2 items from 2014
Ivan Reitman's early comedies leaned heavily on the idea of the scruffy underdogs who managed to retain their personal quirks within systems designed to break them down. Whether it was the rowdy campers and counselors of "Meatballs" or the shabby soldiers of "Stripes" or the Ghostbusters, Reitman's movies seemed to celebrate these characters and the entire idea of rebellion. After those films, though, he became an A-list director whose movies seemed to lean on high concepts that were much less interesting. "Legal Eagles" and "Twins" were both dispiriting efforts that leaned heavily on movie star charisma in place of actual scripts and characters. In general, any film Reitman made with Arnold Schwarzenegger felt like a total refutation of the things that Reitman did well. The one bright spot in his post-"Ghostbusters" filmography was "Dave," which started as a sharp and funny script, and if "Draft Day" feels like any of his prior films, »
- Drew McWeeny
Commenting on the Critics with Simon Columb...
"Tyler’s resume also includes The Expendables films, Now You See Me, and a handful of the Fast and Furious movies. He did an alright job with the music in his previous Marvel efforts, but as I said before, none of them were exactly memorable. The studio must like him though if they want to bring him back for Avengers: Age Of Ultron. Let’s just hope that he does as good a job with the superhero team-up as Silvestri did the first time around."
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I think Garcia is well aware of flawed ‘alright’ critique of Tyler’s previous efforts. Considering the success of Marvel’s Universe of films, this is a core element that is consistently below par. »
- Gary Collinson
2 items from 2014
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