Paul Mazursky - News Poster


Nick Nolte Reflects on What Acting’s Meant for Him Ahead of Walk of Fame Honor

Nick Nolte Reflects on What Acting’s Meant for Him Ahead of Walk of Fame Honor
Nick Nolte lives in a treehouse in Malibu. It’s an actual house. In a tree. A tree runs through the bedroom. He built it on the property he owns, a rustic 2.5-acre lot on which there are several small houses and an organic fruit and vegetable garden and dogs and cats running around. And every morning the first thing Nolte does when he wakes up is reach out and put his hand on the tree. And he feels the tree’s pulse. And he says to himself, “This is so cool. It’s alive.”

Nolte, who is receiving a star Nov. 20 on the Hollywood Walk of Fame, bought the property, within faint earshot of the Pacific Ocean, about 40 years ago, 10 years after he moved to L.A. to become a star. The semi-remote location (Kevin Dillon is a neighbor) is something that Nolte relishes; the fresh smell of dirt and grass, the cool shade
See full article at Variety - Film News »

Betsy Mazursky, Widow of Director Paul Mazursky, Dies at 90

Betsy Mazursky, Widow of Director Paul Mazursky, Dies at 90
Elizabeth "Betsy" Ann Mazursky, who was married to writer-director Paul Mazursky for 61 years, has died, her granddaughter Carly de Castro confirmed to The Hollywood Reporter. She was 90.

Mazursky, a librarian and social worker, died Friday at her home in Beverly Hills.

Paul had said of his wife, "She's helped shape a lot of my ideas about women," and their experiences together informed his scripts. For instance, when the couple went on a 72-hour weekend trip to the Esalen Institute in Big Sur, they ended up sitting naked in a hot tub with strangers. Paul recalled: "[The others] picked...
See full article at The Hollywood Reporter - Movie News »

Volcano is Fearless Finney Showcase: L.A. Screening with Bisset in Attendance

Volcano is Fearless Finney Showcase: L.A. Screening with Bisset in Attendance
'Under the Volcano' screening: John Huston's 'quality' comeback featuring daring Albert Finney tour de force As part of its John Huston film series, the UCLA Film & Television Archive will be presenting the 1984 drama Under the Volcano, starring Albert Finney, Jacqueline Bisset, and Anthony Andrews, on July 21 at 7:30 p.m. at the Billy Wilder Theater in the Los Angeles suburb of Westwood. Jacqueline Bisset is expected to be in attendance. Huston was 77, and suffering from emphysema for several years, when he returned to Mexico – the setting of both The Treasure of the Sierra Madre and The Night of the Iguana – to direct 28-year-old newcomer Guy Gallo's adaptation of English poet and novelist Malcolm Lowry's 1947 semi-autobiographical novel Under the Volcano, which until then had reportedly defied the screenwriting abilities of numerous professionals. Appropriately set on the Day of the Dead – 1938 – in the fictitious Mexican town of Quauhnahuac (the fact that it sounds like Cuernavaca
See full article at Alt Film Guide »

Hollywood Studios' First Gay Romantic Drama Back on the Big Screen

'Making Love': Groundbreaking romantic gay drama returns to the big screen As part of its Anniversary Classics series, Laemmle Theaters will be presenting Arthur Hiller's groundbreaking 1982 romantic drama Making Love, the first U.S. movie distributed by a major studio that focused on a romantic gay relationship. Michael Ontkean, Harry Hamlin, and Kate Jackson star. The 35th Anniversary Screening of Making Love will be held on Saturday, June 24 – it's Gay Pride month, after all – at 7:30 p.m. at the Ahrya Fine Arts Theatre on Wilshire Blvd. in Beverly Hills. The movie will be followed by a Q&A session with Harry Hamlin, screenwriter Barry Sandler, and author A. Scott Berg, who wrote the “story” on which the film is based. 'Making Love' & What lies beneath In this 20th Century Fox release – Sherry Lansing was the studio head at the time – Michael Ontkean plays a
See full article at Alt Film Guide »

How Today’s ‘Nonsensical’ Blockbuster Filmmaking Can Learn a Lesson From American Movies of the ’70s

  • Indiewire
How Today’s ‘Nonsensical’ Blockbuster Filmmaking Can Learn a Lesson From American Movies of the ’70s
Film critic Charles Taylor’s first collection of essays, “Opening Wednesday at a Theater or Drive-in Near You: The Shadow Cinema of the American ’70s,” explores the rich history of ’70s-era American filmmaking through a unique lens, opting to highlight some of the period’s underseen and often underappreciated gems. As one of the most fruitful times in American filmmaking, Taylor understands why certain features — including offerings from such respected filmmakers as Jonathan Demme, Walter Hill, and Irvin Kershner — didn’t quite make it big at a crowded box office, but he’s also eager to give them their due.

Told with an eye towards the current state of cinema — a blockbuster-driven machine that Taylor calls “nonsensical” and contributing to “the destruction of the idea of content” — the book is a loving look at some forgotten gems and the power of moviemaking that can often be ignored. In our excerpt from the book,
See full article at Indiewire »

NYC Weekend Watch: Marcello Mastroianni, The Caan Film Festival, Terry Zwigoff, Immigrants on Film & More

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Film Society of Lincoln Center

“Il Bello Marcello” highlights Italy’s greatest actor and, in turn, its greatest filmmakers.

Stalker continues its run.

Museum of the Moving Image

The Caan Film Festival is underway! Films from Michael Mann, Coppola, Hawks, and more kick it off.

The Cabinet of Dr. Caligari plays on Sunday.


See full article at The Film Stage »

George Segal Recalls Best Kisser From Rom-Com Heyday

George Segal Recalls Best Kisser From Rom-Com Heyday
Call it what you will: hype, puffery, marketing, buzz.

Nearing 83, actor George Segal has been around long enough to understand how this game is played. So when he was offered the chance to get a star on the Walk of Fame on Feb. 14, Segal figured, “Why not?”

“This is good publicity for ‘The Goldbergs’,” he says. “It’s all ballyhoo. I respect the ballyhoo.”

Now in its fourth season, “The Goldbergs,” Adam F. Goldberg’s ode to growing up in 1980s Philadelphia, has provided a continued platform for Segal, whose career is in its seventh decade. What is the secret to his longevity?

“It beats the shit out of me,” Segal says with a laugh. “I’m just so lucky to still be alive.”

The Walk of Fame ceremony is the day after his 83rd birthday. “I’ve always considered myself to be a lucky person. When I’m asked about the ups and downs of my
See full article at Variety - TV News »

10 Crucial George Segal Roles Beyond ‘The Goldbergs’

10 Crucial George Segal Roles Beyond ‘The Goldbergs’
George Segal rode talent and a hot streak to the top of the movie heap from the mid-1960s into the 1980s. If you only know Segal for his popular TV series “Just Shoot Me” and “The Goldbergs,” here are crucial earlier roles to check out.

King Rat (1965), dir. Bryan Forbes:

This was a break-out role for Segal, a prestigious WWII drama with a mostly British cast that included John Mills, Tom Courtenay, James Fox, Patrick O’Neal, and Denholm Elliott. Segal played a charismatically amoral American sharpie, scrambling to maintain his place at the top of the black-market heap in a Japanese prison camp.

Who’s Afraid of Virginia Woolf? (1966), dir. Mike Nichols:

Segal earned his lone Oscar nomination for this role, in Nichols’ adaptation of Edward Albee’s stinging marital drama. He brought brains and vulnerability as a college professor who, with his mousy wife (Sandy Dennis
See full article at Variety - Film News »

Sundance Film Review: ‘My Happy Family’

“My Happy Family,” the somewhat attenuated second feature from helmers Nana Ekvtimishvili and Simon Gross (a real-life couple credited here as “Nana and Simon”), continues their exploration of Georgia’s distaff side with a low-key, slice-of-life look at a middle-aged woman who leaves her husband. With its vociferously arguing family members, multiple dinner table scenes, and camerawork by Dp Tudor Vladimir Panduru (who also shot Cristian Mungiu’s “Graduation”), it feels much closer to recent Romanian cinema than to such similarly-themed titles as Paul Mazursky’s “An Unmarried Woman.” Although the energy and freshness of the directors’ acclaimed debut “In Bloom” are not so much in evidence here, “Family” does offer an interesting perspective on a changing patriarchal society, which should serve this sociological drama well on the fest circuit and in niche European play.

When we first meet her, Manana (theater thesp and vocalist Ia Shugliashvili), a 52-year-old high school literature teacher,
See full article at Variety - Film News »

Tragedy, Neurosis, Sundance: The Long, Strange Journey of ‘Person to Person’ Director Dustin Guy Defa

  • Indiewire
Tragedy, Neurosis, Sundance: The Long, Strange Journey of ‘Person to Person’ Director Dustin Guy Defa
Dustin Guy Defa makes his Sundance Film Festival feature debut with “Person to Person,” and he doesn’t know what to expect. He’s had a lot of disappointments in his life, ranging from being the kind of penniless artist whose survival demands long-term couch surfing to overcoming a nightmare family of origin. (It yielded his 2011 Sundance short, “Family Nightmare.”)

However, “Person To Person” also gives real weight to the time-worn trope that values the journey over the destination. With a cast that includes names like Michael Cera and”Broad City” star Abbi Jacobson as well as indie filmmaking stalwarts like David Zellner and Benny Safdie, it reflects the success he’s had building his place in independent filmmaking and the joy he brings with it. “It comes through loud and clear in his work,” said filmmaker David Lowery, a longtime Defa fan. “It’s the reason why his movies
See full article at Indiewire »

Hadas Ben Aroya’s Debut ‘People That Are Not Me’ Wins at Mar del Plata

A lesser-known title, “People That Are Not Me,” took the big prize on Saturday night at the 31st Mar del Plata Festival, Latin America’s only so-called A festival.

Far higher-profile pics, however, featured among the prizes announced at the Argentine fest, such as Cannes competition player “Aquarius” from Brazilian Kleber Mendonça Filho, “Scarred Hearts,’ from Romania’s Radu Jude, which bowed at Locarno, as well as Andrei Konchalovsky’s “Paradise,” which competed at Venice.

World premiering at August’s Locarno Film Festival in the Signs of Life sidebar and sold by London-based Film Republic, “People That Are Not Me” delivers a portrait of Tel Aviv millennials. This is framed in a romantic dramedy directed, produced and penned by first-timer Hadas Ben Aroya, trained at Steve Tisch School of Film at Tel Aviv University, which also stars in the movie as a 25 year-old woman who runs a wide gamut of
See full article at Variety - Film News »

Jon Favreau Tapped for Cinema Audio Society Filmmaker Award

Jon Favreau Tapped for Cinema Audio Society Filmmaker Award
Iron Man” and “The Jungle Book” director Jon Favreau has been selected to receive this year’s filmmaker award from the Cinema Audio Society.

The award will be presented at the 53rd annual Cas Awards on Feb. 18.

“Jon has been a steadfast presence humanizing his storytelling with intelligence and skill,” said Cas President Mark Ulano, who previously worked with Favreau on “Cowboys & Aliens” and the “Iron Man” films. “His light touch continues to produce engaging classics, from ‘Elf’ to ‘The Jungle Book.’ As a director, actor, producer, his ubiquitous creativity continues to entertain millions and makes him a wonderful choice for the Cas Filmmaker Award.”

Favreau’s “Iron Man” received a Cinema Audio Society nomination in 2009.

Previous recipients of the Cas filmmaker award include Jay Roach, Richard Linklater, Edward Zwick, Jonathan Demme, Rob Marshall, Taylor Hackford, Henry Selick, Paul Mazursky, Bill Condon, Gil Cates, and Quentin Tarantino.

Favreau’s latest film,
See full article at Variety - Film News »

Movie Review: Aquarius gives Sonia Braga the great starring role she’s always deserved

  • The AV Club
For a very brief period in the late ’80s and early ’90s, Brazilian actress Sonia Braga looked poised to become a major Hollywood star. Her significant supporting role in Kiss Of The Spider Woman (1985), a Brazilian-American co-production that won William Hurt the Oscar for Best Actor and was nominated for Best Picture, got studio suits’ attention; a few years later, she appeared in Robert Redford’s The Milagro Beanfield War and Paul Mazursky’s Moon Over Parador (both of which, oddly, are set in fictional locations, with Milagro somewhere in New Mexico and Parador an entirely invented South American country). Neither film was a hit, and the same tepid box-office fate met her last big Hollywood showcase, The Rookie (1990), in which she played one of the criminals (alongside Raul Juliá again) being pursued by cops Clint Eastwood and Charlie Sheen. While she would later be nominated for an ...
See full article at The AV Club »

Rod Serling’s ‘Patterns’

Is this Rod Serling's best teleplay ever? Van Heflin, Everett Sloane and Ed Begley are at the center of a business power squeeze. Is it all about staying competitive, or is it corporate murder? With terrific early performances from Elizabeth Wilson and Beatrice Straight. Patterns Blu-ray The Film Detective 1956 / B&W / 1:66 widescreen / 83 min. / Street Date September 27, 2016 / 14.99 Starring Van Heflin, Everett Sloane, Ed Begley, Beatrice Straight, Elizabeth Wilson, Joanna Roos, Valerie Cossart, Eleni Kiamos, Ronnie Welsh, Shirley Standlee, Andrew Duggan, Jack Livesy, John Seymour, James Kelly, John Shelly, Victor Harrison, Sally Gracie, Sally Chamberlin, Edward Binns, Lauren Bacall, Ethel Britton, Michael Dreyfuss, Elaine Kaye, Adrienne Moore. Cinematography Boris Kaufman Film Editors Dave Kummis, Carl Lerner Art Direction Richard Sylbert Assistant Director Charles Maguire Written by Rod Serling Produced by Michael Myerberg Directed by Fielder Cook

Reviewed by Glenn Erickson

Let me roll off the titles of some 'fifties 'organization
See full article at Trailers from Hell »

Ava DuVernay Original Prison Documentary Set To Open The 54th New York Film Festival

  • LRM Online
The Film Society of Lincoln Center announces Ava DuVernay’s documentary The 13th as the Opening Night selection of the 54th New York Film Festival (September 30 – October 16), making its world premiere at Alice Tully Hall. The 13th is the first-ever nonfiction work to open the festival, and will debut on Netflix and open in a limited theatrical run on October 7.

Chronicling the history of racial inequality in the United States, The 13th examines how our country has produced the highest rate of incarceration in the world, with the majority of those imprisoned being African-American. The title of DuVernay’s extraordinary and galvanizing film refers to the 13th Amendment to the Constitution—“Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States . . . ” The progression from that second qualifying clause to the horrors of mass incarceration and
See full article at LRM Online »

Ava DuVernay’s ‘The 13th’ Will Open the 2016 New York Film Festival

If the languid summer tentpole season has you down, fear not, as the promising fall slate is around the corner and today brings the first news of what we’ll see at the 2016 New York Film Festival. For the first time ever, a non-fiction film will open The Film Society of Lincoln Center’s festival: Ava DuVernay‘s The 13th. Her timely follow-up to Selma chronicles the history of racial inequality in the United States and will arrive on Netflix and in limited theaters shortly after its premiere at Nyff, on October 7.

“It is a true honor for me and my collaborators to premiere The 13th as the opening night selection of the New York Film Festival,” Ava DuVernay says. “This film was made as an answer to my own questions about how and why we have become the most incarcerated nation in the world, how and why we regard
See full article at The Film Stage »

La Chienne | Criterion Blu-ray Review

  • ioncinema
Popular discussions of Jean Renoir tend to highlight his most renowned titles from particular periods of his career, though his greatest contributions and considerable reputation rest mainly on a handful of iconic titles from the 1930s, such as his early masterpiece Boudu Saved From Drowning (1932, remade several times in French and English, including by Paul Mazursky with Slums of Beverly Hills), and Grand Illusion (1937, notably the very first entry in Criterion’s esteemed collection).

Continue reading...
See full article at ioncinema »

Cinema Gadfly – Episode 20 – The Front

My guest for this month is West Anthony, and he’s joined me to discuss the film he chose for me, the 1976 comedy-drama film The Front. You can follow the show on Twitter @cinemagadfly.

Show notes:

Not sure what happened to the audio in the introduction, apologies! The Hollywood blacklist is a term for the treatment of people in the entertainment industry who refused to name names to the House Un-American Activities Committee from 1947 to 1960 For a more in depth take on the blacklist, check out the latest season of the phenomenal You Must Remember This podcast WonderCon is a comic book convention that was held annually in Sf until it was cruelly moved to the La area in 2012. Yes I’m still bitter about it. West also recommends the Gabrielle de Cuir directed Thirty Years of Treason by Eric Bentley Among the people famously blacklisted were Lillian Hellman, Lionel Stander,
See full article at CriterionCast »

Dave Franco, Gugu Mbatha-Raw, Orlando Bloom, Malin Akerman & More Take It 'Easy' For Joe Swanberg's Netflix Series

  • The Playlist
Joe Swanberg's career has moved to the beat of his own drum. While he can't seem to shake the now passé mumblecore tag, the writer/director/jack of all trades has developed from his own hyper-indie early works to attracting well known actors to feature in movies like "Drinking Buddies," "Happy Christmas" and "Digging For Fire." And his next career leap finds him going to Netflix, where he'll bring his strong work ethic to a brand new series.  Read More: Interview: Joe Swanberg Talks Personal Filmmaking, Paul Mazursky & The Inspiration Of "Friday Night Lights' Orlando Bloom, Malin Akerman, Michael Chernus, Marc Maron, Elizabeth Reaser, Gugu Mbatha-Raw, Jake Johnson, Aya Cash, Dave Franco, Jane Adams and Hannibal Burress are lining up for "Easy." Swanberg will write, direct and executive produce the half-hour anthology comedy that will focus on Chicagoans dealing with love, sex, technology and culture. So I'd...
See full article at The Playlist »

George Segal At "Who's Afraid Of Virginia Woolf?" Screening, L.A., February 23

  • CinemaRetro
By Todd Garbarini

The Royale Laemmle Theater in Los Angeles will be presenting a 50th anniversary screening of Mike Nichols’s Who’s Afraid of Virginia Woolf? based upon Edward Albee’s play. The 131-minute film, which stars Richard Burton, Elizabeth Taylor, George Segal and Sandy Dennis, will be screened on Tuesday, February 23, 2016 at 7:00 pm.

Actor George Segal, who appears in the film as Nick (Honey’s Husband), is scheduled to appear at a Q&A session after the film to discuss his role and career.

From the press release:

Who’S Afraid Of Virginia Woolf? (1966) 50th Anniversary Screening

Tribute to Oscar-winning Cinematographer Haskell Wexler

Oscar Nominee George Segal In Person for post-screening Q&A with Lafca President Stephen Farber

Tuesday, February 23, at 7:00 Pm at the Royal Theatre

Skeptics said Edward Albee’s scathing dissection of marriage could never be turned into a movie. But when the Production
See full article at CinemaRetro »
An error has occured. Please try again.

See also

Credited With | External Sites