1 item from 2010
Chicago – The stage may is noticeably stripped, and the absence of technical advancement well-viewed. But the brass creativity emanating from “The 39 Steps”, the rollicking adaptation of Alfred Hitchcock’s quieted film, is consummately endowed. In a certain albeit undeniable sense, the Master of Suspense’s screen canon has always been ripe for the satirical plucking. Permeated with harrowing plot twists, forlorn femme fatales, and disoriented- though always dignified- heroes, Hitchcockian thrillers offer the sort of dramatic abundance about which most Broadway producers can only daydream.
Play Rating: 3.0/5.0
Both John Buchan’s original 1915 novel and Hitchcock’s 1935 screen adaptation followed a quick-paced, English-flavored thriller conceit. The narratives employed heady espionage, boiling international conflict, and the staple of mistaken identity. The stage conversion of “The 39 Steps”, adapted by Patrick Barlow and with conceptualization by Simon Corble and Nobby Dimon, renders much of the same recipe. But slapstick and schtick are the go-to ingredients here. »
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1 item from 2010
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