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2016 | 2015 | 2013 | 2012 | 2011

3 items from 2016


‘Network’ Turns 40: Here Are 3 Ways It Changed How We Understand News Media

2 December 2016 8:00 AM, PST | Indiewire | See recent Indiewire news »

Because 2016 cares not for subtlety, this month marks the 40th anniversary of “Network.” Since its release in November 1976 to wide praise and an eventual heap of Oscars, director Sidney Lumet and writer Paddy Chayefsky’s excoriation of the exponentially money-driven, bottom-feeding tendencies of television news has only grown in renown, as each angry pundit updates the film’s library of prophecies about The State of Television Today.

With the ascent of an actual reality TV star to the U.S. Presidency following a broadcast news cycle that worked for everything but a dedication to public interest, it would seem that this depressing political season has reached the logical end of the film’s apocalyptic forecast, landing on a reality too absurd for even “Network” to dramatize: Howard Beale as President. However, as we reflect on what’s gone wrong with contemporary news media and political culture, it’s important to »

- Landon Palmer

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Hush… Hush, Sweet Charlotte

1 November 2016 11:51 AM, PDT | Trailers from Hell | See recent Trailers from Hell news »

Bette Davis, Olivia de Havilland and Agnes Moorehead play it nasty, chop-chopping their way through a Grand Dame Guignol epic of 'sixties Hag Horror. Ace director Robert Aldrich's big success handed the deserving Davis a big role, and it looks better than ever on this razor-sharp remastered edition. With good original film promos as well as a lively new commentary. Hush... Hush, Sweet Charlotte Blu-ray Twilight Time 1964 / B&W / 1:85 widescreen / 133 min. / Street Date October 11, 2016 / Available from the Twilight Time Movies Store29.95 Starring Bette Davis, Olivia de Havilland, Joseph Cotten, Agnes Moorehead, Cecil Kellaway, Victor Buono, Mary Astor. Cinematography Joseph F. Biroc Art Direction William Glasgow Film Editor Michael Luciano Original Music Frank De Vol Written by Lukas Heller from a novel by Henry Farrell Produced and Directed by Robert Aldrich

Reviewed by Glenn Erickson

Good horror pictures featuring big stars were once fairly rare; this month Twilight Time »

- Glenn Erickson

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The Truculent Cinema of Robert Aldrich

16 September 2016 10:36 PM, PDT | MUBI | See recent MUBI news »

The quintessential shot in Robert Aldrich’s filmography is that of a close-up, held for a smidgen longer than the normal length one would think appropriate for such a shot. The face the camera is focusing on is usually a signifier of the most central element in Aldrich’s films: tension. Whether it’s melodrama (Autumn Leaves, Whatever Happened to Baby Jane?), war pictures (Too Late the Hero, Attack!), or Westerns, both sober and jocular (Ulzana’s Raid and 4 For Texas, respectively), ideological and external forces wrestle within the psyche that defines Aldrich’s cinema. Metrograph's all-35mm retrospective in New York offers us the opportunity to survey the oeuvre of the auteur who hammered out his cinematic legacy with the vigor of an undoubtedly indignant and irreverent artist. Too Late the Hero (1970)Consistency across genre and modes of filmmaking marks Aldrich as one of the last great studio auteurs, »

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3 items from 2016


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