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‘Cyborg’ is as well an oiled machine as cheap, B-movies get

31 March 2015 9:15 PM, PDT | SoundOnSight | See recent SoundOnSight news »


Written by Kitty Chalmers and Daniel Hubbard-Smith

Directed by Albert Pyun

U.S.A., 1989

In the future, a dangerous plague wipes out much of humanity, civilization crumbling away with it. Enter the pirates, gangs that reap barbaric pleasure out of rape and pillage. One such faction is led by the Goliath-like figure of Fender (Vincent Klyn), a psychotic individual seeking to intercept a female cyborg, Pearl (Dayle Haddon), traversing the United States to Atlanta and carrying the secret medicinal knowledge that will help the country’s few remaining doctors determine a cure to the deadly virus. Dayle cannot make the journey alone, requiring the help of tracker Gibson (Jean-Claude Van Damme) a man wrestling with his own demons and wanting to settle a score with the nefarious Fender.

Right from the opening minutes it is abundantly clear that the filmmakers wish to ape the general tone and aesthetic »

- Edgar Chaput

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