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| Academy Awards, USA | |||
| Year | Result | Award | Category/Recipient(s) |
|---|---|---|---|
| 2007 | Won | Oscar |
Best Achievement in Sound Mixing for: Dreamgirls (2006). Shared with: Michael Minkler Willie D. Burton |
| 2005 | Won | Oscar |
Best Achievement in Sound Mixing for: Ray (2004/I). Shared with: Scott Millan Greg Orloff Steve Cantamessa |
| 2003 | Nominated | Oscar |
Best Sound for: Road to Perdition (2002). Shared with: Scott Millan John Pritchett |
| 2001 | Won | Oscar |
Best Sound for: Gladiator (2000). Shared with: Scott Millan Ken Weston |
| 1997 | Nominated | Oscar |
Best Sound for: Independence Day (1996). Shared with: Chris Carpenter Bill W. Benton Jeff Wexler |
| 1995 | Won | Oscar |
Best Sound for: Speed (1994). Shared with: Gregg Landaker Steve Maslow David MacMillan |
| 1994 | Nominated | Oscar |
Best Sound for: Cliffhanger (1993). Shared with: Michael Minkler Tim Cooney |
| BAFTA Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2005 | Won | BAFTA Film Award |
Best Sound for: Ray (2004/I). Shared with: Karen M. Baker Per Hallberg Steve Cantamessa Scott Millan Greg Orloff |
| 2001 | Nominated | BAFTA Film Award |
Best Sound for: Gladiator (2000). Shared with: Ken Weston Scott Millan Per Hallberg |
| 2000 | Nominated | BAFTA Film Award |
Best Sound for: American Beauty (1999). Shared with: Scott Martin Gershin Scott Millan Richard Van Dyke |
| 1997 | Nominated | BAFTA Film Award |
Best Sound for: Independence Day (1996). Shared with: Bill W. Benton Chris Carpenter Sandy Gendler Val Kuklowsky Jeff Wexler |
| 1995 | Won | BAFTA Film Award |
Best Sound for: Speed (1994). Shared with: Stephen Hunter Flick Gregg Landaker Steve Maslow David MacMillan |
| Cinema Audio Society, USA | |||
| Year | Result | Award | Category/Recipient(s) |
| 2012 | Won | C.A.S. Award |
Outstanding Achievement in Sound Mixing for Television Movies and Mini-Series for: Too Big to Fail (2011) (TV). Shared with: James Sabat (production mixer) Chris Fogel (scoring mixer) Chris Jenkins (re-recording mixer) |
| 2009 | Won | C.A.S. Award |
Outstanding Achievement in Sound Mixing for Television Movies and Mini-Series for: "John Adams" (2008). Shared with: Jay Meagher (production mixer) Michael Minkler (re-recording mixer) For episode "Join or Die". |
| Nominated | C.A.S. Award |
Outstanding Achievement in Sound Mixing for Television Movies and Mini-Series for: "John Adams" (2008). Shared with: Jay Meagher (production mixer) Michael Minkler (re-recording mixer) For episode "Independence". |
|
| 2007 | Won | C.A.S. Award |
Outstanding Achievement in Sound Mixing for Motion Pictures for: Dreamgirls (2006). Shared with: Michael Minkler (re-recording mixer) Willie D. Burton (production mixer) |
| 2005 | Nominated | C.A.S. Award |
Outstanding Achievement in Sound Mixing for Motion Pictures for: The Bourne Supremacy (2004). Shared with: Kirk Francis (production mixer) Scott Millan (re-recording mixer) |
Outstanding Achievement in Sound Mixing for Motion Pictures for: Ray (2004/I). Shared with: Steve Cantamessa (production mixer) Scott Millan (re-recording mixer) Greg Orloff (re-recording mixer) |
| 2003 | Won | C.A.S. Award |
Outstanding Sound Mixing for Motion Pictures for: Road to Perdition (2002). Shared with: Scott Millan (re-recording mixer) John Pritchett (production mixer) |
| 2001 | Won | C.A.S. Award |
Outstanding Achievement in Sound Mixing for a Feature Film for: Gladiator (2000). Shared with: Scott Millan (re-recording mixer) Ken Weston (production mixer) |
| 2000 | Nominated | C.A.S. Award |
Outstanding Achievement in Sound Mixing for a Feature Film for: American Beauty (1999). Shared with: Scott Millan (re-recording mixer) Richard Van Dyke (production mixer) |
| 1997 | Nominated | C.A.S. Award |
Outstanding Achievement in Sound Mixing for a Feature Film for: Independence Day (1996). Shared with: Chris Carpenter (re-recording mixer) Bill W. Benton (re-recording mixer) Jeff Wexler (production mixer) |
| 1995 | Nominated | C.A.S. Award |
Outstanding Achievement in Sound Mixing for a Feature Film for: Speed (1994). Shared with: Gregg Landaker (re-recording mixer) Steve Maslow (re-recording mixer) David MacMillan (production mixer) |
Outstanding Achievement in Sound Mixing for a Feature Film for: True Lies (1994). Shared with: Michael Minkler (re-recording mixer) Lee Orloff (production mixer) |
| 1994 | Nominated | C.A.S. Award |
Outstanding Achievement in Sound Mixing for a Feature Film for: Cliffhanger (1993). Shared with: Michael Minkler (re-recording mixer) Tim Cooney (production mixer) |
| Emmy Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2011 | Nominated | Emmy |
Outstanding Sound Mixing for a Miniseries or a Movie for: Too Big to Fail (2011) (TV). Shared with: James Sabat (production sound mixer) Chris Jenkins (re-recording mixer) |
| 2008 | Nominated | Emmy |
Outstanding Sound Mixing for a Miniseries or a Movie for: "John Adams" (2008). Shared with: Jay Meagher (production mixer) Michael Minkler (re-recording mixer) (HBO). For episode "Join Or Die". |
| Motion Picture Sound Editors, USA | |||
| Year | Result | Award | Category/Recipient(s) |
| 2000 | Won | Golden Reel Award |
Best Sound Editing - Dialogue & ADR for: American Beauty (1999). Shared with: Scott Martin Gershin (supervising sound/dialogue editor) Trevor Jolly (supervising adr editor) Mark Gordon (dialogue editor) Simon Coke (dialogue editor) Thomas O'Neil Younkman (assistant adr editor) Paul Flinchbaugh (assistant dialogue editor) Lee W. Lebaigue (assistant dialogue editor) Richard Van Dyke (production mixer) Scott Millan (re-recording mixer) Rich Weingart (adr mixer) Dean Drabin (adr mixer) Brian Basham (adr recordist) |
| Satellite Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2006 | Won | Satellite Award |
Best Sound (Editing & Mixing) for: Dreamgirls (2006). Shared with: Willie D. Burton Michael Minkler Richard E. Yawn |
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