7 items from 2015
The board of governors of the American Society Of Cinematographers has voted Crudo to return as president for a sixth term.
Crudo served the last two years and before that was president from 2003 through 2006.
The members of the board, elected in May by the organisation’s active membership, include: John Bailey, Bill Bennett, George Spiro Dibie, Richard Edlund, Fred Elms, Daryn Okada, Lowell Peterson, Robert Primes, Rodney Taylor and Haskell Wexler. »
- firstname.lastname@example.org (Jeremy Kay)
The Board of Governors of the American Society of Cinematographers (Asc) has re-elected its slate of officers for another term. Continuing to serve in their roles will be Richard Crudo as president; Owen Roizman, Kees Van Oostrum and Lowell Peterson as vice presidents; Matthew Leonetti as treasurer; Fred Goodich as secretary; and Isidore Mankofsky as sergeant-at-arms. Crudo will serve his sixth term as president. In addition to the last two years, he fulfilled the role from 2003 through 2006. The members of the Board, elected in May by the organization?s active membership, include: John Bailey, Bill Bennett, George Spiro Dibie, Richard Edlund, Fred Elms, Daryn Okada, Lowell Peterson, Robert Primes, Rodney Taylor and Haskell Wexler. “I am humbled to once again have the opportunity to serve this great organization,” said Crudo. “As we start to close in on our 100th anniversary, we will continue to honor the intents of our founders »
There was no Bat-Signal shining in the skies over the Getty Museum last Sunday, but the distress call being sent by filmmaker Christopher Nolan and artist Tacita Dean was unmistakable — a beacon that said, in effect, “Save Our Celluloid.”
Heeding the call were some 30 representatives of the nation’s leading film archives, labs and presenting institutions, who accepted Dean and Nolan’s combined invitation to participate in an informal summit entitled “Reframing the Future of Film.” The two-part event sponsored by the Getty Research Institute (where Dean is currently an artist-in-residence) consisted of a private roundtable session in the morning, followed by a public afternoon event at which Dean and Nolan appeared in conversation with Kerry Brougher, director of the Academy of Motion Picture Arts & Sciences’ planned Wilshire Boulevard museum (scheduled to open in 2017).
While the Getty gathering was hardly the first-ever symposium devoted to the sustainability of film in the digital era, »
- Scott Foundas
After winning last year's top honor at the American Society of Cinematographers (Asc) Awards for Outstanding Achievement, Emmanuel Lubezki has done it again this year. THR reports that last night the Asc Awards handed him the award for his spectacular work on Birdman. Lubezki was up against an impressive array of talent behind the camera that included Roger Deakins for Unbroken, Óscar Faura for The Imitation Game, Dick Pope for Mr. Turner, and Robert Yeoman for The Grand Budapest Hotel. It's just one more award for Birdman as the film still dominates awards season leading up to the Oscars. On the TV side of things, Jonathan Freeman won for episode of a regular series for his work on HBO's "Boardwalk Empire," while John Lindley got the award for a TV movie, miniseries or pilot for his work on "Manhattan." In addition, Lawrence Kasdan presented director of photography John Bailey, who »
- Ethan Anderton
A lot of award winners through the years have expressed shock and surprise and claim they never expected to get what they were getting. John Bailey you actually believe.
“I’ve never received an Academy nomination or an Asc nomination or any kind of, you know, accolade from my peers,” says Bailey, who on Feb. 15 will receive the American Society of Cinematographers Lifetime Achievement Award, an honor given in recent years to Roger Deakins, Dante Spinotti, Caleb Deschanel and Michael Chapman.
“I think this is by virtue of the kinds of films I do,” he says. “They’re not necessarily ones that call attention to the cinematography.”
“That film was incredibly important to me, because it confirmed for me that I wanted to do films »
- John Anderson
Maybe if "Wild" hadn't done such a solid and visually rich job of portraying one woman's determination to restart her life by hiking 2000 miles, the banal platitudes and strange visual monotony of two older guys' determination to restart their lives by hiking 2000 miles in "A Walk in the Woods" wouldn't seem so subpar. Maybe if Robert Redford hadn't done such harrowing, committed and honest work as a man battling nature in "All Is Lost," Robert Redford's lax, barely engaged work as a man meandering through nature in "A Walk in the Woods" wouldn't seem so subpar. Maybe if "A Walk in the Woods" weren't having its world premiere at the Sundance Film Festival, a venue that doesn't always demand artistic or narrative experimentation but certainly rewards the work of risk-taking, it's bland and peculiar artistic and narrative flatness wouldn't seem so subpar. But here we are in Park City, »
- Daniel Fienberg
Robert Redford and Nick Nolte go for “A Walk in the Woods” in Ken Kwapis’ broad, bland adaptation of Bill Bryson’s 1998 tome. Like that mildly amusing travel-memoir-cum-elongated-humor-column, there’s light diversion but little substance in this tale of two grumpy old men making a predictable hash of their effort to hike the Appalachian Trail. The appeal of the cast names and the equally venerable scenic vistas should lure older audiences, though whether they’ll get out to theaters or wait for home-format delivery is an open question.
With his grandkids coming of age and peers dying off, Bill (Redford) here worries he’s losing his mojo with little time to spare; ergo his very random decision to hike the 2,200-mile trail, a determined whim that his English wife, Cathy (Emma Thompson), considers foolish and dangerous at his age. She insists that at least he not travel alone. No one »
- Dennis Harvey
7 items from 2015
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