Florian Henckel von Donnersmarck products
3 items from 2012
12 May 2012 5:24 PM, PDT | Alt Film Guide | See recent Alt Film Guide news »
Dark Shadows: Michelle Pfeiffer in the old Joan Bennett role, Elizabeth Collins Stoddard Unlike Joss Whedon / Chris Evans / Chris Hemsworth’s The Avengers, Tim Burton / Johnny Depp’s Dark Shadows isn’t about to break any box-office records. The latest Burton / Depp collaboration — also featuring Michelle Pfeiffer and Chloë Grace Moretz — opened with a disappointing $9.72m (including $550k from Thursday midnight screenings) at 3,755 North American locations. Dark Shadows is expected to finish its first domestic weekend with $27-28m — or less than the amount ($29.1m) The Avengers earned on its second Friday out. [See also The Avengers Movie to Break Another box-office Record?] Dark Shadows distributor Warner Bros. had been expecting at the very least a $35m opening weekend. Burton and Depp’s previous collaboration, Alice in Wonderland, debuted with $116m in March 2010. In fact, even Sweeney Todd: The Demon Barber of Fleet Street, which scored $9.3m on opening weekend in December 2007, sold more tickets than Dark Shadows. Making »
- Zac Gille
25 March 2012 11:02 AM, PDT | MUBI | See recent MUBI news »
Amy Monaghan, first known to most of us as the cinetrix, is high-tailing it from Boston, where she presented a paper at Scms, to New York for this afternoon's launch of the new issue of Black Clock, the literary journal edited by novelist Steve Erickson. You've got to love the promo blurb they've written for themselves:
In a movie issue like no other, Black Clock 15 features Geoff Nicholson's meeting of two film pioneers in "Buster Keaton: The Warhol Years," David Thomson's journey up the Amazon with Warren Beatty, and Anthony Miller's history of the cinema — from Dw Griffith's adaptation of Hemingway's The Sun Also Rises (presenting Louise Brooks as Lady Brett) to Don Siegel's 60s cult B-movie Bonnie and Clyde with Tuesday Weld and Clint Eastwood, to the 2010 Academy Award-winning portrayal by Chris Farley of silent comedic actor Fatty Arbuckle in Milos Forman's The Life of the Party. »
13 February 2012 11:34 AM, PST | MUBI | See recent MUBI news »
Of all directors working in Germany today, Christian Petzold has the surest hand and, while, after just one viewing, it's too early to stake a claim for Barbara as his best film yet, it is, in many ways, a culmination of his stylistic progression towards a classic yet vividly contemporary cinematic language. Referencing influences in interviews — like many directors who can afford the time, Petzold likes to screen films for his cast in the weeks of rehearsal before shooting begins — he's been citing quite a few of late from both Golden Age and New Hollywood. The ghost of Marnie moves through Yella (2007) in the way a camera follows a woman up a set of stairs. Jerichow (2008) transposes The Postman Always Rings Twice from the oppressive shadows of film noir to a sun-drenched summer in present-day Germany. Of the three films that comprise Dreileben (2011), Petzold's Beats Being Dead is the one »
3 items from 2012
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