My work will not be seen on screen the way I want it to if I'm forced to compromise my tools and my integrity. I can't short-change my director by taking a chance that the perfect shot is going to be ruined because we're using a format of lesser quality than film.
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Trivia:
As of 2008, he is the only cinematographer that has worked with Director Christopher Nolan since "Memento" (2000).
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