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Gary Rydstrom More at IMDbPro »
| Academy Awards, USA | |||
| Year | Result | Award | Category/Recipient(s) |
|---|---|---|---|
| 2012 | Nominated | Oscar |
Best Achievement in Sound Editing for: War Horse (2011). Shared with: Richard Hymns |
Best Achievement in Sound Mixing for: War Horse (2011). Shared with: Andy Nelson Tom Johnson Stuart Wilson |
| 2007 | Nominated | Oscar |
Best Short Film, Animated for: Lifted (2006). |
| 2004 | Nominated | Oscar |
Best Sound Editing for: Finding Nemo (2003). Shared with: Michael Silvers |
| 2003 | Nominated | Oscar |
Best Sound Editing for: Minority Report (2002). Shared with: Richard Hymns |
| 2002 | Nominated | Oscar |
Best Sound Editing for: Monsters, Inc. (2001). Shared with: Michael Silvers |
| 2000 | Nominated | Oscar |
Best Sound for: Star Wars: Episode I - The Phantom Menace (1999). Shared with: Tom Johnson Shawn Murphy John Midgley |
| 1999 | Won | Oscar |
Best Effects, Sound Effects Editing for: Saving Private Ryan (1998). Shared with: Richard Hymns |
Best Sound for: Saving Private Ryan (1998). Shared with: Gary Summers Andy Nelson Ron Judkins |
| 1998 | Won | Oscar |
Best Sound for: Titanic (1997). Shared with: Tom Johnson Gary Summers Mark Ulano |
| 1994 | Won | Oscar |
Best Effects, Sound Effects Editing for: Jurassic Park (1993). Shared with: Richard Hymns |
Best Sound for: Jurassic Park (1993). Shared with: Gary Summers Shawn Murphy Ron Judkins |
| 1992 | Won | Oscar |
Best Effects, Sound Effects Editing for: Terminator 2: Judgment Day (1991). Shared with: Gloria S. Borders |
Best Sound for: Terminator 2: Judgment Day (1991). Shared with: Tom Johnson Gary Summers Lee Orloff |
| Nominated | Oscar |
Best Effects, Sound Effects Editing for: Backdraft (1991). Shared with: Richard Hymns |
Best Sound for: Backdraft (1991). Shared with: Glenn Williams Gary Summers Randy Thom |
| BAFTA Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2012 | Nominated | BAFTA Film Award |
Best Sound for: War Horse (2011). Shared with: Tom Johnson Andy Nelson Richard Hymns Stuart Wilson |
| 2000 | Nominated | BAFTA Film Award |
Best Sound for: Star Wars: Episode I - The Phantom Menace (1999). Shared with: Ben Burtt Tom Bellfort John Midgley Tom Johnson Shawn Murphy |
| 1999 | Won | BAFTA Film Award |
Best Sound for: Saving Private Ryan (1998). Shared with: Ron Judkins Gary Summers Andy Nelson Richard Hymns |
| 1998 | Nominated | BAFTA Film Award |
Best Sound for: Titanic (1997). Shared with: Tom Johnson Gary Summers Mark Ulano |
| 1994 | Nominated | BAFTA Film Award |
Best Sound for: Jurassic Park (1993). Shared with: Richard Hymns Ron Judkins Gary Summers Shawn Murphy |
| 1992 | Won | BAFTA Film Award |
Best Sound for: Terminator 2: Judgment Day (1991). Shared with: Lee Orloff Tom Johnson Gary Summers |
| Cinema Audio Society, USA | |||
| Year | Result | Award | Category/Recipient(s) |
| 2004 | Won | Career Achievement Award |
|
| 2000 | Nominated | C.A.S. Award |
Outstanding Achievement in Sound Mixing for a Feature Film for: Star Wars: Episode I - The Phantom Menace (1999). Shared with: Tom Johnson (re-recording mixer) Shawn Murphy (re-recording mixer) John Midgley (production mixer) |
| 1999 | Won | C.A.S. Award |
Outstanding Achievement in Sound Mixing for a Feature Film for: Saving Private Ryan (1998). Shared with: Gary Summers (re-recording mixer) Andy Nelson (re-recording mixer) Ron Judkins (production mixer) |
| 1998 | Won | C.A.S. Award |
Outstanding Achievement in Sound Mixing for a Feature Film for: Titanic (1997). Shared with: Tom Johnson (re-recording mixer) Gary Summers (re-recording mixer) Mark Ulano (production mixer) |
| 1994 | Nominated | C.A.S. Award |
Outstanding Achievement in Sound Mixing for a Feature Film for: Jurassic Park (1993). Shared with: Gary Summers (re-recording mixer) Shawn Murphy (re-recording mixer) Ron Judkins (production mixer) |
| Motion Picture Sound Editors, USA | |||
| Year | Result | Award | Category/Recipient(s) |
| 2012 | Won | Golden Reel Award |
Best Sound Editing - Sound Effects and Foley in a Feature Film for: War Horse (2011). Shared with: Colette Dahanne (sound editor) Luke Dunn Gielmuda (supervising foley editor) Jana Vance (foley artist) Kyrsten Mate (sound editor) Dennie Thorpe (foley artist) Timothy Nielsen (sound editor) Teresa Eckton (sound editor) Richard Hymns (supervising sound editor) |
| 2005 | Won | Career Achievement Award |
|
| 2004 | Nominated | Golden Reel Award |
Best Sound Editing in Feature Film - Animated - Sound for: Finding Nemo (2003). Shared with: Michael Silvers (supervising sound editor/supervising adr editor) Al Nelson (supervising foley editor) Shannon Mills (sound effects editor) Teresa Eckton (sound effects editor) E.J. Holowicki (sound effects editor) Dee Selby (foley editor) Steve Slanec (adr editor) |
| 2003 | Nominated | Golden Reel Award |
Best Sound Editing in Domestic Features - Dialogue & ADR for: Minority Report (2002). Shared with: Richard Hymns (supervising sound editor) Gwendolyn Yates Whittle (supervising adr editor) Ewa Sztompke (dialogue editor) Richard Quinn (dialogue editor) Tom Bellfort (adr editor) |
Best Sound Editing in Domestic Features - Sound Effects & Foley for: Minority Report (2002). Shared with: Richard Hymns (supervising sound editor) Kyrsten Mate (sound effects editor) David C. Hughes (sound effects editor) J.R. Grubbs (sound effects editor) Jonathan Null (foley editor) Lindakay Brown (foley editor) |
| 2002 | Won | Golden Reel Award |
Best Sound Editing - Animated Feature Film, Domestic and Foreign for: Atlantis: The Lost Empire (2001). Shared with: Michael Silvers (supervising sound editor/adr editor) Mary Helen Leasman (supervising foley editor) John K. Carr (sound effects editor) Shannon Mills (sound effects editor) Ken Fischer (sound effects editor) David C. Hughes (sound effects editor) Susan Sanford (foley editor) |
| Nominated | Golden Reel Award |
Best Sound Editing - Animated Feature Film, Domestic and Foreign for: Monsters, Inc. (2001). Shared with: Michael Silvers (supervising sound editor) Karen G. Wilson (supervising foley editor) Jonathan Null (supervising adr editor) Tom Myers (sound effects editor) Shannon Mills (sound effects editor) Teresa Eckton (sound effects editor) Stephen Kearney (sound effects editor) Lindakay Brown (foley editor) |
Best Sound Editing - Dialogue & ADR, Domestic Feature Film for: A.I. Artificial Intelligence (2001). Shared with: Richard Hymns (supervising sound editor) Kyrsten Mate (sound effects editor) Teresa Eckton (sound effects editor) Christopher Scarabosio (sound effects editor) Jonathan Null (foley editor) Lindakay Brown (foley editor) |
Best Sound Editing - Effects & Foley, Domestic Feature Film for: A.I. Artificial Intelligence (2001). Shared with: Richard Hymns (supervising sound editor) Kyrsten Mate (sound effects editor) Teresa Eckton (sound effects editor) Christopher Scarabosio (sound effects editor) Jonathan Null (foley editor) Lindakay Brown (foley editor) |
| 2001 | Nominated | Golden Reel Award |
Best Sound Editing - Dialogue & ADR, Domestic Feature Film for: Into the Arms of Strangers: Stories of the Kindertransport (2000). Shared with: Dormand, Terry (supervising dialogue editor) |
| 1999 | Won | Golden Reel Award |
Best Sound Editing - Animated Feature for: A Bug's Life (1998). Shared with: Tim Holland (supervising sound editor) Pat Jackson (sound effects editor) Michael Silvers (adr editor) Mary Helen Leasman (foley editor) Marian Wilde (foley editor) |
Best Sound Editing - Dialogue & ADR for: Saving Private Ryan (1998). Shared with: Richard Hymns (supervising sound editor) Gwendolyn Yates Whittle (supervising dialogue editor) Larry Singer (supervising adr editor) Ewa Sztompke (dialogue editor) Sara Bolder (dialogue editor) Denise Whiting (adr editor) Thomas Whiting (adr editor) |
Best Sound Editing - Sound Effects & Foley for: Saving Private Ryan (1998). Shared with: Richard Hymns (supervising sound editor) Sandina Bailo-Lape (supervising foley editor) Ethan Van der Ryn (sound effects editor) Teresa Eckton (sound effects editor) Frank E. Eulner (sound effects editor) Karen G. Wilson (sound effects editor) Larry Oatfield (sound effects editor) Bruce Lacey (foley editor) |
| 1998 | Won | Golden Reel Award |
Best Sound Editing - Animated Feature for: Hercules (1997). Shared with: Tim Holland (supervising sound editor) Marilyn McCoppen (supervising adr editor) Pat Jackson (sound effects editor) Jeff Jones (sound effects editor) John K. Carr (sound effects editor) Mary Helen Leasman (foley editor) Marian Wilde (foley editor) James Melton (dialogue editor) Marilyn McCoppen (dialogue editor) |
| 1992 | Nominated | Golden Reel Award |
Best Sound Editing - Sound Effects for: Terminator 2: Judgment Day (1991) (MPSE) . Shared with: Ken Fischer (In Credits) Robert Shoup (In Credits) Gloria S. Borders (In Credits) Teresa Eckton (In Credits) Tim Holland (In Credits) Richard Hymns (In Credits) |
| News & Documentary Emmy Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2004 | Nominated | Emmy |
Outstanding Individual Achievement in a Craft: Music and Sound for: Amandla! A Revolution in Four Part Harmony (2002). Shared with: Kirk Denson (music editor) Al Nelson (supervising sound editor) Bob Edwards (re- recording mixer) Ronald G. Roumas (re- recording mixer) Tony Sereno (re- recording mixer) Stuart Deutsch (sound) (Cinemax). |
| Online Film Critics Society Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2003 | Nominated | OFCS Award |
Best Sound for: Minority Report (2002). Shared with: Richard Hymns |
| Satellite Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 2011 | Nominated | Satellite Award |
Best Sound (Editing & Mixing) for: War Horse (2011). Shared with: Richard Hymns Tom Johnson Stuart Wilson Andy Nelson |
| 2003 | Nominated | Golden Satellite Award |
Best Sound for: Minority Report (2002). Shared with: Richard Hymns |
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