod Chopra. If one has to name his 'niche' genre, it would definitely be Mega-Musicals. From Devdas to Bajirao Mastani, Hum Dil De Chuke Sanam to Saawariya, love of cinema and music, proclaims through every movie he writes or direct.

His 1999 Romantic-Drama, Hum Dil De Chuke Sanam, starring heartthrob duo Salman-Aishwarya became one of the most critically cherished movies of the Genre. Amitabh Bachan, starrer Black was equally appreciated by the critics. But he made his presence felt with 2002 adaptation of the Hindi literary masterpiece, Devdas, for a silver-screen experience. He received a nomination for Best Foreign Film at BAFTA for the movie.

Devdas has become a name synonymous with a passionate, intense love that does not find consummation. This similar theme has been repeated numerous time in the literary work. And one of them is Romeo & Juliet. He translated this classic tale into Indian Folk Idiom.

- IMDb Mini Biography By: James(Mohit)

Trade Mark (3)

His work has passionate (and often damaged) individuals reaching out to each other over great distances to connect with each other.
His films often feature emotional pain and trauma being exprienced by his protagonists.
Dedicates all his films to his deceased father

Trivia (8)

Conceives his films in a unique fashion - he designs the film soundtrack first and then creates the film.
Frequently sneaks scenes from his life into his films.
He is the only director, besides the legendary Guru Dutt, who created his films in total isolation from the public. In fact, two of Dutt's films - Kaagaz Ke Phool (1959) and Sahib Bibi Aur Ghulam (1962) - are Bhansali's favourite movies. His wish is to remake either or both of these movies at some point in his career, as well as to make a biopic on Guru Dutt's life.
Sister Bela Segal is the daughter-in-law of director Mohan Segal.
Son of producer Navin Bhansali.
In 2015, he was awarded the fourth highest Indian civilian honor, the Padma Shri. Another addition to his honor tally along with his four National Awards and Six Filmfare Awards.
Sanjay Leela Bhansali always wanted to direct Fardeen Khan in a film. He had a written a small role for him in Black but later decided to scrap it. He always felt there was untapped talent and huge potential in Fardeen Khan.
After Khamoshi, Bhansali had plans to make the film "Train To Pakistan" with Bobby Deol. The film ended up being made by someone else for unknown reasons.

Personal Quotes (11)

At the premiere of Black (2005): Until recently I didn't even have a proper office. I've just a couple of staffers, hence my agitation and anxiety at the premiere. I single-handedly sent out all the invitations, called up every person individually and made sure they were all there at the premiere. I agree this isn't the way for me to function. But I'm basically a middle class boy from the chawls. I can't bring myself to trust others to do my work.
Black for you may be darkness; for me it is a universal truth. Our best ideas come from the darkness of the mind; every new life is created in the darkness of the womb...
On disabled children: The physically challenged are not children of a lesser god. They're far more beautiful than the so-called normal people. They appreciate every shade of life, like my protagonist in Black (2005). She's a true-blue hero.
Deep down, the disadvantaged are angry with life. They want to see/hear/talk, but are constantly groping in the dark. They are so insecure about communication that there is a whole surrender in it. They get angry over the smallest of things! Imagine the frustrations of not being fully understood...anger is an important part of their expression.
About Alzheimer's disease: The idea of forgetting...things, names, persons...terrifies me. When I forget a little thing, it is an absolute trauma until it comes back to me again. All of us have these lapses of memory - what if memory doesn't return?
About the hearing-impaired: I was fascinated by the way in which teachers and parents struggled to reach out to hearing-impaired children. How do you start the communication, how do you keep it going? What takes other children a year to learn takes them ten years for them to absorb. I watched a mother trying so hard, and with such patience, to convey the simplest things - I wanted to make a film about it right away. I find their zest for life and unquenchable fighting spirit a thing to be admired. What a long tough struggle, yet they choose to live with energy and vitality! They don't want our pity, nor have I treated them as people who need our sympathy. You know, as they talk, they hold your hand - they're reaching out desperately, almost entirely through the touch; that is their most basic, urgent mode of communication, more than textbook grammar, than even the language of gesture. There is so much honesty in that touch. We don't touch each other anymore and I think we hear less because of that. I've never felt more reassured than when I held a deaf person's hand.
About his "lack of restraint": Listen, I was born and brought up in Bombay, where people shout at each other from the windows of flats on opposite sides of the streets. I belong to a community with a loud lifestyle. You can't expect dignity, propriety, control and detachment from ME! My talk is full-throated, my expressions full-blooded. I cannot make a film without melodrama.
About Devdas (2002): It's got a garish, nautanki format to it. I've paid tributes to all films like it, from Chaudhvin Ka Chand (1961) to Prem Rog (1982). I've made the film as Raj Kapoor would have made it - over the top. I can't get Bimal Roy's subtle format and delineation anyway...
About teachers: I have learned Odissi; I know what the teacher can do, why we touch his feet. We don't respect our teachers anymore, but to me God is the teacher. He comes into your life once - he can be neurotic, erratic, complex, but he transforms your life and perspective. You must not submit meekly, but question what you're taught. Then the teacher removes your fears about life, the world - and yourself...
What fun to explore a road not taken, to explore blacks, blues and grays instead of riotous colors! You know, those who do only the expected things evaporate form the minds of audiences. Audiences too want a change from the same boring formulas and anyway formulas are failing all the time. I believe that audiences make no special demands. Good fiction, made with honesty, conviction and entertainment, and they'll accept it...
About Saawariya (2007): Saawariya is a simple but exotic love story. True love is divine. It has to have yearning, disappointment and agony.

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