3 items from 2015
'Pirates of the Caribbean: The Curse of the Black Pearl': Johnny Depp as Capt. Jack Sparrow. 'Pirates of the Caribbean: The Curse of the Black Pearl' review: Mostly an enjoyable romp (Oscar Movie Series) Pirate movies were a Hollywood staple for about three decades, from the mid-'20s (The Sea Hawk, The Black Pirate) to the mid-to-late '50s (Moonfleet, The Buccaneer), when the genre, by then mostly relegated to B films, began to die down. Sporadic resurrections in the '80s and '90s turned out to be critical and commercial bombs (Pirates, Cutthroat Island), something that didn't bode well for the Walt Disney Company's $140 million-budgeted film "adaptation" of one of their theme-park rides. But Neptune's mood has apparently improved with the arrival of the new century. He smiled – grinned would be a more appropriate word – on the Gore Verbinski-directed Pirates of the Caribbean: The Curse of the Black Pearl, »
- Andre Soares
Brooklyn mobster and prolific hit man Jimmy Conlon (Neeson), once known as The Gravedigger, has seen better days. Longtime best friend of mob boss Shawn Maguire (Harris), Jimmy, now 55, is haunted by the sins of his past—as well as a dogged police detective (Vincent D’Onofrio) who’s been one step behind Jimmy for 30 years. Lately, it seems Jimmy’s only solace can be found at the bottom of a whiskey glass.
But when Jimmy’s estranged son, Mike (Joel Kinnaman), becomes a target, Jimmy must make a choice between the crime family he chose and the real family he abandoned long ago. With Mike on the run, Jimmy’s only penance for his past mistakes may be to keep »
- Michelle McCue
The world is full of men content to spend their lives within a few miles of where they were born, men who will love one woman, learn one language and go to their graves hardly having dreamed at all. These are not the men about whom Werner Herzog makes movies, although it took until age 72 for the chronicler of such bombastic souls as “Aguirre” and “Fitzcarraldo” to deem a woman worthy of one of his mighty portraits. Better late than never, and though Nicole Kidman is hardly the female Klaus Kinski, in the formidable character epic “Queen of the Desert,” she conveys with quiet determination what Kinski never could: the kind of conviction that changes the world.
Leaning more on romance than one might suppose to capture such an independent spirit as Gertrude Lowthian Bell, whose self-directed explorations among and dealings with the Middle East’s many conflicting tribes informed »
- Peter Debruge
3 items from 2015
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