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3 items from 2017

Karlie Kloss Apologizes for Geisha Photo Shoot in Vogue Diversity Issue

15 February 2017 6:38 AM, PST | | See recent news »

Karlie Kloss apologized for her involvement in a controversial Vogue photoshoot, which attracted criticism for casting a white woman in a Japanese-themed photoshoot.

The spread — which appeared in the fashion magazine’s “diversity themed” March issue — featured the 24-year-old model dressed in traditional geisha garb for a series of photos.

One had her posing alongside a sumo wrestler; another, walking down the stairs of a tea house in flowered kimono. In all, Kloss is wearing a Geisha’s Shimada-styled nihongami wig.

Photographer Mikael Jansson shot the editorial in Japan, reportedly as an homage to a 1966 Vogue shoot by Richard Avedon of German model Veruschka. »

- Dave Quinn

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"Resident Evil: The Final Chapter" - Milla Jovovich In "Vogue"

7 February 2017 9:14 AM, PST | SneakPeek | See recent SneakPeek news »

Sneak Peek new images of "Resident Evil: The Final Chapter" actress Milla Jovovich in the latest issue of "Vogue" (Taiwan) magazine, photographed by An Le:

Jovovich began modeling at the age of 12 when Herb Ritts photographed her for the cover of the Italian magazine "Lei". Photographer Richard Avedon then featured her in Revlon's "Most Unforgettable Women in the World" advertisements.

In 1988, Jovovich had her first acting role in the television film "The Night Train to Kathmandu", followed by the feature, "Two Moon Junction".

When she was fifteen, Jovovich starred in the 1991 feature "Return to the Blue Lagoon

She also starred in Luc Besson's "The Fifth Element" and "The Messenger: The Story of Joan of Arc" (1999)

In 2002, Jovovich starred in the horror feature "Resident Evil", adapted from the video game series of the same name, reprising her role in five sequels to date, including "Resident Evil: The Final Chapter", written/directed by Paul W. »

- Michael Stevens

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Sundance Film Review: ‘Mudbound’

21 January 2017 10:48 PM, PST | Variety - Film News | See recent Variety - Film News news »

Some folks look out on the world, and all they see are the differences between people, the things that set us apart. “Mudbound” is a hymn to what we all share — the human struggle, the mutual desire to succeed and create a better world for our children — and it is a damning indictment of those who stand in the way of such progress. Set deep in the Mississippi Delta, it’s the epic story of two families, one white, the other black, who’ve each sown hope among fields too sodden to be much use — and though the sheer scope of the material overwhelms “Pariah” director Dee Rees at times, she finds shoots of optimism among the mire that couldn’t be more welcome at a moment when the country seems more divided than ever.

Adapted by Rees and co-writer Virgil Williams from Hillary Jordan’s remarkable debut novel, “Mudbound »

- Peter Debruge

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