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2 items from 2017


January 17th Blu-ray & DVD Releases Include Ouija: Origin Of Evil, Roger Corman’S Death Race 2050

16 January 2017 6:33 PM, PST | DailyDead | See recent DailyDead news »

Horror and sci-fi home entertainment titles are really picking up this week, as we have almost 20 different Blu-rays and DVDs coming home this Tuesday. Universal is keeping themselves busy with several notable releases including Death Race 2050, Ouija: Origin of Evil, 12 Monkeys: Season Two, and a Ouija double feature.

Scream Factory is dusting off two cult classics, Slumber Party Massacre II and III for a special Blu-ray featuring the slasher sequels, and Sony Pictures Home Entertainment is getting you guys pumped for the upcoming release of Resident Evil: The Final Chapter with several new Blu-ray releases for the franchise's first four films.

Other notable releases for January 17th include Revenge of the Blood Beast, 24 Hours to Die, Wolf House, Mountain Devil, and Space Clown.

Ouija: Origin of Evil (Universal Studios Home Entertainment, Blu / DVD / Digital HD & DVD)

It was never just a game. Inviting audiences again into the lore of the spirit board, »

- Heather Wixson

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Revenge of the Blood Beast

13 January 2017 1:08 PM, PST | Trailers from Hell | See recent Trailers from Hell news »

Revenge of the Blood Beast

Blu-ray

Rarovideo

1966 / Color / 2:35 widescreen / 79 min. / Il lago di Satana, La sorella di Satana, The She-Beast / Street Date January 17, 2017 / 29.95

Starring: Barbara Steele, John Karlsen, Ian Ogilvy, Mel Welles, Lucretia Love

Cinematography: Gioacchino Gengarelli

Film Editor: Nira Omri

Original Music: Paul Ferris

Produced by: Paul Maslansky, Michael Reeves

Written and Directed by Michael Reeves

 

It’s back into the genre argument pits with the interesting director Michael Reeves. Reeves has persisted as a cult figure far longer than most directors with only three credited feature films. The movies are uneven but promising, and certainly the artistic equal (or better) than most of the work being turned out at the time by American-International and the majority of the Euro-horror crowd. The second half of the 1960s saw a general depression in the horror field, with Hammer losing touch with its audience and continental fare turning to sex content to generate interest. »

- Glenn Erickson

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2 items from 2017


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