6 items from 2013
We’ve received the details of The Horror Channel’s superb Autumn’s line-up. It’s a season celebrating the genre’s cult classics which includes Nic Roeg’s The Man Who Fell To Earth and Michael Powell’s Peeping Tom. However, we must make a shout out to Dominic Brunt’s intense and intimate zombie thriller Before Dawn and Padraig Reynolds’ head-twising harvest horror and festival fave, Rites Of Spring. Both indie offerings are well worth a watch and make their UK television premieres this November. You can also click on those two titles to read my reviews.
Horror Channel celebrates British horror classics with a Brit-cult season
November on Horror Channel sees network premieres for a memorable collection of strange cult oddities and forgotten British horror classics, kicking off with the network premiere of Nicolas Roeg »
- Craig Hunter
November on Horror Channel sees network premieres for a memorable collection of strange cult oddities and forgotten British horror classics, kicking off with the network premiere of Nicolas Roeg’s The Man Who Fell to Earth, starring David Bowie. Joining Bowie in the realm of the weird and wonderful is Roy Boulting’s psychological ground-breaker Twisted Nerve, Michael Powell’s controversial (and classic) Peeping Tom, Robert Fuest’s Hitchcockian And Soon the Darkness and Jimmy Sangster’s Hammer classic Fear in the Night.
Also, there are UK TV premieres for Emmerdale actor Dominic Brunt’s directorial feature film debut Before Dawn, Lulu Jarmen’s disturbing Bad Meat (review) and Padraig Reynold’s festival favourite Rites of Spring (review).
The line up in full:
Fri 1 Nov @ 22:55 – The Man Who Fell To Earth (1976)
Based on the 1963 novel of the same name by Walter Tevis, this cult classic stars David Bowies (in »
- Phil Wheat
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Peter Bradshaw on horror
Horror crashes through boundaries and challenges the prohibitions of taste and thinkability in a way few other genres can match. Classics of the genre were produced in cinema's very earliest days – the vampire nightmare Nosferatu and The Cabinet of Dr Caligari from the world of German Expressionism.
Later, Universal Pictures had smash hits with iconic versions of Dracula, The Wolf Man and Frankenstein. Roger Corman's movies would demonstrate the sheer trashy power of horror, and Hitchcock tapped into this B-picture aesthetic with his own low-budget masterpiece, Psycho, which popularised the psychological horror film, taking the genre away from its supernatural roots – although William Friedkin's masterpiece, The Exorcist, took it right back there again. »
Every year, we here at Sound On Sight celebrate the month of October with 31 Days of Horror; and every year, I update the list of my favourite horror films ever made. Last year, I released a list that included 150 picks. This year, I’ll be upgrading the list, making minor alterations, changing the rankings, adding new entries, and possibly removing a few titles. I’ve also decided to publish each post backwards this time around for one reason: that is, the new additions appear lower on my list, whereas my top 50 haven’t changed much, except for maybe in ranking. Enjoy!
Written and directed by Peter Tscherkassky
Outer Space has gained a reputation over the years as being a key experimental film alongside the works of such legends as Stan Brakhage and Michael Snow. Horror buffs will recognise the actress in the short as Oscar nominee Barbara Hershey. »
- Ricky da Conceição
Odd List Ryan Lambie 4 Oct 2013 - 06:41
They're funny, they're sad, they're weird. Here are 50 famous last words from characters in the movies...
Please Note: There are potential spoilers ahead. Check the name of the film, and if you haven't seen it, don't read the entry!
As someone famous probably once said, “We’ve all gotta go sometime,” and if we’re going to die, we might as well do so with a witticism or a memorable line rather than a scream and a cry for mother. Which is the subject of this lengthy but far from definitive list: the memorable things movie characters have uttered shortly (not necessarily immediately) before they’re about to meet their maker.
Some of these last words are long, tear-jerking monologues. Others amount to little more than a word or two. But all of them, in our estimation, are worthy of mention, and one »
Paul Henreid: From Eleanor Parker to ‘The Four Horsemen of the Apocalypse’ (photo: Paul Henreid and Eleanor Parker in ‘Between Two Worlds’) Paul Henreid returns this evening, as Turner Classic Movies’ Star of the Month of July 2013. In Of Human Bondage (1946), he stars in the old Leslie Howard role: a clubfooted medical student who falls for a ruthless waitress (Eleanor Parker, in the old Bette Davis role). Next on TCM, Henreid and Eleanor Parker are reunited in Between Two Worlds (1944), in which passengers aboard an ocean liner wonder where they are and where the hell (or heaven or purgatory) they’re going. Hollywood Canteen (1944) is a near-plotless, all-star showcase for Warner Bros.’ talent, a World War II morale-boosting follow-up to that studio’s Thank Your Lucky Stars, released the previous year. Last of the Buccaneers (1950) and Pirates of Tripoli (1955) are B pirate movies. The former is an uninspired affair, »
- Andre Soares
6 items from 2013
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