3 items from 2014
Today is "Star Wars Day." You know, "May the fourth," because it sounds like "May the force (be with you)." Get It??? There has been plenty of "Star Wars" discussion this week as the people threatening to give us a seventh film in this storied franchise dropped a few casting details on the world. People like Oscar Isaac and Max von Sydow and Adam Driver will be joining old timers Mark Hamill, Harrison Ford and Carrie Fisher for "Star Wars: Episode VII - Whatever Nifty Subtitle They Give It," and we'll probably be hearing about it constantly as the film forges on through production and post-production. To mark today's occasion, director J.J. Abrams and screenwriter Lawrence Kasdan offered up a video howdy, which you can watch below if these movies are your thing. In case it's not readily evident, they're certainly not my thing, but I can't very well be »
- Kristopher Tapley
The Grand Budapest Hotel
Composed by Alexandre Desplat
I have no clue which country, if any, “Zubrowka” is meant to represent in The Grand Budapest Hotel. I can, however, point it out on a map. Er, at least I can point out where it should be. Wes Anderson’s fictional European nation doesn’t exist outside his eighth feature but from its intricate period design to the hotel concierge’s (Ralph Fiennes) well-rounded zest for life, Zubrowka feels real.
Partial credit also goes to Alexandre Desplat, who teams with Anderson for a third time and crafts a rich, ambiguously European score both in sound and in name. Honestly, what could the title of the opening track “s’Rothe-Zauerli” possibly translate to? Apart from providing names for third-rate Star Wars villains, Zubrowkan (?) rings like a cross between Swiss and Spanish, and the track’s barbershop quartet of yodels put a point in the former. »
- David Klein
A couple of weeks ago, we were lucky enough to be invited along to Abbey Road by their speaker provider Bowers and Wilkins (B&W). We’d been fortunate enough visit what is arguably the world’s best known and most famous recording studio for a previous project with Maserati. If you missed our writeup, you can catch up here. This time, the scope was much more filmic in it’s origins as veteran Abbey Road sound technician Jonathan Allen was on hand to answer all our film related questions and even let us have a play on the mixing desk in Sound Studio 3.
Jonathan has worked as an engineer and producer at Abbey Road Studios for twenty years and has a worldwide reputation for his work recording and mixing music for films and television and a wide variety of album projects, particularly classical music. Over the last few years »
- David Sztypuljak
3 items from 2014
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