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1 item from 2017


"Les hautes solitudes": A Film at Wit’s End

22 February 2017 7:34 AM, PST | MUBI | See recent MUBI news »

Jean Seberg in Les hautes solitudes. Courtesy of The Film Desk.It is a raw experience. No title, no credits of any sort. No soundtrack—although I defy anyone to watch it in absolute silence and not “hear” something, at some point, in their head. Just a series of “moving images” (for once the currently fashionable artworld term is correct), portraits in black-and-white, mostly trained on faces, or the upper parts of several bodies. There is no make-up, only minimal lighting and staging, and no post-production effects or clean-up whatsoever. The on-screen participants include Nico, Tina Aumont, Laurent Terzieff. And, most extensively, Jean Seberg—which may come as a shock to viewers not entirely au fait with the biography of the film’s director, Philippe Garrel. “Garrel’s camera sees Seberg honestly,” wrote David Ehrenstein in his book Film: The Front Line 1984, “as if discovering her for the first time, »

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1 item from 2017


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