10 items from 2014
If you're reading this you're likely a fan of the Criterion Collection, which also means as much as you may be interested to know what new titles are coming to the collection in February 2015, if you aren't yet aware, Barnes & Noble is currently having their 50% of Criterion sale right now, click here for more on that. However, if you're already hip to the sale, let's have a look at the new titles that were just announced. The month will begin on February 3 with a new film from Jean-Luc Godard, his 1980 feature Every Man for Himself starring Jacques Dutronc, Nathalie Baye and Isabelle Huppert. It's a film Godard refers to as a second debut and is described as an examination of sexual relationships, in which three protagonists interact in different combinations. The release includes a new high-definition digital restoration, a short video titled Le scenario created by Godard to secure financing for the film, »
- Brad Brevet
Anybody who knows me is already privy to the fact that I am a Full Moon fanatic. Everything from the Empire days to the recent output, I’m a massive fan of Charles Band’s always entertaining lineup of films, so this new announcement has me (and hopefully you) smiling from ear to ear. Always one to try new things and to think outside of just releasing films, Band and co. have now announced Full Moon Tunes, a comprehensive, massive library of rare (or previously unavailable) soundtracks to the company’s films throughout the years. For both Full Moon fans And soundtrack lovers, this is quite the good news, as a lot of films released by Band have had very ambitious and entertaining music. The site’s just starting out, so there is currently around 18-19 different soundtracks available so far, but many more are in the works. I know »
- Jerry Smith
Mark Hartley is an Australian filmmaker best known for the hugely entertaining look at the raucous and imaginative 70s and 80s new wave of cinema from his home country in documentary Not Quite Hollywood: The Wild, Untold Story of Ozploitation!
He’s remade one of those films from that era (the 1978 psychokinetic –tinged horror film Patrick) and we recently spoke to the director about his past work and the decision to use this project as a springboard for launching his narrative career.
HeyUGuys: Patrick is a little reminiscent of the new version of Maniac in the respect that it doesn’t feel like an out-and-out remake.
Mark Hartley: It’s kinda interesting with remakes. We wanted to be respectful [to the previous film] but obviously we didn’t want to make the same film again and we never felt like we were remaking someone’s film during the shoot. Hopefully that comes across in the execution. »
- Adam Lowes
Mark Hartley's reimagining of cult '70s shocker Patrick hits UK DVD shelves today, 11 August, titled Evil Awakens. With this in mind, we recently cornered Hartley as he took a break in London to pick his brain about the film, his feature helming debut.
Until now, Mark has been most widely known for his directorial work on music videos and documentaries such as Not Quite Hollywood and Machete Maidens Unleashed. When quizzed about the circumstances that led to finally getting in the director's chair for a narrative feature film, he tells us, "Well, I had never ever planned, or had any ambition, to make documentaries."
He elaborates, "That kind of happened by accident... I had always intended to make narrative features, and it was just a very difficult process. My background is actually music videos – I’ve made like a hundred and fifty music videos in Australia prior to »
- Gareth Jones
Former music video director Mark Hartley came to prominence, at least to me, in 2008 when his wonderful documentary Not Quite Hollywood, which detailed the “Ozploitation” genre, exploded on film blogs and movie sites across the globe. He then followed that up with another documentary, Machete Maidens Unleashed, a look at Filipino genre filmmaking, in 2010. I was fortunate enough to see that doc on the big screen at 2011′s Frightfest Glasgow and now, some three years later Hartley’s feature film debut Patrick: Evil Awakens, a loose remake of Richard Franklin’s seminal 1978 shocker, makes it’s UK debut on DVD.
It’s been some years since I’ve seen Franklin’s original film and it’s Italian lensed “sequel” Patrick Lives Again, but it’s not like anyone can actually forget »
- Phil Wheat
[Update 5/5/2014 11:08am - Added Charlie Band's reply from Blu-Ray.com]
If you are reading this site, there is a chance that you attend some conventions. Whether you travel to them or they roll into your hometown, more than likely this year you will see Charlie Band. Granted, the deal he is schlepping isn’t too bad. For $18 and your credit card, you can get 3 months of the Full Moon Streaming service in addition to 3 Blu-Rays of your choice. Since I’m not a huge fan of businesses having my credit card in a recurring payment that I always forget to cancel, you can actually give the Full Moon dudes (pun intended) a $20 bill and they’ll give you the same deal without having to worry about that recharge in 3 months. Hell, I did it at Cinema Wasteland last month. I figured that 3 months of the Full Moon streaming service and three Blu-Rays – one of which including Tourist Trap – was a great deal. »
- Andy Triefenbach
Howdy fright fiends! All of us here at Icons of Fright are pretty hardcore when it comes to being soundtrack fanatics. Whether it be Rob or Justin blasting away with their Death Waltz vinyl, or little ol’ me (Jerry), sorting through my insane amount of iTunes soundtracks or Mondo vinyl collection, the fact is that we’re constantly in adoration of all things music, especially when the tunes are from our favorite fright films. Since this whole month of April is one big celebration of our ten year anniversary, and we wanted to make things really fun, we decided that instead of just writing an article about Our favorite soundtracks, we would reach out to our friends and colleagues and ask them to join up and contribute to this one. So, without further ado, we bring you Icons and Friends: Our Favorite Genre Film Scores!
Rob G. (Co-creator, Icons Of Fright, »
- Jerry Smith
Sharni Vinson garnered profound praise from fans and critics alike for her turn in Adam Wingard's You’re Next, and this year the actress has returned to the horror genre in the new remake of the 1978 Australian thriller Patrick. In the new version, Vinson plays a nurse who shares a profound connection with the titular character, a comatose patient with telekinetic powers. We recently had the pleasure of connecting with Ms. Vinson, who told us why she loves performing her own stunts, describes becoming an icon for female empowerment, and hints at her role in an upcoming all-female Expendables-style film. Fearnet: You’re becoming known as a very versatile actor who can perform a lot of her own stunts. Which of your stunts did you perform in Patrick? Vinson: Patrick was probably the movie that I have done the most stunts in. We had these incredible rigs that I would get thrown backwards by, »
- Tyler Doupe
A comatose patient with telekinetic powers runs amok without leaving his bed at a mad doctor’s clinic in “Patrick: Evil Awakens.” This well-crafted remake of the 1978 Aussie cult item “Patrick” marks a steady move into scripted features for helmer Mark Hartley, whose impressive documentary “Not Quite Hollywood” chronicled the 1970s and ‘80s golden age of Aussie exploitation cinema. Rich in gothic trappings and sporting a terrific central performance by Sharni Vinson (“You’re Next”) as a nurse in Patrick’s sinister sights, the pic has some wobbly dialogue and doesn’t deliver full-blown terror, but should satisfy audiences hankering for old-school genre entertainment. Tepid B.O. during the film’s October 2013 Oz run doesn’t bode well for its limited U.S. theatrical bow on March 14; outlook is much brighter for same-day VOD release and homevid fortunes.
The film unfolds in the Roget Clinic, a privately run facility »
- Richard Kuipers
The spirits of 1980s genre maestros like John Carpenter, Walter Hill and William Lustig hover strongly over Jim Mickle’s “Cold in July,” a superior piece of Texas pulp fiction that starts out like a house on fire, sags a bit in the middle, then rallies for an exuberantly bloody finish. Bolstered by a trio of strong performances from Michael C. Hall, Sam Shepard and an uncorked Don Johnson, this ultra-violent, grimly funny hybrid of home-invasion thriller and revenge Western won’t be to most mainstream tastes, but should flourish with the same niche audiences who have deservedly come to embrace Mickle (“Stake Land,” “We Are What We Are”) as a noble upholder of a bygone B-movie tradition. IFC picked up distribution rights at Sundance.
The pic’s opening 30 minutes, arguably the best work Mickle has yet done, detail a startling attempted robbery and its equally harrowing aftermath. On a »
- Scott Foundas
10 items from 2014
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