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1 item from 2015


2015 Sundance Trading Card Series: #11. Heather McIntosh (Z for Zachariah)

5 February 2015 9:00 AM, PST | ioncinema | See recent ioncinema news »

Eric Lavallee: Name me three of your favorite “2014 discoveries”…

Heather McIntosh: MaddAddam Trilogy, Margaret Atwood. Volumina for Organ, György Ligeti. Mind Brains (Orange Twin Records)

Lavallee: In Z for Zachariah, Craig Zobel goes from a “Great World of Sound” (pardon the pun) to nothingness. How did you research dystopia, lifeless scapes and survivalism?

McIntosh: The score fits somewhere between pastoral and experimental. Research, I studied a lot of contemporary organ scores, like the Ligeti one above (not that the score really went that far out).

Lavallee: This is your second outing with Craig, your previous collaboration was the cringe worthy essay on victimization. In terms of instrument selection, what did you sprinkle onto Z?

McIntosh: For Compliance, it was cello driven. For Z for Zachariah, Cello is still there, but there is a larger chamber ensemble sound, pump organ, piano, choral ensemble, French horn, and a as always a sprinkling of electronic ambience. »

- Eric Lavallee

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