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2014 | 2013 | 2012

2 items from 2014


'The Terminator' at 30: An oral history

17 July 2014 10:15 AM, PDT | EW - Inside Movies | See recent EW.com - Inside Movies news »

Thirty years ago, a killing machine from 2029—assuming the form of an Austrian bodybuilder—arrived with a lethal directive to alter the future. That he certainly did. The Terminator, made for $6.4 million by a couple of young disciples of B-movie king Roger Corman, became one of the defining sci-fi touchstones of all time. Its $38 million gross placed it outside of the top-20 box-office releases for 1984, yet the film grew into a phenomenon, spawning a five-picture franchise that’s taken in $1.4 billion to date and securing a place on the National Film Registry, which dubbed it “among the finest science-fiction films in many decades. »

- Joe McGovern

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Re-Viewed: Kathryn Bigelow's vampire gem Near Dark

21 February 2014 1:30 AM, PST | Digital Spy | See recent Digital Spy - Movie News news »

Near Dark opens with a close-up of a mosquito siphoning blood from an arm. Like the vampires - who, notably, are never referred to as such in the film - that haunt the velvet shadows of Kathryn Bigelow's 1987 picture, the mosquito feeds on blood in order to exist, no more, no less. But another comparison presents itself.

"When we realised we were going to have a live mosquito interact with one of our actors, we had to grow that mosquito so that there were no contaminants. That was a six-month process," Bigelow tells us on the DVD commentary. The same applies to the movie's mythology. Near Dark strips away gothic elements (crucifixes, holy water, stakes through hearts) and supernatural hokum (transformations into bats, etc) to offer a spare tale of love, family and survival. It's a vampire movie, but clean and purpose-built.

Back in the mid-'80s, Bigelow wanted to make a western. »

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2014 | 2013 | 2012

2 items from 2014


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