1970The Music Lovers
("SCHERZO BURLESQUE", "DANCE OF THE CLOWNS", "6th Symphony" excerpts, "MANFRED SYMPHONY" excerpts, "STRING QUARTET No. 3" adante, "ROMEO AND JULIET" overture, "MINIATURE MARCH", "1812 OVERTURE")
1969Paint Your Wagon
(music: "The First Thing You Know", "A Million Miles Away Behind The Door", "The Gospel Of No Name City", "Best Things", "Gold Fever")
–
Episode #1.1
(1968)
(writer: "You're Gonna Hear from Me" - uncredited)
1967Valley of the Dolls
(music: "Theme from Valley of the Dolls", "Give A Little More", "It's Impossible", "Come Live With Me", "I'll Plant My Own Tree")
–
Episode #7.8
(1963)
(writer: "Second Chance", "Control Yourself" / performer: "When You're Smiling", "Let a Smile Be Your Umbrella", "Everybody's Doin' It", "Let's Do It, Let's Fall in Love", "Let's Fall in Love", "Second Chance", "Control Yourself", "Fly Me to the Moon", "I've Got You Under My Skin", "It Don't Mean a Thing If It Ain't Got That Swing", "Bidin' My Time", "Lazy Afternoon", "If I Had My Druthers", "Empty Pockets Filled with Love")
1955It's Always Fair Weather
(music: "March, March" 1955 - uncredited, "The Time for Parting" 1955 - uncredited, "Once Upon a Time" 1955 - uncredited, "Thanks a Lot, but No Thanks" 1955 - uncredited, "Music Is Better Than Words" 1955 - uncredited, "Saturation-Wise" 1955 - uncredited, "I Like Myself" 1955 - uncredited, "Stillman's Gym" 1955 - uncredited, "Baby, You Knock Me Out" 1955 - uncredited)
1994That's Entertainment! III
(documentary)
(grateful acknowledgment: to the extraordinary composers and lyricists / to the music arrangers and orchestrators)
1976That's Entertainment, Part II
(documentary)
(acknowledgement: the special style and content of the musical sequences were created by - as Andre Previn)
1974That's Entertainment!
(documentary)
(acknowledgment: helped to give films their special style and sound)
(1978) Tom Stoppard and his play, "Every Good Boy Deserves Favour," was performed at the Mermaid Theatre in London, England with John Woodvine, John Carlisle, and Ian McDiarmid in the cast. Trevor Nunn was director.
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[on scoring movies] When I composed, I heard my music played by the orchestra within days of completion of the score. No master at a conservatory, no matter how revered, can teach as much by verbal criticism as can a cold and analytical hearing of one's own music being played. I would mentally tick the results as they came at me: that was pretty good...
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Trivia:
Was nominated for Broadway's 1970 Tony Award for his music as part of a Best Musical nomination for "Coco."
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