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2012 | 2011 | 2010

4 items from 2012


Seven great rebel portraits of the ’60s and ’70s

26 May 2012 9:57 PM, PDT | SoundOnSight | See recent SoundOnSight news »

The French gave us the word “demimonde” – literally, half the world. But what it has come to mean in English, or so says Webster, is “a distinct circle or world that is often an isolated part of a larger world.”

Storytellers have always held a fascination with the dark side of human nature; that part of the psyche which is normally restrained and leashed, taught to be obedient, held in check – as Conrad wrote in Heart of Darkness – by the reproving looks of our neighbors. After all, what was Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde but a probing of that other, id-driven half and the entrancing appeal of doing what one wants instead of what one should.

Film is no different than literature, and from its beginning the movies have produced a rich vein of stories about society’s fringe dwellers, those who operate by necessity, »

- Bill Mesce

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Tjff 2012: ‘Something Wild’ is an exhausting, glib, and outdated look at sexual assault

7 May 2012 10:37 AM, PDT | SoundOnSight | See recent SoundOnSight news »

Something Wild

Directed by Jack Garfein

Written by Jack Garfein and Alex Karmel

USA, 1961

For an era as socially untactful as the 1960’s, Jack Garfein’s Something Wild, a story about a young rape victim struggling with the aftermath of her attack, must’ve been nothing short of avant-garde. As daring and inventive as it might’ve been, the film’s fractured tone, contrived melodramatic conflict and anachronistically iniquitous conclusion have made it an exhausting, glib, and outdated look at sexual assault.

In New York, Mary Ann Robinson (Carroll Baker) is raped while on her way home from work. As a result, she lives her life in extreme anguish. Alone, misunderstood, and marginalized, she is eventually pushed to the brink, but when a seemingly good Samaritan saves her, Mary finds herself at the mercy of his dubious intentions.

The first 15 minutes of the film, which contains no dialogue and a nominal score, »

- Justin Li

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Revisiting Colonel Blimp & Le Quai des Brumes

3 May 2012 4:06 PM, PDT | The Guardian - Film News | See recent The Guardian - Film News news »

They outraged the authorities on release. But the two films, made before and during the second world war, are now considered classics – and will be re-released this month. Our critics consider their impact

Ryan Gilbey on Le Quai des Brumes

It's easy now to call Marcel Carné's Le Quai des Brumes a masterpiece. When the film was released in 1938, such a view was more contentious. In the wake of the collapse of France's Popular Front government, the film was seen as exacerbating the mood of despair creeping into the left. Jean Renoir labelled it "counter-revolutionary". The Motion Picture Herald concluded: "One will be sorry that such art and talents have been used for such a trite and sordid story, which includes not a decent or healthy character." The Vichy government denounced it as "immoral, depressing and detrimental to young people", and declared that if the war was lost, Le Quai des Brumes »

- Ryan Gilbey, Philip Oltermann

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TCM Celebrates The Artist With List Of 10 Most Influential Silent Films

18 January 2012 2:09 PM, PST | WeAreMovieGeeks.com | See recent WeAreMovieGeeks.com news »

Turner Classic Movies (TCM) has unveiled its list of 10 Most Influential Silent Films in celebration of Michel Hazanavicius’ ode to the silent era, The Artist, which won three Golden Globes® Sunday night, including Best Picture . Musical or Comedy, Best Actor . Musical or Comedy for Jean Dujardin and Best Original Score. The Artist also picked up 12 British Academy Film Award nominations. The Weinstein Company will expand its release of The Artist nationwide on Friday.

TCM’s list of 10 Most Influential Silent Films spans from the years 1915 to 1928 and features such remarkable films as D.W. Griffith’s groundbreaking (and controversial) The Birth of a Nation (1915), which revolutionized filmmaking techniques; Nanook of the North (1922), a film frequently cited as the first feature-length documentary; Cecil B. DeMille’s epic silent version of The Ten Commandments (1923); Sergei Eisenstein’s oft-imitated Battleship Potemkin (1925), which took montage techniques to an entirely new level; and Fritz Lang’s »

- Michelle McCue

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2012 | 2011 | 2010

4 items from 2012


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