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Foreign Oscar Entry Review: Circles (Krugovi)

  • Sydney's Buzz
Circles, Serbia's Submission for the Academy Award Nomination for Best Foreign Language Film. U.S. : None Yet . International Sales Agent: Memento Films International (Mfi)

The end is often only the beginning. As irrefutably definitive as death is, its occurrence fabricates a tangent in other people’s lives that forever alters their destiny. Those involved in the event, the survivors or perpetrators, are left behind to grapple with the grudges, conflicts, and uncertainties that were aroused from that single fateful moment. Unknowingly, the deceased becomes the absolute protagonist of the stories that go on long after the last breath. Masterfully elaborated Srdan Golubovic’s Circles concocts a plot that doesn’t ask what would have happened to these characters’ lives if the hero wouldn’t have carried out his benevolent deed, but instead delves into the long-term repercussions of such irreversible act.

Intertwining three different stories in locations distant from each other, the film opens in 1993 as Marko (Vuk Kostic), a soldier in the Bosnian war, is returning home for the weekend to the mostly Muslim populated town of Trebinje in Serbia. While hanging out with his old pal Nabobs (Nebojsa Glogovac) he sees a pack of fellow Serbian soldiers harassing the Muslim shopkeeper Haris (Leon Lucev). Peacefully trying to prevent this from happening, Marko is beaten to death. Over a decade later all of those affected by the incident find themselves still dealing with the consequences. His elderly father, Ranko (Aleksandar Bercek), spends his days rebuilding a church on top of a mountain in Bosnia Herzegovina. Unexpectedly, his ability to forgive is tested when confronted with teenager Bogdan (Nikola Rakocevic), the child of one of his son’s killers who wants to work for him.

Given a second chance, Haris, who is eternally grateful for Marko’s sacrifice, now married and with two daughters, resides in Germany and feels responsible for helping Nada (Hristina Popovic), his savior’s former fiancé. Falling into alcoholism to cope with the grief of losing Marko, she has made her fair share of terrible choices and has come to ask him for refuge as she is running away with her son trying to escape her abusive husband. Even more morally challenging is Nabobs' predicament. Living in Belgrade now, the practicing surgeon is faced with the news that he has to operate on Todor (Boris Isakovic), Marko’s prime killer and save his life even though the latter shows no remorse for the brutal murder.

Superbly layered, the narrative is intricate and deeply affecting. Each of the participants in this fragmented tale about the ramifications of a single instant is presented with a unique opportunity to find closure and to transform the seemingly irreparable hatred into redemptive kindness. It takes a more courageous heart to fight darkness with hope than to give in to senseless revenge. In order to mitigate the pain produced by Marko’s death, Ranko must allow himself to see Bogdan for who he is, and not render him as evil based on his father's cruelty. By the same token, Haris’ commitment to repay his debt pushes him to put himself at risk to protect someone else, just as Marko selflessly did for him simply because it is the correct thing to do. Similarly troubled, Nabobs searches for a minute trace of remorse in his enemy in order to save himself giving into his rage. Needless to say, the entire cast entrances the viewer with dazzling performances coming out of the innermost preoccupations and torturing emotions which their characters endure.

Like the ripples on water after hit by a stone, the entire story revolves around a man whose is on screen for minimal time, yet, his absence sets in motion powerful concentric waves. Furthermore, although the film contains heavy philosophical themes, it is grounded on visceral humanity and impulses which run the risk of eradicating rationality when something unjustifiable takes place. Shot with arresting and straight forward beauty, the backgrounds serve as canvases against which the flawed players struggle with their conscience. Nothing short of a masterpiece, Golubović’s latest effort Circles is a boldly poetic work of art about the healing power of reconciliation.

Read Sydney Levine's Interview with director Srdan Golubović during the Sundance Film Festival Here

Read more about all the 76 Best Foreign Language Film Submission for the 2014 Academy Awards
See full article at Sydney's Buzz »

Interview Foreign Oscar Entry: Director Srdan Golubovic on 'Circles' (Krugovi)

  • Sydney's Buzz
I had planned to see Circles (Serbia, directed by Srdan Golubovic) because my visits over the past 2 years to Romania, Poland, Lithuania and Bosnia and Herzegovina (Sarajevo) have increased my interest in Central and Eastern Europe where the people are looking up (vs. in Western Europe where they are looking down). Now it has been submitted for the Academy Award Nomination for Best Foreign Language Film and so I reprint my interview here which I did during Sundance earlier this year.

Sarajevo itself is especially remarkable as the only place in Europe where there has been a war since I was born. From 1991 to 1999 Serbia was involved in the Yugoslav Wars - the war in Slovenia, the war in Croatia, the war in Bosnia and the war in Kosovo. During this period, Slobodan Milošević was the authoritarian leader of Serbia, which was in turn part of the Federal Republic of Yugoslavia. This was was a war between people who spoke a common language but were split along religious lines, the Serbs being Eastern Orthodox and the Bosnians, Kosovians and Croations being Muslim.

The country known as Yugoslavia had been unified from 1918 to 1991-- first under a king as The Kingdom of Yugoslavia until 1941 and then as the Social Republic of Yugoslavia. Even as the Social Republic of Yugoslavia, it was a country more liberal then the other communist countries. It was a socialist republic open to west; its people could travel, the people had good jobs, it was more an example of socialism than of communism. Its geographical location was also at a true crossroad between east and west, formerly Ottomon and Muslim and at the same time very Eastern Orthodox and Catholic.

When the Ussr collapsed, Sarajevo, situated in the break-off nation Bosnia and Herzogovina was surrounded by Christian Serbs who bombarded the cities of the nation which they saw more as Muslim than as Christian in order to annex the land.

My dear Berlin friend, Geno Lechner from Berlin asked me to see it because she is in it. She plays the German wife of the protagonist. And my good friend Mickey Cottrell, of Inclusive PR is the publicist for Circles from the time it was in Sundance 2013's World Dramatic Competition and has also asked me to revise and repost what I wrote in Sundance.

So here it is:

Circles ripples out as a stone dropped in a placid lake, concentrically creating moral complexities for a group of people as their story strands emerge from one fateful moment.

Marco, a Serbian soldier on leave from the Serbo-Croatian War in 1993, returns to his Bosnian hometown. When three fellow soldiers accost Haris, a Muslim kiosk vendor, Marco intervenes, and it costs him his life.

Twelve years later, the war is over but the wounds remain open. Marco's father is rebuilding a church when the son of one of Marco's killers appears looking for work. Meanwhile, in Belgrade, Marco's friend Nabobs, a renowned surgeon, debates whether or not to operate on another of Marco's killers. And in Germany, Haris, now married with a family (Geno Lechner and her two daughters) strives to repay his debt to Marco's widow who arrives at his door seeking refuge.

John Nein, Sundance Senior Programmer says, "Srdan Golubovic's third feature employs a multifaceted, yet simple, structure that contemplates revenge, redemption, and reconciliation. Aware of how easily hatred and violence can create life-shattering ripples, he looks at the consequences of moral courage and asks whether a heroic act can generate ripples of another kind."

Circles was financed with funds from Serbia, Germany, France, Croatia, and Slovenia. Its international sales agent is Memento. Circles also screened in the Berlin Film Festival's Forum.

It is very important for the film’s director, Srdan Golubovic, that Circles receive wide distribution. It is based upon the true story of Srdjan Aleksic, a Serbian soldier who saved the life of his neighbor. When Golubovic read the story some years ago, he was against the war but on the sidelines watching, occasionally demonstrating against it, but not a part of it. He chose not to remake the story of the man then but to make it contemporary in order to close the book of his own private feelings about the war.

The man is universal in that he is saving a man, not "an enemy". The escaped man moved into a German world, which at the time looked very much like his own world, sparse, unattractively Soviet in style. However, he found his fortune there and created a life. The actor, Aleksandar Bercek, says that when he met the real Srdjan Aleksic, he said to him, "Now I am walking; it could have been different. I could have been lying down." You will see in a Google search that the memory of Srdjan is very much alive today. The real man's grave is visited yearly by the survivor he saved and by all the former Yugoslavians in the area of Serbia, Bosnia, Herzogovina, Croatia and Slovenia. He has received a posthumous medal of honor and has streets named after him in several cities.

This is one of the rare films which unites everybody; it is about forgiveness and reconciliation. And as such it deserves very wide distribution. And as a work of heroic art, it deserves to be seen by many people. We hope you will visit Memento during Berlin and place your orders. For those of you who are not distributors going to market to acquire films, we hope you will have a chance to see this film in your local theaters or homes.

Srdan Golubovic’s earlier film from 2007, The Trap, garnered great acclaim and was Serbia’s submission for an Academy Award nomination.

When director Srdan Golubovic and producer Jelena Mitrovic and I spoke during Sundance, they spoke of what a great surprise Sundance was to them. They found the people very warm. The audiences were totally open, very curious and emotionally connected. It is very rare for Srdan to find an audience that is not afraid to ask questions and eager to talk about the film. And, unlike at most film festivals, at Sundance, they saw the programmers every day and were always able to speak to them. As there were not too many films in competition — 12 in World Cinema section as opposed to 16 last year — the attention they received from the Sundance personnel and volunteers was very special.

Read the praise received by The Hollywood Reporter

Further information:

Serbian with English subtitles, 2012, 112 minutes, color, Serbia/Germany/France/Croatia/Slovenia, World Dramatic Competiton at Sundance, Forum at the Berlinale

Cast and Credits

Director: Srdan Golubovic

Screenwriters: Srdjan Koljevic, Melina Pota Koljevic

Producers: Jelena Mitrovic, Alexander Ris, Emilie Georges, Boris T. Matic, Danijel Hocevar

Cinematographer: Alexsander Ilic

Production Designer: Goran Joksimovic

Composer: Mario Schneider

Sound Designer: Julij Zornik

Costume Designer: Ljiljana Petrovic

Principal Cast: Aleksandar Bercek, Leon Lucev, Nebojsa Glogovac, Hristina Popovic, Geno Lechner, Nikola Rakocevic, Vuk Kostic
See full article at Sydney's Buzz »

Leeds International Film Festival 2013 Review - Circles (2013)

Circles, 2013.

Directed by Srdan Golubovic.

Starring Aleksandar Bercek, Leon Lucev, Nebojsa Glogovac, Nikola Rakocevic, Hristina Popovic, Boris Isakovic and Vuk Kostic.

Synopsis:

In the midst of the Bosnian war, Marko a Serbian soldier witnesses a brutal attack against Haris, a Muslim civilian, by three fellow soldiers. Marko interferes and saves Haris, but is beaten to death by the infuriated soldiers. Fifteen years later when the war is over, Marko’s father and best friend both encounter ethical dilemmas when one of Marko’s killers reappears in their lives.

One tragic event is still having lasting effects 12 years later in Srdan Golubovic’s Circles, a three-strand drama about the war in Bosnia. Though undeniably intriguing in its earlier scenes, as writers Melina Pota Koljevic and Srdjan Koljevic and director Golubovic drip-feed information, this well-acted drama is too predictable in its resolution to greatly distinguish itself. Amongst films about the after-effects of war,
See full article at Flickeringmyth »

2013 Sundance Film Festival Award Winners

  • MovieWeb
2013 Sundance Film Festival Award Winners
Sundance Institute this evening announced the Jury, Audience, Next and other special awards of the 2013 Sundance Film Festival at the feature film Awards Ceremony, hosted by Joseph Gordon-Levitt in Park City, Utah. An archived video of the ceremony in its entirety is available at Sundance.org/Festival.

Here's what John Cooper, Director of the Sundance Film Festival, had to say about this year's festival. "

"The films at our Festival this year truly reflect the unbridled passion, immense talent and diverse stories coming from the independent filmmaking community. I am confident that the awards presented this evening will fuel those films with special promise and that audiences will continue to champion the films they have discovered here."

Keri Putnam, Executive Director of the Sundance Institute, also released a statement.

"The lively dialogue and genuine excitement sparked by the films over the past 10 days is sure to resonate as they further reach
See full article at MovieWeb »

Sundance 2013: 'Fruitvale' takes two major festival prizes

Sundance 2013: 'Fruitvale' takes two major festival prizes
Fruitvale became the first Sundance film to win the Grand Jury Prize and the Audience Award for U.S. Dramatic film since Precious in 2009. First-time director Ryan Coogler was inspired to write the film after 22-year-old Oscar Grant was shot in the back and killed by Oakland transit police on New Year’s Day morning 2009. Fruitvale tells the story of Grant’s last 24 hours alive, as he attempts to become a better father, a better boyfriend, and a better son and friend. “It’s about human beings and how we treat each other,” said Coogler, “how we treat people that
See full article at EW.com - Inside Movies »

The 2013 Sundance Film Festival Films in U.S. and World Competitions, Next

  • Sydney's Buzz
Robert Redford, President & Founder of Sundance Institute said, “Every great film starts with an idea, and it is a testament to artists that they continually find new ideas, new stories, new points of view and new ways of sharing them, year after year. We look forward to hearing from these artists not just through their words and images onscreen but also through the larger dialogue they create with audiences at our Festival and beyond.”

John Cooper, Director of the Sundance Film Festival, said, “The films, both documentary and narrative, selected for our 2013 Festival have a particular immediacy and fearlessness to them showing us that independent film is as vibrant, creative and relevant as ever. Filmmakers are telling raw, powerful stories that are sure to create new energy in audiences and communities across the globe in the months to come.”

For the 2013 Sundance Film Festival, 113 feature-length films were selected, representing 32 countries and 51 first-time filmmakers, including 27 in competition. These films were selected from 12,146 submissions (429 more than for 2012), including 4,044 feature-length films and 8,102 short films. Of the feature film submissions, 2,070 were from the U.S. and 1,974 were international. 98 feature films at the Festival will be world premieres.

In addition, the Festival presents feature-length films in the Spotlight, Park City at Midnight, New Frontier, Premieres and Documentary Premieres sections. Those announcements, as well as selections for the Short Film section, are forthcoming.

On Day One, January 17, 2013, the Festival will screen one narrative film and one documentary from both the U.S. and World Cinema competitions, as well as one shorts program.

A selection of films from the 2013 Festival will also be presented at the second Sundance London film and music festival, April 25-28 at The O2.

Keri Putnam, Executive Director of Sundance Institute, said, “Each year at this time we look forward with great anticipation and excitement to the discovery of new voices at the Sundance Film Festival. The Festival continues to reflect the spirit of innovation and creativity in independent cinema, not only in the stories themselves but also in how the films are produced and making their way to audiences.”

U.S. Dramatic Competition

The world premieres of 16 American narrative feature films.

Afternoon Delight/ U.S.A. (Director and screenwriter: Jill Soloway) — In this sexy, dark comedy, a lost L.A. housewife puts her idyllic hipster life in jeopardy when she tries to rescue a stripper by taking her in as a live-in nanny. Cast: Kathryn Hahn, Juno Temple, Josh Radnor, Jane Lynch.

Ain't Them Bodies Saints / U.S.A. (Director and screenwriter: David Lowery) — The tale of an outlaw who escapes from prison and sets out across the Texas hills to reunite with his wife and the daughter he has never met. Cast: Rooney Mara, Casey Affleck, Ben Foster, Nate Parker, Keith Carradine.

Austenland/ U.S.A., United Kingdom (Director: Jerusha Hess, Screenwriters: Jerusha Hess, Shannon Hale) — Thirtysomething, single Jane is obsessed with Mr. Darcy, as played by Colin Firth in Pride and Prejudice. On a trip to an English resort, her fantasies of meeting the perfect Regency-era gentleman become more real than she ever imagined.Cast: Keri Russell, Jj Feild, Bret McKenzie, Jennifer Coolidge, Georgia King, James Callis.

C.O.G./ U.S.A. (Director and screenwriter: Kyle Patrick Alvarez) — In the first ever film adaptation of David Sedaris' work, a cocky young man travels to Oregon to work on an apple farm. Out of his element, he finds his lifestyle and notions being picked apart by everyone who crosses his path. Cast: Jonathan Groff, Denis O'Hare, Corey Stoll, Dean Stockwell, Casey Wilson, Troian Bellisario.

Concussion / U.S.A. (Director and screenwriter: Stacie Passon) — After a blow to the head, Abby decides she can't do it anymore. Her life just can't be only about the house, the kids and the wife. She needs more: she needs to be Eleanor.Cast: Robin Weigert, Maggie Siff, Johnathan Tchaikovsky, Julie Fain Lawrence, Emily Kinney, Laila Robins.

Emanuel and the Truth About Fishes/ U.S.A. (Director and screenwriter: Francesca Gregorini) — Emanuel, a troubled girl, becomes preoccupied with her mysterious, new neighbor, who bears a striking resemblance to her dead mother. In offering to babysit her newborn, Emanuel unwittingly enters a fragile, fictional world, of which she becomes the gatekeeper. Cast: Kaya Scodelario, Jessica Biel, Alfred Molina, Frances O'Connor, Jimmi Simpson, Aneurin Barnard.

Fruitvale/ U.S.A. (Director and screenwriter: Ryan Coogler) — The true story of Oscar, a 22-year-old Bay Area resident who crosses paths with friends, enemies, family and strangers on the last day of 2008. Cast: Michael B. Jordan, Octavia Spencer, Melonie Diaz, Ahna O'Reilly, Kevin Durand, Chad Michael Murray.

In a World.../ U.S.A. (Director and screenwriter: Lake Bell) — An underachieving vocal coach is motivated by her father, the king of movie-trailer voice-overs, to pursue her aspirations of becoming a voiceover star. Amidst pride, sexism and family dysfunction, she sets out to change the voice of a generation. Cast: Lake Bell, Demetri Martin, Rob Corddry, Michaela Watkins, Ken Marino, Fred Melamed.

Kill Your Darlings/ U.S.A. (Director: John Krokidas, Screenwriters: Austin Bunn, John Krokidas) — An untold story of murder that brought together a young Allen Ginsberg, Jack Kerouac and William Burroughs at Columbia University in 1944, providing the spark that led to the birth of an entire generation – their Beat revolution. Cast: Daniel Radcliffe, Dane DeHann, Ben Foster, Michael C. Hall, Jack Huston, Elizabeth Olsen.

The Lifeguard / U.S.A. (Director and screenwriter: Liz W. Garcia) — A former valedictorian quits her reporter job in New York and returns to the place she last felt happy: her childhood home in Connecticut. She gets work as a lifeguard and starts a dangerous relationship with a troubled teenager. Cast: Kristen Bell, Mamie Gummer, Martin Starr, Alex Shaffer, Amy Madigan, David Lambert.

May in the Summer/ U.S.A., Qatar, Jordan (Director and screenwriter: Cherien Dabis) — A bride-to-be is forced to reevaluate her life when she reunites with her family in Jordan and finds herself confronted with the aftermath of her parents’ divorce. Cast: Cherien Dabis, Hiam Abbass, Bill Pullman, Alia Shawkat, Nadine Malouf, Alexander Siddig. Day One Film

Mother of George / U.S.A. (Director: Andrew Dosunmu, Screenwriter: Darci Picoult) — A story about a woman willing to do anything and risk everything for her marriage.Cast: Isaach De Bankolé, Danai Gurira, Anthony Okungbowa, Yaya Alafia, Bukky Ajayi.

The Spectacular Now/ U.S.A. (Director: James Ponsoldt, Screenwriters: Scott Neustadter, Michael H. Weber) — Sutter is a high school senior who lives for the moment; Aimee is the introvert he attempts to "save." As their relationship deepens, the lines between right and wrong, friendship and love, and "saving" and corrupting become inextricably blurred. Cast: Miles Teller, Shailene Woodley, Brie Larson, Jennifer Jason Leigh, Mary Elizabeth Winstead, Kyle Chandler.

Touchy Feely/ U.S.A. (Director and screenwriter: Lynn Shelton) — A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother's foundering dental practice receives new life when clients seek out his “healing touch.”Cast: Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page, Josh Pais.

Toy's House/ U.S.A. (Director: Jordan Vogt-Roberts, Screenwriter: Chris Galletta) — Three unhappy teenage boys flee to the wilderness where they build a makeshift house and live off the land as masters of their own destiny. Or at least that’s the plan. Cast: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman, Megan Mullally, Alison Brie.

Upstream Color/ U.S.A. (Director and screenwriter: Shane Carruth) — A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives. Cast: Amy Seimetz, Shane Carruth, Andrew Sensenig, Thiago Martins.

U.S. Documentary Competition

The world premieres of 16 American documentary films.

99% - The Occupy Wall Street Collaborative Film/ U.S.A. (Directors: Audrey Ewell, Aaron Aites, Lucian Read, Nina Kristic) — The Occupy movement erupted in September 2011, propelling economic inequality into the spotlight. In an unprecedented collaboration, filmmakers across America tell its story, digging into big picture issues as organizers, analysts, participants and critics reveal how it happened and why.

After Tiller/ U.S.A. (Directors: Martha Shane, Lana Wilson) — Since the assassination of Dr. George Tiller in 2009, only four doctors in the country provide late-term abortions. With unprecedented access, After Tiller goes inside the lives of these physicians working at the center of the storm.

American Promise / U.S.A. (Directors: Joe Brewster, Michèle Stephenson) — This intimate documentary follows the 12-year journey of two African-American families pursuing the promise of opportunity through the education of their sons.

Blackfish/ U.S.A. (Director: Gabriela Cowperthwaite) — Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer.Blackfish shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity.

Blood Brother/ U.S.A. (Director: Steve Hoover) — Rocky went to India as a disillusioned tourist. When he met a group of children with HIV, he decided to stay. He never could have imagined the obstacles he would face, or the love he would find.

Citizen Koch/ U.S.A. (Directors: Carl Deal, Tia Lessin) — Wisconsin – birthplace of the Republican Party, government unions, “cheeseheads” and Paul Ryan – becomes a test market in the campaign to buy Democracy, and ground zero in the battle for the future of the Gop.

Cutie and the Boxer/ U.S.A. (Director: Zachary Heinzerling) — This candid New York love story explores the chaotic 40-year marriage of famed boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband's assistant, Noriko finds an identity of her own.

Dirty Wars/ U.S.A. (Director: Richard Rowley) — Investigative journalist Jeremy Scahill chases down the truth behind America’s covert wars.

Gideon's Army / U.S.A. (Director: Dawn Porter) — Gideon’s Army follows three young, committed Public Defenders who are dedicated to working for the people society would rather forget. Long hours, low pay and staggering caseloads are so common that even the most committed often give up.

God Loves Uganda/ U.S.A. (Director: Roger Ross Williams) — A powerful exploration of the evangelical campaign to infuse African culture with values imported from America’s Christian Right. The film follows American and Ugandan religious leaders fighting “sexual immorality” and missionaries trying to convince Ugandans to follow biblical law.

The Good Life/ U.S.A. (Directors: Sean Fine, Andrea Nix Fine) — Dr. Leslie Gordon and Dr. Scott Berns fight to save their only son from Progeria, a rare and fatal disease for which there is no treatment or cure. In less than a decade, their work has led to significant advances.

Inequality for All/ U.S.A. (Director: Jacob Kornbluth) — In this timely and entertaining documentary, noted economic-policy expert Robert Reich distills the topic of widening income inequality, and addresses the question of what effects this increasing gap has on our economy and our democracy.

Manhunt/ U.S.A., United Kingdom (Director: Greg Barker) — This espionage tale goes inside the CIA’s long conflict against Al Qaeda, as revealed by the remarkable women and men whose secret war against Osama bin Laden started nearly a decade before most of us even knew his name.

Narco Cultura / U.S.A. (Director: Shaul Schwarz) — An examination of Mexican drug cartels’ influence in pop culture on both sides of the border as experienced by an La narcocorrido singer dreaming of stardom and a Juarez crime scene investigator on the front line of Mexico’s Drug War.

Twenty Feet From Stardom/ U.S.A. (Director: Morgan Neville) — Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we've had no idea who these singers are or what lives they lead – until now. Day One Film

Valentine Road / U.S.A. (Director: Marta Cunningham) — In 2008, eighth-grader Brandon McInerney shot classmate Larry King at point blank range. Unraveling this tragedy from point of impact, the film reveals the heartbreaking circumstances that led to the shocking crime as well as its startling aftermath.

World Cinema Dramatic Competition

Twelve films from emerging filmmaking talents offer fresh perspectives and inventive styles.

Circles/ Serbia, Germany, France, Croatia, Slovenia (Director: Srdan Golubovic, Screenwriters: Srdjan Koljevic, Melina Pota Koljevic) — Five people are affected by a tragic heroic act. Twenty years later, all of them will confront the past through their own crises. Will they overcome guilt, frustration and their urge for revenge? Will they do the right thing, at all costs? Cast: Aleksandar Bercek, Leon Lucev, Nebojsa Glogovac, Hristina Popovic, Nikola Rakocevic, Vuk Kostic. World Premiere

Crystal Fairy / Chile (Director and screenwriter: Sebastián Silva) — Jamie invites a stranger to join a road trip to Chile. The woman’s free and esoteric nature clashes with Jamie’s acidic, self-absorbed personality as they head into the desert for a Mescaline-fueled psychedelic trip. Cast: Michael Cera, Gabby Hoffmann, Juan Andrés Silva, José Miguel Silva, Agustín Silva. World Premiere. Day One Film

The Future/ Chile, Germany, Italy, Spain (Director and screenwriter: Alicia Scherson) — When their parents die, Bianca starts to smoke and Tomas is still a virgin. The orphans explore the dangerous streets of adulthood until Bianca finds Maciste, a retired Mr. Universe, and enters his dark mansion in search of a future. Cast: Manuela Martelli, Rutger Hauer, Luigi Ciardo, Nicolas Vaporidis, Alessandro Giallocosta. World Premiere

Houston/ Germany (Director and screenwriter: Bastian Günther) — Clemens Trunschka is a corporate headhunter and an alcoholic. Drinking increasingly isolates him from his life and leads him away from reality. While searching for a CEO candidate in Houston, his addiction submerges him into his own darkness. Cast: Ulrich Tukur, Garret Dillahunt, Wolfram Koch, Jenny Schily, Jason Douglas, Jens Münchow. World Premiere

Jiseul / South Korea (Director and screenwriter: Muel O) — In 1948, as the Korean government ordered the Communists’ eviction to Jeju Island, the military invaded a calm and peaceful village. Townsfolk took sanctuary in a cave and debated moving to a higher mountain. Cast: Min-chul Sung, Jung-won Yang, Young-soon Oh, Soon-dong Park, Suk-bum Moon, Kyung-sub Jang. International Premiere

Lasting / Poland, Spain (Director and screenwriter: Jacek Borcuch) — An emotional love story about two Polish students who fall in love with each other while working summer jobs in Spain. An unexpected nightmare interrupts their carefree time in the heavenly landscape and throws their lives into chaos. Cast: Jakub Gierszal, Magdalena Berus, Angela Molina. World Premiere

Metro Manila / United Kingdom, Philippines (Director: Sean Ellis, Screenwriters: Sean Ellis, Frank E. Flowers) — Seeking a better life, Oscar and his family move from the poverty-stricken rice fields to the big city of Manila, where they fall victim to various inhabitants whose manipulative ways are a daily part of city survival. Cast: Jake Macapagal, John Arcilla, Althea Vega. World Premiere

Shopping / New Zealand (Directors: Mark Albiston, Louis Sutherland, Screenwriters: Louis Sutherland, Mark Albiston) — New Zealand, 1981: Seduced by a charismatic career criminal, teenager Willie must choose where his loyalty lies – with a family of shoplifters or his own blood. Cast: Kevin Paulo, Julian Dennison, Jacek Koman, Alistair Browning. World Premiere

Soldate Jeannette/ Austria (Director: Daniel Hoesl) — Fanni has had enough of money and leaves to buy a tent. Anna has had enough of pigs and leaves a needle in the hay. Cars crash and money burns to shape their mutual journey toward a rising liberty. Cast: Johanna Orsini-Rosenberg, Christina Reichsthaler, Josef Kleindienst, Aurelia Burckhardt, Julia Schranz, Ines Rössl. World Premiere

There Will Come a Day/ Italy, France (Director: Giorgio Diritti, Screenwriters: Giorgio Diritti, Fredo Valla, Tania Pedroni) — Painful issues push Augusta, a young Italian woman, to doubt the certainties on which she has built her existence. On a small boat in the immensity of the Amazon rain forest, she faces the adventure of searching for herself. Cast: Jasmine Trinca, Anne Alvaro, Pia Engleberth. World Premiere

Wajma (An Afghan Love Story)/ Afghanistan (Director and screenwriter: Barmak Akram) — A young man in Kabul seduces a girl. When she tells him she’s pregnant, he questions having taken her virginity. Then her father arrives, and a timeless, archaic violence erupts – possibly leading to a crime, and even a sacrifice. Cast: Wajma Bahar, Mustafa Abdulsatar, Haji Gul, Breshna Bahar. World Premiere

What They Don't Talk About When They Talk About Love/ Indonesia (Director and screenwriter: Mouly Surya) — Mouly Surya’s film explores the odds of love and deception among the blind, the deaf and the unlucky sighted people at a high school for the visually impaired. Cast: Nicholas Saputra, Ayushita Nugraha, Karina Salim, Anggun Priambodo, Lupita Jennifer. World Premiere

World Cinema Documentary Competition

Twelve documentaries by some of the most courageous and extraordinary filmmakers working today.

Fallen City / China (Director: Qi Zhao) — Fallen City spans four years to reveal how three families who survived the 2008 Sichuan earthquake to embark on a journey searching for hope, purpose, identity, and to rebuild their lives in a new China torn between tradition and modernity. North American Premiere

Fire in the Blood/ India (Director: Dylan Mohan Gray) — In the late 1990s and early 2000s, Western governments and pharmaceutical companies blocked low-cost antiretroviral drugs from reaching AIDS-stricken Africa, causing 10 million or more unnecessary deaths. An improbable group of people decided to fight back. North American Premiere

Google and the World Brain/ Spain, United Kingdom (Director: Ben Lewis) — In the most ambitious project ever conceived on the Internet, Google has been scanning the world's books for 10 years. They said the intention was to build a giant digital library, but that involved scanning millions of copyrighted works. World Premiere

The Machine Which Makes Everything Disappear/ Georgia, Germany (Director: Tinatin Gurchiani) — A film director casting a 15-23-year-old protagonist visits villages and cities to meet people who answer her call. She follows those who prove to be interesting enough through various dramatic and funny situations. North American Premiere

The Moo Man/ United Kingdom (Directors: Andy Heathcote, Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. World Premiere

Pussy Riot – A Punk Prayer / Russian Federation, United Kingdom (Directors: Mike Lerner, Maxim Pozdorovkin) — Three young women face seven years in a Russian prison for a satirical performance in a Moscow cathedral. But who is really on trial: the three young artists or the society they live in? World Premiere

A River Changes Course/ Cambodia, U.S.A. (Director: Kalyanee Mam) — Three young Cambodians struggle to overcome the crushing effects of deforestation, overfishing, and overwhelming debt in this devastatingly beautiful story of a country reeling from the tragedies of war and rushing to keep pace with a rapidly expanding world. World Premiere

Salma/ United Kingdom, India (Director: Kim Longinotto) — When Salma, a young girl in South India, reached puberty, her parents locked her away. Millions of girls all over the world share the same fate. Twenty-five years later, Salma has fought her way back to the outside world. World Premiere

The Square (El Midan) / Egypt, U.S.A. (Director: Jehane Noujaim) — What does it mean to risk your life for your ideals? How far will five revolutionaries go in defending their beliefs in the fight for their nation? World Premiere

The Stuart Hall Project/ United Kingdom (Director: John Akomfrah) — Antinuclear campaigner, New Left activist and founding father of Cultural Studies, this documentary interweaves 70 years of Stuart Hall’s film, radio and television appearances, and material from his private archive to document a memorable life and construct a portrait of Britain’s foremost radical intellectual. World Premiere

The Summit / Ireland, United Kingdom (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive.International Premiere

Who is Dayani Cristal?/ United Kingdom (Director: Marc Silver) — An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for its identity leads us across a continent to seek out the people left behind and the meaning of a mysterious tattoo. World Premiere. Day One Film

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Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling. Digital technology paired with unfettered creativity proves the films selected in this section will inform a “greater” next wave in American cinema.

Blue Caprice/ U.S.A. (Director: Alexandre Moors, Screenwriters: R.F.I Porto, Alexandre Moors) — An abandoned boy is lured to America and drawn into the shadow of a dangerous father figure in this film inspired by the real life events that led to the 2002 Beltway sniper attacks. Cast: Isaiah Washington, Tequan Richmond, Joey Lauren Adams, Tim Blake Nelson, Cassandra Freeman, Leo Fitzpatrick.

Computer Chess /U.S.A. (Director and screenwriter: Andrew Bujalski) — An existential comedy about the brilliant men who taught machines to play chess – back when the machines seemed clumsy and we seemed smart. Cast: Patrick Riester, Myles Paige, James Curry, Robin Schwartz, Gerald Peary, Wiley Wiggins.

Escape from Tomorrow/ U.S.A. (Director and screenwriter: Randy Moore) — A postmodern, surreal voyage into the bowels of "family" entertainment; an epic battle begins when an unemployed, middle-aged father loses his sanity during a close encounter with two teenage girls on holiday. Cast: Roy Abramsohn, Elena Schuber, Katelynn Rodriguez, Annet Mahendru, Danielle Safady, Alison Lees-Taylor.

I Used to Be Darker/ U.S.A. (Director: Matthew Porterfield, Screenwriters: Amy Belk, Matthew Porterfield) — A runaway seeks refuge with her aunt and uncle in Baltimore, only to find their marriage ending and her cousin in crisis. In the days that follow, the family struggles to let go while searching for things to sustain them. Cast: Deragh Campbell, Hannah Gross, Kim Taylor, Ned Oldham, Geoff Grace, Nick Petr.

It Felt Like Love / U.S.A. (Director and screenwriter: Eliza Hittman) — On the outskirts of Brooklyn, a 14-year-old girl’s sexual quest takes a dangerous turn when she pursues an older guy and tests the boundaries between obsession and love.Cast: Gina Piersanti, Giovanna Salimeni, Ronen Rubinstein, Jesse Cordasco, Nick Rosen, Case Prime.

Milkshake/ U.S.A. (Director: David Andalman, Screenwriters: David Andalman, Mariko Munro) — In mid-1990's America, we follow the tragic sex life of Jolie Jolson, a wannabe thug (and great-great-grandson of legendary vaudevillian Al Jolson) in suburban DC as he strives to become something he can never be – black. Cast: Tyler Ross, Shareeka Epps, Georgia Ford, Eshan Bay, Leo Fitzpatrick, Danny Burstein.

Newlyweeds/ U.S.A. (Director and screenwriter: Shaka King) — A Brooklyn repo man and his globetrotting girlfriend forge an unlikely romance. But what should be a match made in stoner heaven turns into a love triangle gone awry in this dark coming-of-age comedy about dependency. Cast: Amari Cheatom, Trae Harris, Tone Tank, Colman Domingo, Isiah Whitlock Jr., Adrian Martinez.

Pit Stop/ U.S.A. (Director: Yen Tan, Screenwriters: Yen Tan, David Lowery) — Two working-class gay men in a small Texas town and a love that isn't quite out of reach. Cast: Bill Heck, Marcus DeAnda, Amy Seimetz, John Merriman, Alfredo Maduro, Corby Sullivan.

A Teacher/ U.S.A. (Director and screenwriter: Hannah Fidell) — A popular young teacher in a wealthy suburban Texas high school has an affair with one of her students. Her life begins to unravel as the relationship comes to an end. Cast: Lindsay Burdge, Will Brittain, Jennifer Prediger, Jonny Mars, Julie Phillips, Chris Dubeck.

This is Martin Bonner/ U.S.A.(Director and screenwriter: Chad Hartigan) — Martin Bonner has just moved to Reno for a new job in prison rehabilitation. Starting over at age 58, he struggles to adapt until an unlikely friendship with an ex-con blossoms, helping him confront the problems he left behind. Cast: Paul Eenhoorn, Richmond Arquette, Sam Buchanan, Robert Longstreet, Demetrius Grosse.

The Sundance Film Festival®

A program of the non-profit Sundance Institute®, the Festival has introduced global audiences to some of the most ground-breaking films of the past two decades, including sex, lies, and videotape, Maria Full of Grace, The Cove, Hedwig and the Angry Inch, An Inconvenient Truth, Precious, Trouble the Water, and Napoleon Dynamite, and through its New Frontier initiative, has showcased the cinematic works of media artists including Isaac Julien, Doug Aitken, Pierre Huyghe, Jennifer Steinkamp, and Matthew Barney. The 2013 Sundance Film Festival® sponsors include: Presenting Sponsors – Hp, Acura, Sundance Channel and Chase Sapphire PreferredSM; Leadership Sponsors – Directv, Entertainment Weekly, Focus Forward, a partnership between Ge and Cinelan, Southwest Airlines, Sprint and YouTube; Sustaining Sponsors – Adobe, Canada Goose, Canon U.S.A., Inc., CÎRoc Ultra Premium Vodka, FilterForGood®, a partnership between Brita® and Nalgene®, Hilton HHonors and Waldorf Astoria Hotels & Resorts, Intel Corporation, L'Oréal Paris, Recycled Paper Greetings, Stella Artois® and Time Warner Inc. Sundance Institute recognizes critical support from the Utah Governor's Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations will defray costs associated with the 10-day Festival and the nonprofit Sundance Institute's year-round programs for independent film and theatre artists. www.sundance.org/festival

Sundance Institute

Founded by Robert Redford in 1981, Sundance Institute is a global, nonprofit cultural organization dedicated to nurturing artistic expression in film and theater, and to supporting intercultural dialogue between artists and audiences. The Institute promotes independent storytelling to unite, inform and inspire, regardless of geo-political, social, religious or cultural differences. Internationally recognized for its annual Sundance Film Festival and its artistic development programs for directors, screenwriters, producers, film composers, playwrights and theatre artists, Sundance Institute has nurtured such projects as Born into Brothels, Trouble the Water, Beasts of the Southern Wild, Amreeka, An Inconvenient Truth, Spring Awakening, Light in the Piazza and Angels in America. Join Sundance Institute on Facebook, Twitter and YouTube.
See full article at Sydney's Buzz »

Sundance 2013 Film Festival Line-Up Announced

We have the official full slate of films confirmed for next years Sundance Film Festival, the prestigious event founded by legendary acting, directing and producing icon, Robert Redford. The ceremony was originally set up during 1978 for those independent films and filmmakers to showcase their talents to the world, in hope of gaining a wider audience. Check out the press release giving all the details below:-

Sundance Institute announced today the films selected for the U.S. and World Cinema Dramatic and Documentary Competitions for the 2013 Sundance Film Festival, January 17-27 in Park City, Salt Lake City, Ogden and Sundance, Utah.

Robert Redford, President & Founder of Sundance Institute said:

“Every great film starts with an idea, and it is a testament to artists that they continually find new ideas, new stories, new points of view and new ways of sharing them, year after year. We look forward to hearing from these
See full article at The Hollywood News »

2013 Sundance Line-Up Announced

  • Dark Horizons
Sixteen films are set to compete in the dramatic category at next year's Sundance Film Festival in January, with exactly half of those films directed by women - a new record for the festival which will be in its 29th year.

Approximately 113 feature-length films representing 32 countries were selected for Sundance for next year including 27 films in competition and 51 films from first-time directors. Many of the key categories were announced today.

While the Utah-based film festival only occasionally showcases films that have true mainstream crossover potential, this year sees more audience friendly fare in competition even it is still specifically targeting the art house crowd.

The fest in January this year was dominated by the rave reviews for its Grand Jury Prize winner "Beasts of the Southern Wild" which, upon moving to a more mainstream release, scored many accolades but just $13 million in worldwide box-office.

U.S. Dramatic Competition

Afternoon Delight
See full article at Dark Horizons »

Sundance 2013 To Feature Primer Director Shane Curruth’s Upstream Color

If you ever managed to see Shane Carruth‘s Primer, you’re probably a very confused person. That’s to say, the 2004 time-travel flick strove to be as realistic as possible, and by realistic, we mean completely mind-boggling. Saying that, Primer remains one of the most intriguing movies of the past decade (even if we still can’t figure it out), which means that the promise of a second movie from writer/director Curruth is something to be excited about.

Though it was rumored that the poor guy couldn’t get funding sorted for a second feature, it appears he finally got it made: Upstream Color will premier at Sundance 2013, presumably to grant everybody another headache with a bizarre-sounding story about two people who become a single organism.

Sundance, of course, exists to showcase the best and brightest in indie film. Next year’s festival takes place from January 17-27 in Park City,
See full article at We Got This Covered »

2013 Sundance Film Fest: Sean Ellis, Srdan Golubovic, Sebastian Silva in World Cinema Dramatic Comp

  • ioncinema
Mostly populated by unknowns filmakers (at least to us), among the dozen titles in Sundance’s World Dramatic Comp we do find some familair auteurs such as Sean Ellis’ (from Cashback fame) who returns with Metro Manila, we have Srdan Golubovic’s Circles (see still above – a drama we thought might end up playing in Cannes earlier this year) and finally, Sebastián Silva whose latest Crystal Fairy (not to be confused with Magic Magic which also stars Michael Cera) will open the fest. Here are the twelve selections of which eleven are world preems.

Circles / Serbia, Germany, France, Croatia, Slovenia (Director: Srdan Golubovic, Screenwriters: Srdjan Koljevic, Melina Pota Koljevic) — Five people are affected by a tragic heroic act. Twenty years later, all of them will confront the past through their own crises. Will they overcome guilt, frustration and their urge for revenge? Will they do the right thing, at all costs?
See full article at ioncinema »

Line-Up Announced for Sundance Film Festival 2013

  • HeyUGuys
Every year, the festival circuit kicks off with a huge bang – Sundance.

It’s one of the biggest festivals for independent films around the world, taking over Park City, Ut every January, to bring together some of the biggest and finest names in the independent filmmaking world.

The line-up has now been announced for the Us and World Competition categories, along with Next, giving us a great first look at what we have to look forward to in January – and, looking ahead, at some of the films that will be coming to Sundance London in April 2013.

The first slew of films show incredible promise, with David Lowery’s Ain’t Them Bodies Saints, James Ponsoldt’s The Spectacular Now, and Lynn Shelton’s Touchy Feely leading the Us Dramatic category with so much potential.

Lowery’s Ain’t Them Bodies Saints features an all-star cast, headed up by Rooney Mara,
See full article at HeyUGuys »

2013 Sundance Film Festival Competition Lineup Revealed

The 2013 Sundance Film Festival runs from January 17-27 and today the fest unveiled their competition slates including film in the Dramatic, Documentary, World Cinema Dramatic, Word Cinema Documentary and Next competitions. As always, these lineups are incredibly hard to predict, but amid this group there are a few interesting titles. The Dramatic competition includes Jill Soloway's Afternoon Delight, a dark comedy starring Kathryn Hahn, Juno Temple, Josh Radnor and Jane Lynch that centers on a L.A. housewife who hires a stripper as a live-in nanny. I had not heard of David Lowery's Ain't Them Bodies Saints, but a cast that includes Rooney Mara, Casey Affleck, Ben Foster, Nate Parker and Keith Carradine is immediately appealing, while the plot compares itself to Terrence Malick's Badlands and Bonnie & Clyde telling a story of Bob Muldoon and Ruth Guthrie, two young outlaws who are brought down by the authorities in the hills of Texas.
See full article at Rope Of Silicon »

Sundance 2013: World Cinema Dramatic Competition Program

  • Indiewire
Sundance 2013: World Cinema Dramatic Competition Program
Here are the 12 films in the World Cinema Dramatic Competition Program: Circles / Serbia, Germany, France, Croatia, Slovenia (Director: Srdan Golubovic, Screenwriters: Srdjan Koljevic, Melina Pota Koljevic) — Five people are affected by a tragic heroic act. Twenty years later, all of them will confront the past through their own crises. Will they overcome guilt, frustration and their urge for revenge? Will they do the right thing, at all costs? Cast: Aleksandar Bercek, Leon Lucev, Nebojsa Glogovac, Hristina Popovic, Nikola Rakocevic, Vuk Kostic. World Premiere Crystal Fairy / Chile (Director and screenwriter: Sebastián Silva) — Jamie invites a stranger to join a road trip to Chile. The woman’s free and esoteric nature clashes with Jamie’s acidic, self-absorbed personality as they head into the desert for a Mescaline-fueled psychedelic trip. Cast: Michael Cera, Gabby Hoffmann, Juan Andrés Silva, José Miguel Silva,...
See full article at Indiewire »

Promise Me This

Promise Me This
CANNES -- Although Emir Kusturica's seventh feature, Promise Me This, can best be described as a boisterous adventure comedy, it doesn't really satisfy in terms of thrills or laughs. The Bosnian-born director runs through his usual box of magic tricks in this In Competition feature, but inspiration is missing and the movie will trade, if it trades at all, on Kusturica's name. Its prospects outside Europe and the festival circuit are slim indeed.

In a tiny hamlet high in the hills of Serbia, the young orphan Tsane (Uros Milovanovic) is made to promise by his grandfather (Aleksandar Bercek) that he will take their cow Cvetka to the nearest town and sell her, buy a religious icon with the proceeds, then find a bride in order that he can marry before his grandfather dies. The third inhabitant of the hamlet, buxom schoolteacher Bosa (Ljiljana Blagojevic), meanwhile, is receiving the unwelcome amorous attentions of a government inspector.

Cvetka is promptly stolen from Tsane by local hoodlum Bajo (Miki Manojlovic) and his goons, but Tsane succeeds in recovering her with the aid of Topuz (Stribor Kusturica) and Runjo (Vladan Milojevic), the little-and-large grandsons of Grandpa's old shoemaker chum Trifun. Having fulfilled the first two parts of his promise, Tsane sets his sights on the shapely Jasna (Marija Petronijevic) and immediately strikes up a rapport. But there are further un-pleasant surprises in store.

Bajo, who has grandiose plans to rebuild the World Trade Center in the Serbian countryside, also runs a brothel/strip joint in which Jasna's mother, Gica (Kosanka Djekic), works part time. Bajo inducts Jasna into this club and prepares to sell her into the white slave trade (with Gica's consent, since she owes him money).

Tsane and his resourceful friends come to the rescue in a series of raids, stratagems and cartoon gunfights in which no one is really hurt let alone dies. The action makes its way back to the village where, far from being at the point of death, Grandpa prepares to marry Bosa. Further mayhem ensues, rounded off by an inevitable happy ending.

With a relentlessly jaunty score and visual gags and pratfalls occurring at a rate of one a minute, the movie is presumably intended as a lighthearted, life-affirming romp. The characters are unfailingly colorful, and there are numerous Heath Robinson contraptions involving levers, mirrors, trapdoors, ropes and pulleys, one of the latter being an alarm-clock device that hurtles Grandpa through a window. As ever with Kusturica, people tend to defy gravity: A man is pumped full of air and floats to the ceiling. A human cannonball makes periodic appearances for no obvious reason.

While much of the comedy may be acceptable to young children, it's not at all clear to whom the movie is directed. The decision to make Tsane a 12-year-old suggests a pitch for youthful audiences. On the other hand, the language used by Bajo and his henchmen is reminiscent of a Scorsese movie. (A sequence from Taxi Driver is briefly glimpsed on television.) An apparent sex romp between Tsane and Jasna in the trunk of the car taking them back to the village will be seen by many as a serious failure of judgment.

The picture-postcard setting is faultlessly captured in Milorad Glusica's cinematography, and the action never flags. The overall impression left by Promise Me This is that of a director functioning on autopilot while waiting for a more challenging project to come along.

PROMISE ME THIS

Rasta International, Fidelite Films, France 2 Cinema

Credits:

Director: Emir Kusturica

Screenwriters: Emir Kusturica, Ranko Bozic

Based on a story by: Rade Markovic

Producers: Emir Kusturica, Maja Kusturica, Olivier Delbosc, Marc Missonnier

Director of photography: Milorad Glusica

Production designer: Radovan Markovic

Music: Stribor Kusturica

Editor: Svetolic Mica Zajc

Cast:

Jasna: Marija Petronijevic

Tsane: Uros Milovanovic

Bosa: Ljiljana Blagojevic

Grandpa: Aleksandar Bercek

Jasna's Mother: Kosanka Djekic

Bajo: Miki Manojlovic

Topuz: Stribor Kusturica

Runjo: Vladan Milojevic

Running time -- 126 minutes

No MPAA rating

See also

Credited With | External Sites