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2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2005 | 2004 | 2003

4 items from 2015


John Frankenheimer: A Remembrance

6 July 2015 12:37 PM, PDT | The Hollywood Interview | See recent The Hollywood Interview news »

Director John Frankenheimer.

I'm often asked which, out of the over 600 interviews I've logged with Hollywood's finest, is my favorite. It's not a tough answer: John Frankenheimer.

We instantly clicked the day we met at his home in Benedict Canyon, and spent most of the afternoon talking in his den. A friendship of sorts developed over the years, with visits to his office for screenings of the old Kinescopes he directed for shows like "Playhouse 90" during his salad days in live television during the 1950s.

We hadn't spoken for nearly a year in mid-2002 when the phone rang. It was John, who spoke in what can only be described as a "stentorian bark," like a general. "Alex!" he exclaimed. "John Frankenheimer." He could sense something was amiss with me. It was. My screenwriting career had stalled. My marriage was progressing to divorce. I had hit bottom. John knew that »

- The Hollywood Interview.com

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Movie Review – The Seven Year Itch (1955)

30 June 2015 1:21 PM, PDT | Flickeringmyth | See recent Flickeringmyth news »

The Seven Year Itch, 1955.

Directed by Billy Wilder.

Starring Marilyn Monroe and Tom Ewell.

Synopsis:

Married man, Sherman, has to contend with the gorgeous woman upstairs when his family are away over the summer.

That shot. A train whirrs past beneath the vent and wind blows her dress up as she struggles to hold it down. She doesn’t move away from the revealing situation and instead tells he male companion, “isn’t it delicious?”. Her white, pleated dress design and platinum blonde hair means that this is Marilyn Monroe. A crowd had gathered, between 52nd and 53rd Street in New York City. Billy Wilder is in production of The Seven Year Itch, and photographer Sam Shaw is snapping the icon of the 1950’s. This became the moment that became a 26ft tall statue by Seward Johnson in Chicago, California and New Jersey, in Forever Marilyn. It is also the unforgettable, »

- Simon Columb

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Time Machine: Veterans Wallach and Coppola - Godfather 3 in Common - Are Special Oscar Honorees

24 April 2015 12:28 PM, PDT | Alt Film Guide | See recent Alt Film Guide news »

Eli Wallach and Anne Jackson on the Oscars' Red Carpet Eli Wallach and Anne Jackson at the Academy Awards Eli Wallach and wife Anne Jackson are seen above arriving at the 2011 Academy Awards ceremony, held on Sunday, Feb. 27, at the Kodak Theatre in Hollywood. The 95-year-old Wallach had received an Honorary Oscar at the Governors Awards in November 2010. See also: "Doris Day Inexplicably Snubbed by Academy," "Maureen O'Hara Honorary Oscar," "Honorary Oscars: Mary Pickford, Greta Garbo Among Rare Women Recipients," and "Hayao Miyazaki Getting Honorary Oscar." Delayed film debut The Actors Studio-trained Eli Wallach was to have made his film debut in Fred Zinnemann's Academy Award-winning 1953 blockbuster From Here to Eternity. Ultimately, however, Frank Sinatra – then a has-been following a string of box office duds – was cast for a pittance, getting beaten to a pulp by a pre-stardom Ernest Borgnine. For his bloodied efforts, Sinatra went on »

- D. Zhea

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Blu-ray Review – The Manchurian Candidate (1962)

24 February 2015 10:43 AM, PST | Flickeringmyth | See recent Flickeringmyth news »

The Manchurian Candidate, 1962.

Directed by John Frankenheimer.

Starring Laurence Harvey, Frank Sinatra, Janet Leigh, Angela Lansbury, Henry Silver and James Gregory.

Synopsis:

A former Korean War Pow is brainwashed by Communists into becoming a political assassin. But another former prisoner may know how to save him.

Exploring the extremes of cold war paranoia in a stylish cloak and dagger format that must have raised more than a few eyebrows on its release in 1962, The Manchurian Candidate is a film that takes a look beyond the usual political invective.

Following the terrifying experiences of Korean War veterans as they attempt to settle back into ‘normal’ American life, the film is a supremely dark portrayal of influence and control. Laurence Harvey (Room at the Top, Darling) as Raymond Shaw creates a terrifyingly understated performance as the pawn in the games of the political elite. Specifically, his character is controlled through the use »

- Robert W Monk

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4 items from 2015


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