2 items from 2016
This is a Cinderella story about a girl who could never quite shake off the soot from her heels. The girl who found her prince, made her way to the kingdom, but still couldn’t fit into her glass slipper—at least, not the way the old princess did, not like Rebecca.
It may seem like Alfred Hitchcock’s 1940 murder mystery, Rebecca, is nothing more than a story about a jealous woman succumbing to her insecurities, but the truth is that Hitchcock wasn’t just a master of suspense—he was also the master of subtly injecting deeper layers of meaning into his movies. Yes, it’s true that the second Mrs. de Winter lets her obsession with her husband’s first spouse take over her life, but there’s something else at work here. It isn’t just envy that drives the second Mrs. de Winter mad, as in addition to her identity issues, »
- Kalyn Corrigan
'The Merry Widow' with Maurice Chevalier, Jeanette MacDonald and Minna Gombell under the direction of Ernst Lubitsch. Ernst Lubitsch movies: 'The Merry Widow,' 'Ninotchka' (See previous post: “Ernst Lubitsch Best Films: Passé Subtle 'Touch' in Age of Sledgehammer Filmmaking.”) Initially a project for Ramon Novarro – who for quite some time aspired to become an opera singer and who had a pleasant singing voice – The Merry Widow ultimately starred Maurice Chevalier, the hammiest film performer this side of Bob Hope, Jim Carrey, Adam Sandler – the list goes on and on. Generally speaking, “hammy” isn't my idea of effective film acting. For that reason, I usually find Chevalier a major handicap to his movies, especially during the early talkie era; he upsets their dramatic (or comedic) balance much like Jack Nicholson in Martin Scorsese's The Departed or Jerry Lewis in anything (excepting Scorsese's The King of Comedy »
- Andre Soares
2 items from 2016
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