He acted in the British National Theatre Repertoire Season at the Cottesloe, Lyttelton, and Olivier Theatre in London, England in Peter Shaffer's play, "Yonadab;" Tom Stoppard's play, "The Real Inspector Hound;" Richard Brinsley Sheridan's play, "The Critic;" Alan Ayckbourn's play, "A Chorus of Disapproval;" Howard Brenton and ...
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Had a special aptitude for mastering dialects. He was particularly effective on screen in upper-crust or military roles, requiring not only perfect diction but an extreme application of 'Oxford English'.
deep, sonorous, nasal voice