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Robert Krasker (1913–1981)

A somewhat underrated figure in cinematographic history, Australian-born Robert Krasker handled some of the most memorable films made in Britain after the Second World War. In his youth, he attended art classes in Paris and studied photography at the Photohaendler Schule in Dresden. He briefly worked for Paramount in Paris, before joining ... See full bio »


(age 68) in London, England, UK

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Won 1 Oscar. Another 2 wins & 1 nomination. See more awards »

Known For

The Third Man
The Third Man Cinematographer
Brief Encounter
Brief Encounter Cinematographer
El Cid
El Cid Cinematographer
The Collector
The Collector Cinematographer


Hide Hide Show Show Cinematographer (40 credits)
 1980 Cry Wolf (Short)
 1976 Red (Short)
 1966 The Trap (director of photography)
 1965 The Heroes of Telemark (director of photography)
 1965 The Collector (non-studio segments)
 1964 The Fall of the Roman Empire (director of photography)
 1962 Billy Budd (director of photography)
 1961 El Cid (director of photography)
 1959 Libel
 1958 Behind the Mask (director of photography)
 1956 Trapeze
 1956 Alexander the Great (director of photography)
 1955 That Lady
 1954 Senso
 1954 Romeo and Juliet (director of photography)
 1953 Malta Story (director of photography)
 1951 Another Man's Poison (director of photography)
 1951 Wonder Boy
 1950 The Angel with the Trumpet (as R. Krasker)
 1949 The Third Man (photographed by)
 1948 Bonnie Prince Charlie (photography)
 1947 Odd Man Out (director of photography)
 1945 Caesar and Cleopatra (photography)
 1945 Brief Encounter (director of photography)
 1944 Henry V (the director of photography)
 1943 The Lamp Still Burns (as Bob Krasker)
 1943 The Saint Meets the Tiger (as Bob Klasker)
 1943 The Gentle Sex (lighting cameraman)
Show Show Camera and Electrical Department (19 credits)
Show Show Self (1 credit)
Show Show Archive footage (1 credit)

Personal Details

Alternate Names:

Bob Klasker | Bob Krasker | R. Krasker

Did You Know?


He was proposed by producer Harry Saltzman as director of photography for "Billion Dollar Brain" (1967), but his initial interview with director Ken Russell was disastrous - Russell, perhaps to assert himself over Saltzman, was insulting about Krasker's work on the recent film, "The Trap". Krasker replied that Russell needed a documentary cameraman and turned the film down, never working on a ... See more »

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