5 items from 2016
A special edition of this confirmed '70s crowd pleaser? I'm there. Robert Shaw has big plans to hijack a New York subway car, and subway cop Walter Matthau is determined to stop him. The Taking of Pelham One Two Three 42nd Anniversary Special Edition Blu-ray Kl Studio Classics 1974 / Color / 2:35 widescreen / 104 min. / Street Date July 5, 2016 / available through Kino Lorber / 29.95 1974 / Color / 2:35 widescreen / 104 min. / Street Date November 1, 2011 / 19.99 Starring Walter Matthau, Robert Shaw, Martin Balsam, Hector Elizondo, Earl Hindman, James Broderick, Dick O'Neill, Lee Wallace, Tom Pedi, Jerry Stiller, Rudy Bond, Kenneth McMillan, Doris Roberts, Julius Harris. Cinematography Owen Roizman Original Music David Shire Written by Peter Stone from the novel by John Godey Produced by Gabriel Katzka, Edgar J. Sherick Directed by Joseph Sargent
Reviewed by Glenn Erickson
- Glenn Erickson
When "Spotlight" won Best Picture in February, many observers recalled the Academy Awards race of four decades ago, when Watergate saga "All the President's Men" was a top contender.
Both movies made heroes out of the dogged reporters who had uncovered earth-shaking scandals, and both films made the often tedious process of journalism into gripping drama without distorting it much. Indeed, until "Spotlight" came along, "All the President's Men" had been considered the best movie ever made about journalism throughout the 40 years since its release, on April 9, 1976.
Today, "All the President's Men" is remembered as one of the last landmark movies of Hollywood's 1970s renaissance, and a highlight in the careers of stars Robert Redford and Dustin Hoffman. To celebrate the film's 40th anniversary, here are ten things you probably didn't know about "Atpm."
- Gary Susman
The first trailer has arrived online for the upcoming mystery thriller The American Side which stars Greg Stuhr, Alicja Bachleda, Robert Foster, Matthew Broderick, Camilla Belle, Janeane Garofalo and Robert Vaughn. Take a look below after the official synopsis…
When Charlie Paczynski’s raven-haired partner is caught in the crossfire of a blackmail scheme gone bad, he trails the prime suspect to the brink of Niagara, only to receive a cryptic warning: ‘what’s happening here you can’t begin to comprehend’… Thrust into a world populated by a whiskey-swilling raconteur (Robert Forster), strangely bonded siblings (Matthew Broderick and Camilla Belle), and a dubious government agent (Janeane Garofalo), Paczynski joins the quest for a long-lost design by enigmatic genius, Nikola Tesla. From the eccentric eavesdropper who gives him his first clue (yes! – that’s Robert Vaughn, The Man From U.N.C.L.E.) every door Paczynski forces open raises the stakes. Reminiscent of »
- Amie Cranswick
Diverse, awe-inspiring and memorable treasures that have sadly fallen off the radar
The noughties were a tough decade for film music fans. Not only was there the unprecedented loss of four great masters in the form of Jerry Goldsmith, Elmer Bernstein, Michael Kamen and Basil Poledouris; the nature of the industry itself began to go through some seismic changes, not all of them for the better.
With the art of film scoring becoming ever more processed, driven increasingly by ghost writers, electronic augmentation and temp tracks, prospects looked bleak. However, this shouldn’t shield the fact that there were some blindingly brilliant scores composed during this period. Here’s but a small sampling of them.
This year’s best original song front runner seems to be Lady Gaga and Diane Warren’s “Til It Happens To You” from the documentary, The Hunting Ground, which examines the prevalence of sexual assault cases on college campuses throughout the U.S. The song is very personal for both artists, as both recently opened up about their past experiences with sexual assault in a L.A. Times interview.
The song’s importance, and its resonance with audiences (the music video has over 24 million hits on Youtube) and Academy voters, lies in its social commentary. The four young women who are the subjects of the film (Annie E. Clark, Andrea L. Pino, Sofie Karasek and Kamilah Willingham) recently penned a letter to the songwriters thanking them and that “the release of your song will have an unparalleled impact on the culture of campuses nationwide,” as reported by Billboard. »
- Patrick Shanley
5 items from 2016
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