James Joyce (I) - News Poster

News

Aidan Gillen to play comedian Dave Allen in new biopic

The BBC has announced that Game of Thrones alum Aidan Gillen is set to portray the controversial Irish comedian Dave Allen in an upcoming one-off drama set to air on BBC Two.

Entitled Dave Allen at Peace, the one-hour drama is being directed by Andy De Emmony (Fantabulosa!) from a script by Stephen Russell (We’re Doomed: The Dad’s Army Story) and will be framed around Gillen’s Allen perched on a stool as he looks back over his life and his 40-year career.

As per Deadline, it will ” explore how his comedy genius was shaped by the tragic loss of his father, his brother — and his finger — and how he survived decades of the Roman Catholic Church’s wrath, death threats from the Ira and a ban by Irish and Australian TV.”

See Also: Aidan Gillen set to play James Joyce in James and Lucia

Filming on Dave Allen
See full article at Flickeringmyth »

Venice Film Review: ‘The Leisure Seeker’

Venice Film Review: ‘The Leisure Seeker’
There are Alzheimer’s movies that cut to the quick, like “Still Alice,” and then there are Alzheimer’s movies that pander to the worst sort of cheaply-manipulative old-folks cutesiness, like “The Leisure Seeker.” Maybe if there were one crumb of genuine flavor in this stale cheese, it could have passed muster, but this is ersatz curd, dressed up by the presence of Helen Mirren and Donald Sutherland without doing credit to either. The bite of Italian director Paolo Virzì’s best films (such as “Human Capital”) is completely absent, replaced not even by dentures but a kind of pandering gumminess.

With a script that signals every progression as obviously as the large-lettered signs used in homes for people with dementia, viewers can guess after 10 minutes exactly how this predictable story is going to end. Still, with these two pros above the title, distributors should be able to attract the blue-rinse crowd at least.

What
See full article at Variety - Film News »

Aidan Gillen set to play James Joyce in James and Lucia

According to Deadline, Game of Thrones star Aidan Gillen is set to take on the role of celebrated Irish writer James Joyce in the upcoming drama James and Lucia, which is being written and directed by Robert Mullan (Mad to Be Normal).

The film will explore Joyce’s heroic struggle to protect and support his beloved daughter Lucia, a professional dancer, as her mental health deteriorates after a failed romance with playwright Samuel Beckett, and a diagnosis of schizophrenia.

Gillan will next be seen on the big screen this coming January in Maze Runner: The Death Cure, and has also recently signed on to appear in the fourth series of the BBC drama Peaky Blinders.
See full article at Flickeringmyth »

Aidan Gillen Gets First Post-‘Game of Thrones’ Gig In James Joyce Biopic

  • The Wrap
Aidan Gillen Gets First Post-‘Game of Thrones’ Gig In James Joyce Biopic
With his time as Littlefinger now at an end, “Game of Thrones” star Aidan Gillen will next appear as famed Irish novelist James Joyce in the upcoming biopic “James and Lucia,” which will begin filming early next year. Written and directed by Robert Mullan, the film will follow the final years of Joyce’s life in the late 1930s as he writes his famed novel, “Finnegan’s Wake.” As his health declines, so does that of his daughter, Lucia, a schizophrenic whose mental health worsened after a failed relationship with the famed playwright Samuel Beckett. As he finishes his novel,
See full article at The Wrap »

‘Game Of Thrones’ Aidan Gillen To Play James Joyce In Indie Pic ‘James And Lucia’

‘Game Of Thrones’ Aidan Gillen To Play James Joyce In Indie Pic ‘James And Lucia’
Exclusive: Aidan Gillen, whose seven-season run on HBO’s epic drama Game Of Thrones hit its apex during Sunday’s equally epic season finale, has been set to play James Joyce in Robert Mullan’s new film James And Lucia. Gillen played the scheming yet somehow likable Lord Petyr “Littlefinger” Baelish on GoT, and without giving too much away his character was a key plot point in Sunday’s Season 7 finale that was the series’ most-watched episode ever. The movie, written and…
See full article at Deadline »

"Twin Peaks," Episode 13 Recap: What Is This, Kindergarten?

  • MUBI
Twin Peaks Recap is a weekly column by Keith Uhlich covering David Lynch and Mark Frost's limited, 18-episode continuation of the Twin Peaks television series.Much of David Lynch's work is about regression, or regressiveness, about people who are most comfortable when indulging (really, hiding behind) their baser instincts. An acid-jazz saxophonist with murder on his mind might take refuge in the body and soul of a teenage delinquent (Lost Highway), or a midwestern girl who has played and lost the Hollywood game might concoct a candy-colored dream-life in which she finally attains Tinseltown stardom (Mulholland Dr.). But these escapes always prove to be traps, and cyclical ones at that. What goes around comes around. What has happened before will happen again. Even Blue Velvet's Dorothy Vallens (Isabella Rossellini), finally liberated from her abusive sexual relationship with Frank Booth (Dennis Hopper), "still can see blue velvet through my tears.
See full article at MUBI »

6 ‘Unadaptable’ Books That Were Turned Into Movies, From ‘Watchmen’ to ‘Cloud Atlas’

6 ‘Unadaptable’ Books That Were Turned Into Movies, From ‘Watchmen’ to ‘Cloud Atlas’
Never tell Hollywood it can’t do something. Over the years, the entertainment industry has gamely (and, often, unwisely) taken on projects that have been deemed unadaptable, often by their very own authors and creators. Such a film is bound for the big screen later this week, when Nikolaj Arcel’s already embattled “The Dark Tower” arrives, attempting to prove to audiences that adapting a sprawling Stephen King opus into a movie and television franchise after nearly a decade of starts and stops is, in fact, a good idea. It’s hardly the only example of such a gamble, and few similar attempts have managed to pay out, either financially or creatively.

Read More‘The Dark Tower’ Tested So Poorly That Sony Considered Replacing Director — Report

Sometimes “unadaptable” is just that, and perhaps even the best of books simply isn’t suited for a splashy filmed version. While it remains
See full article at Indiewire »

How sci-fi went mainstream

Ryan Lambie Jul 7, 2017

To tie in with the Into The Unknown exhibition, on now at London's Barbican, we look at how sci-fi has become a major cultural force...

It's not always easy being geeky. The celebrated genre writer Ray Bradbury knew this all too well; as a kid growing up in the 1920s and 30s, he was intoxicated by all things otherworldly and imaginative: classic horror movies, pulp sci-fi stories about Mars, comic strips detailing the exploits of Buck Rogers. Eventually, Bradbury's peers teased him mercilessly, until, in a bid to fit in, he ripped his Buck Rogers comics to shreds. But far from helping the young Bradbury draw a line under his obsessions, the destruction of his beloved comics left him feeling unhappy and soulless.

See related Twin Peaks season 3 episode 8 review: Gotta Light? Twin Peaks season 3 episode 7 review: There’s A Body All Right Twin Peaks season 3 episode
See full article at Den of Geek »

Fahrenheit 451

François Truffaut’s adaptation of Ray Bradbury’s dystopian, illiterate future looks better than ever, but the scary part is that some of its oddest sci-fi extrapolations seem to be coming true. It’s a movie that truly grows on one. The Bernard Herrmann music score is one of the composer’s very best.

Fahrenheit 451

Blu-ray

Universal Studios Home Entertainment

1966 / Color / 1:85 widescreen / 112 min. / 50th Anniversary Edition / Street Date June 6, 2017 / $14.98

Starring Julie Christie, Oskar Werner, Cyril Cusack, Anton Diffring, Jeremy Spencer, Bee Duffell.

Cinematography: Nicolas Roeg

Production Designers: Syd Cain, Tony Walton

Film Editor: Thom Noble

Original Music: Bernard Herrmann

Written by François Truffaut & Jean-Louis Richard from the book by Ray Bradbury

Produced by Lewis M. Allen, Miriam Brickman

Directed by François Truffaut

Quality science fiction was once a hard sell with both critics and the public. Fahrenheit 451 is usually discussed either as a Science Fiction film or a François Truffaut movie,
See full article at Trailers from Hell »

The Most Visible Star: Marilyn Monroe’s Acting Talent

The actress is mostly remembered for her good looks, but what about her impressive performances?

In Richard Dyer’s book Heavenly Bodies: Film Stars and Society, he writes that Marilyn Monroe was “the most visible star”: an actress whose life was put on display, and remains so over 50 years after her death. She is one of the most iconic Hollywood stars of all time, her face instantly recognizable to even those who have never seen any of her movies. She is a symbol of beauty, glamor, cinema, femininity, blondness, sexuality, and tragedy. While the world speculates about her personal life — who was she romantically involved with? How did she die? What was she really like? — her career as an actress is overshadowed by her fame.

While she may not have been the greatest actress of all time, she certainly had her fair share of talent and intelligence, and always worked incredibly hard to bring her
See full article at FilmSchoolRejects »

45 Years

Andrew Haigh’s quiet, two-person relationship tale won a lot of friends last year. A revelation from the past changes everything in the marriage of Charlotte Rampling and Tom Courtenay. We read the faces, read the gestures — just like we do in our own close relationships.

45 Years

Blu-ray

The Criterion Collection 861

2015/ Color / 1:85 widescreen / 95 min. / available through The Criterion Collection / Street Date March 7, 2017 / 39.95

Starring: Charlotte Rampling, Tom Courtenay, Geraldine James, Dolly Wells, David Sibley.

Cinematography: Lol Crawley

Film Editor: Jonathan Alberts

Production Designer: Sarah Finlay

From the short story by David Constantine

Produced by Tristan Goligher

Written and Directed by Andrew Haigh

Most filmmakers must find a way to chop down 800-page novels and still retain some semblance of the original. Others have the opposite problem, fleshing a short story to fill a feature length movie. The classic example is Ernest Hemingway’s The Killers, which is less than three thousand words in length.
See full article at Trailers from Hell »

On or About

  • MUBI
Regularly, in articles and essays, in posts and tweets, Virginia Woolf's quote, “...on or about December 1910 human character changed,” gets bandied about as the coming of the modern age. It is claimed, by such a writer as Edward Mendelson, that her statement was a serious joke. And according to him, her pronouncement was a hundred years premature. “Human character changed on or about December 2010, when everyone, it seemed, started carrying a smartphone,” he wrote in a recent New York Review of Books article. That is a serious joke, too. Each is probably not right; besides, trying to pinpoint something as elastic and elusive as human character is better left to the hacks. Few persons living or dead would attest to these dates when asked about human character, which most people probably think falls under the rubric we call life. Someone much more divested than Woolf or Mendelson, Thich Nacht Than,
See full article at MUBI »

Berlinale 2017. Chromesthetic Delirium and Documentary Spontaneity

  • MUBI
Untitled. © Lotus-FilmA pretty amazing aspect of the Berlinale is that a lot of the festival venues are multiplexes usually devoted to blockbusters, meaning that smaller films from the sidebars are often screened in theaters with gigantic screens and state-of-the-art sound systems. It’s in one such cinema that I got to experience the chromesthetic delirium of Ulysses in the Subway by Marc Downie, Paul Kaiser, Flo Jacobs and Ken Jacobs. And, let me tell you, it was mind-blowing. Describing the film is about as difficult as describing a drug trip—indeed, watching Ulysses in the Subway is what it might be like if you were to drop acid and ride around the New York subway with your eyes closed. With the intention of visualizing sound, the four artists took an audio recording Ken Jacobs made of a long subway ride home (Jacobs used the same recording in live performances of
See full article at MUBI »

Return to Montauk review – beached affair takes time to connect

Past lovers Nina Hoss and Stellan Skarsgård border on the unlovable in this slow-paced drama, but Volker Schlöndorff’s film rewards patience for its final twist

Volker Schlöndorff’s scalding film of The Tin Drum shared the Palme d’Or with Apocalypse Now in 1979. The director turns 78 next month and is no longer at the peak of his powers. But Return to Montauk proves that he still has it in him to startle and wrongfoot an audience.

What appears to be a clunky, tasteful, middle-aged rehash of Before Sunset, with two former lovers reunited after one of them writes a novel about their affair, turns out at the eleventh hour to have a sting in its tail. Schlöndorff and the novelist Cólm Toibín wrote the screenplay, which is adapted in part from the memoir Montauk by the late Swiss playwright and novelist Max Frisch, to whom the picture is dedicated.
See full article at The Guardian - Film News »

Conan O’Brien and Elijah Wood Are Enraged by ‘Final Fantasy Xv’ In Funny ‘Clueless Gamer’ Segment

Conan O’Brien and Elijah Wood Are Enraged by ‘Final Fantasy Xv’ In Funny ‘Clueless Gamer’ Segment
Conan O’Brien’s late-night show “Conan” features a recurring segment called “Clueless Gamer,” in which Conan and a celebrity guest both play a new video game release while bantering back and forth. It’s one of the show’s most popular segments and last night’s episode might have aired the best one yet. Conan and actor Elijah Wood play the new game “Final Fantasy Xv” and are quickly driven to boredom and rage, specifically by the game’s confusing strategy and ostensible pointlessness. Watch the segment below.

Read More: Conan O’Brien’s ‘Clueless Gamer’ Segment Gets ‘Game Of Thrones’ Help From Peter Dinklage & Lena Headey

Highlights from the segment include when Conan describes the game as like being “trapped in a Beckett play” or suggests that it should actually be called “Wait For Your Death In Real Time.” Eventually, Conan becomes so frustrated that he outright says,
See full article at Indiewire Television »

Conan O’Brien and Elijah Wood Are Enraged by ‘Final Fantasy Xv’ In Funny ‘Clueless Gamer’ Segment

  • Indiewire
Conan O’Brien and Elijah Wood Are Enraged by ‘Final Fantasy Xv’ In Funny ‘Clueless Gamer’ Segment
Conan O’Brien’s late-night show “Conan” features a recurring segment called “Clueless Gamer,” in which Conan and a celebrity guest both play a new video game release while bantering back and forth. It’s one of the show’s most popular segments and last night’s episode might have aired the best one yet. Conan and actor Elijah Wood play the new game “Final Fantasy Xv” and are quickly driven to boredom and rage, specifically by the game’s confusing strategy and ostensible pointlessness. Watch the segment below.

Read More: Conan O’Brien’s ‘Clueless Gamer’ Segment Gets ‘Game Of Thrones’ Help From Peter Dinklage & Lena Headey

Highlights from the segment include when Conan describes the game as like being “trapped in a Beckett play” or suggests that it should actually be called “Wait For Your Death In Real Time.” Eventually, Conan becomes so frustrated that he outright says,
See full article at Indiewire »

Alan Moore Retiring From Comic Books, Thinks This Century Needs Its Own Culture Outside Of Superheroes

If you ask comic book fans to list ten of the best comic book writers that ever existed, odds are good that Watchmen writer Alan Moore would fall somewhere on that list. Yes, the man has proven to be something of a recluse and embittered artist-type, but there’s no denying he knows his way around a keyboard.

Apart from Watchmen, Moore is also well known for such books as Batman: The Killing Joke, and V for Vendetta.

He’s definitely made his mark on the medium of comic books, but now, based on an interview he had with The Guardian while promoting his new novel, Jerusalem (a new 1,200+ page book set to hit shelves later this month), it sounds like he’s ready to move one from comics.

“[I have] about 250 pages of comics left in me,” he said.

He then added:

“And those will probably be very enjoyable. There are
See full article at LRM Online »

Depressed about Brexit? Outsiders is the comedy that makes you want to stay in | Anne Henry

The sitcom about a multicultural London flatshare was produced before the Brexit vote – but has ended up becoming an ideal response to it

Brexit, to paraphrase James Joyce, is a nightmare from which many of us are still trying to awake. While young people overwhelmingly voted remain, they woke up to find themselves in Brexit Britain. Racist incidents are on the up, the pound’s gone down, and everyone in charge appears to be, to put it mildly, behaving like a photographic negative of Rudyard Kipling’s If. And it became clear to me that we’ve become an international laughing stock when David Simon, creator of The Wire, approvingly tweeted of Michael Gove and Boris Johnson’s machinations: “Shit is West Baltimore, but with Pimm’s, tweed and crustless cucumber sandwiches. F’real, Brits are just gangster.” Laugh it up, Chuckles. You’ll be sorry when Trump gets his
See full article at The Guardian - TV News »

Locarno: Cameron Bailey on Audience Trends, Fest Competition, Value of Reboots

Locarno: Cameron Bailey on Audience Trends, Fest Competition, Value of Reboots
“Theatrical largely did die,” stated Toronto Fest artistic director Cameron Bailey, kicking off the Locarno 2016 edition of Step-In. Whether that is a problem or we’re just being nostalgic was one of the questions addressed by Step-In, Locarno’s industry think tank for distribution, exhibition, and sales professionals of auteur cinema, which launched on Friday Aug. 5 with a panel featuring Tiff artistic director Cameron Bailey, Telefilm Canada’s Carolle Brabant, Mongrel Media CEO Hussain Amarshi, and Emerging PicturesIra Deutchman. Bailey discussed what trends in audience habits signify from a festival perspective, how Tiff is catering to the niche “villages” of interest now emerging, and to the increasing multiplicity of choice facing audiences. Following the session, Variety grabbed Bailey at Locarno.

In what ways is Tiff embracing the current changes taking place in the world and in the film industry?

Any significant festival that lasts has to change all the time.
See full article at Variety - Film News »
loading
An error has occured. Please try again.

See also

Credited With | External Sites